Some papers published since 21:
Philosophical Foundation and Cultural Characteristics of China's Calligraphy —— Re-examination of Zong Baihua's Calligraphy Aesthetic Thought and Its Academic Significance, No.11 of Literature and Art Research in 213.
the double misreading of "tradition" and "west" —— multiple modernity and the re-examination of the modern transformation theory of ancient China literary theory, Chongqing Review NO.1
Zhuangzi Aesthetics of Fu Shan —— Taking the Theory of "Sining and Four Don 'ts" as an example, Yi Heng, the seventh series, China Federation of Literary and Art Circles Press, 212.
Modern Situation and Universal Value of Calligraphy in China, Calligraphy Guide, 6th edition, December 19, 212
Scholar's Calligraphy in Cultural Fracture and Transformation-Also on the Academic Significance of Xu Wuwen's Calligraphy and Calligraphy, Art Watch, No.8, 212
Nation-state, Democratic State and Civilized State-Liang Qichao's national image of modern China.
held and the ideological tradition of cultural nationalism, Journal of Southwest University (Social Science Edition), No.1, 212.
Exploring the Ontology Spirit of Calligraphy Beauty, Calligraphy and Painting World, No.146, July 211.
《< Pillar inscription > Comment on the Debate between True and False, Chongqing Calligraphy, No.3, 21. Calligraphy Guide, 8th issue, 7th edition, February 23rd, 211 ("calligraphy theory" edition).
"Rewriting the History of Calligraphy" and the Generalization of Artistic Classics ",Literature and Art Research, No.8, 211.
Mother Language Identity in Modern Cultural and Political Conflicts, Research on Literary Theory No.2, 211
Problem Structure and Reflection of Modernity, Hongyan Special Issue Chongqing Review No.1, 211
Perspective Transformation and Ontology Questioning —— China Calligraphy under the Interpretation of Western Art Theory, and Literary Research.
"Aestheticization of Daily Life" and Post-Modernity —— TV Media and Contemporary Aesthetic Cultural Transformation ",No.11 of TV Research in 21.
"The Bottom Line of Pen and Ink" and the Self-confidence of Chinese Painting —— Zhao Chen's Figure Painting and Artistic Pursuit ",No.7 of Calligraphy and Painting World in 21.
Modern Transformation of China's Calligraphy and Reflection on Cultural Value, Literature and Art Research, No.12, 28.
"Reflection on Modernity" and the Evolution of Literary History in the Past 3 Years of Reform and Opening-up ",Journal of Southwest University (Social Science Edition), No.5, 28.
Literature in the Age of Electronic Media, People's Daily, August 1, 26, Literary Criticism.
Humanization or Vulgarization, People's Daily, 9th edition, July 7, 25.
The Global Diffusion and Reproduction of Orientalism, Journal of Xiamen University (Philosophy Edition), No.3, 25.
a review of said <: Culture and imperialism > ",(Hong Kong) 21st Century, August 24.
The Significance of Chinese Writing, People's Daily, 16th edition, June 15th, 24.
The Globalization Logic of Orientalism, Reading, No.3, 24.
Summary, Compatibility and Innovation —— A Description of the Development of China's Literary Theory in the New Century, People's Daily, 14th edition, November 4, 23.
Modernity, Technical Rule and Ecological Politics, Book House, No.1, 23. Copy of the full text of "Philosophy of Science and Technology", the 12th issue in 23.
Economic Globalization and Innovation of National Culture, the 14th edition of People's Daily on August 19th, 23, in the column of "Literary Criticism".
Take the past as a mirror to show the future —— Reflections on TV dramas with historical themes in recent years, People's Daily, 14th edition, June 24, 23.
Cultural Development and the Image of China, People's Daily, 14th edition, June 1th, 23.
Contemporary Literature under Market Conditions, People's Daily, 14th edition, May 13, 23.
Interpretation and Problems of Orientalism Discourse, with nearly 7, words, is included in Wang Yuechuan's Literary Aesthetics and Contemporary China Thought, Seoul: Xinxing Publishing House, February 23, pp. 179-283.
Reconstruction of Native Culture and Utilization of Foreign Culture, No.2 of Oriental Series, 23.
Orientalist Discourse in Cross-cultural Practice, 21st Century (Hong Kong), June 22.
Foucault and Said: From Knowledge-Power to Different Cultural Expression, Tianjin Social Sciences, No.6, 21.
The Other and Cultural Identity Writing: From Orientalism to Orientalism of Orientalists, No.1 of Oriental Series, 21.
The Craft Continuing by Faith —— The Old Testament of Painting and Calligraphy and the Art of Life in Zhu 'an, Preface to the Old Testament of Pen and Ink, Xiling Press, 212.
"The idle flowers take a dim view —— Mr. Wang Xianying's Flower and Bird Painting Art", preface to Wang Xianying's Flower and Bird Painting Collection, Chongqing Publishing House, 214.