Bamboo and Stone
(Qing Dynasty) Zheng Xie
Stick to the green mountains and never relax,
The roots are still in the broken rocks.
Thousands of grindings and blows have yielded strong strength,
No matter how strong the wind is from east to west, north or south.
Notes
Bamboo stone: Bamboo rooted in the cracks of stone. The poet is a famous painter, and his paintings of bamboo are particularly famous. This is a poem he inscribed on a bamboo and stone painting.
Determined: It is a metaphor for taking root firmly, like biting a green mountain without letting go.
Bite: In this poem it means firmly rooted in the soil.
Take root: take root, take root.
Original: originally, originally.
Broken rock: cracked rock.
Grind: torture, frustration.
Strike: strike.
Jianjin: tenacity and strength.
Ren: Let it go.
Er: You.
Translation
The bamboo grasps the green mountain and does not relax at all. Its roots are firmly rooted in the rock crevices. Despite thousands of hardships and blows, we are still strong and strong, no matter what kind of wind you blow.
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The meaning of the ancient poem Bamboo and Stone
Zheng Xie insists that Qingshan will not relax, The roots were originally in the broken rock. It has endured countless blows but still remains strong, regardless of the winds from east to west, north and south. Notes 1. "Bamboo and Stone" is a poem on painting. 2. Determined: a metaphor for taking root firmly, as if one is biting and not letting go. 3. Grind: torture. Jianjin: firm and strong. 4. Er: That. This sentence means: No matter how strong the wind from east to west or northwest blows, it cannot be blown down. Translation: The green bamboo hugged the green mountain and never relaxed. It turned out that the roots were deeply rooted into the cracks in the rocks. After being beaten and tortured by strong winds thousands of times, it is still as hard as iron, regardless of the strong winds from east to west, north to south. Appreciation This is a poem inscribed on a picture of bamboo and stone. The author is chanting about bamboo and stone, but it is no longer a general description of bamboo and stone in nature, but contains the author's profound thoughts and feelings. The author uses objects as metaphors for people, and actually writes bamboos, but what he praises is people. The poet stands on the green hills, with hard rocks as the background and foundation, saying that the bamboo "clines to the green hills", "breaks the rocks with its roots", and "struggles with thousands of blows". "Strong strength" is a true portrayal of the bamboo that has withstood the wind and rain and the person symbolized by the bamboo. Therefore, it can be said that by singing about bamboo and stone, the poem creates a glorious image of a strong man who is indomitable and indomitable. The whole poem is fresh and smooth, with sincere feelings. Although the language is popular, it is profound and meaningful.
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The meaning of the ancient poem "Bamboo and Stone"
"Bamboo and Stone" is a seven-character quatrain created by the Qing Dynasty painter Zheng Xie. This poem is a poem about bamboo. What the poet praises is not the softness of bamboo, but the perseverance of bamboo. The first two sentences praise the inner spirit of strong bamboo rooted in broken rocks. The word "bite" at the beginning is extremely powerful and vivid, fully expressing Jinzhu's resolute character. Then the word "bite" is supplemented with "not relaxing", and Jinzhu's personality characteristics are fully revealed. The word "broken rock" in the second sentence further highlights the tenacity of Jinzhu's vitality. The last two sentences go a step further to describe the harsh objective environment that tests Jin Zhu. Regardless of wind or rain, frost or snow, the green bamboos are still "strong" and stand proudly. "Thousands of blows" and "winds from the southeast and northwest" can be said to be a severe test. Original text: Firmly insist on not letting go of the green mountains, the roots are still in the broken rocks. It has endured thousands of blows but is still strong, regardless of the winds from east to west, north and south. Vernacular Translation: Clinging to the green mountains tightly without letting go, originally rooted deeply in the crevices of the rocks. My body and bones are still strong despite countless blows, no matter how strong the wind blows from east to west, north and south. Extended information: This poem is a painting poem, inscribed on the author Zheng Banqiao's own "Bamboo and Stone Pictures". This poem praises rock bamboo's tenacity and implies the author's strong character of defying common opinion. The poet uses the words "Qian" and "Wan" to describe the tenacity, fearlessness, calmness and confidence of bamboo. It can be said that the artistic conception of the whole poem emerges suddenly at this point. At this time, what stands in front of us is no longer just a few ordinary bamboos. What we feel is a kind of tenacious vitality and an indomitable willpower, and all of this is contained in that slender Among the windy bamboos. The author Zheng Banqiao's poems on paintings have a strong three-dimensional sense just like his paintings, and can be appreciated by painting. This poem is exactly like this. Both bamboo and stone are vivid in the poet's writing, as if they are in front of his eyes.
The disembodied wind is also described as if it is blowing by the face. The bamboo in the poem is actually the incarnation of the noble personality of the author Zheng Banqiao. In life, the poet is exactly such a rock bamboo that has a closer connection with the lower class people, hates evil as much as hatred, and is not afraid of the powerful. The author Zheng Banqiao's poems on paintings have a strong three-dimensional sense just like his paintings, and can be appreciated by painting. References Baidu Encyclopedia - Bamboo and Stone (Seven-Character Quatrains by Zheng Xie)
196 Views 12962019-10-11
What does "Bamboo and Stone Ancient Poems" mean?
The meaning of "Bamboo and Stone Ancient Poetry" is: Bamboo does not relax its grip on the green mountains at all, its roots are firmly rooted in the cracks of the rocks. Thousands of hardships and blows are still strong and strong, no matter what kind of wind you blow. Original text: Bamboo and Stone (Qing Dynasty) Zheng Xie Determined not to let go of the green mountains, The roots are still in the broken rocks. It has endured countless blows but still remains strong, regardless of the winds from east to west, north and south. Author: Calligrapher, painter and poet in Qing Dynasty. The courtesy name is Kerou, the name is Banqiao, and he was born in Xinghua, Jiangsu Province. Qianlong Jinshi. The magistrates of Guanfan County and Wei County were dismissed from office because they offended wealthy families. He is one of the "Eight Eccentrics of Yangzhou". Created the "six-and-a-half-point book", which is a mixture of seal script and official script, combined with regular script, and is staggered vertically and horizontally. He specializes in painting orchid, bamboo, pine and stone, which is simple and powerful. Gong's poems express emotions and feelings, and are full of joy. Author of "The Complete Works of Banqiao". Appreciation: This is a poem that uses objects to describe people and expresses aspirations. It is also a poem in praise of objects. This poem focuses on expressing the tenacious and persistent quality of bamboo. It supports the tenacity of rock bamboo and expresses its uprightness, unyielding and unyielding character. The language of the whole poem is simple, lively, persistent and powerful.
353 Views 12242019-09-11
The meaning of the poem Bamboo and Stone
Original text Bamboo and Stone ① Determined ② The green mountains do not relax, and the roots ③ Original ④ are in the broken rock ⑤Medium. Thousands of grinding ⑥ Thousands of blows ⑦ Still strong ⑧ , Let the ⑨ you ⑩ wind from east to west, north and south. Interpretation of ancient poems ① Bamboo: Bamboo rooted in the cracks of stones. The poet is a famous painter, and his paintings of bamboo are particularly famous. This is a poem he inscribed on a bamboo and stone painting. ② Determined: It is a metaphor for taking root firmly, like biting a green mountain without letting go. Bamboo and stone ③ Root: take root, take root. ④Original: Originally, original, original. ⑤Broken rock: cracked rock. ⑥Grind: torture, frustration, tempering. ⑦ Strike: Strike. ⑧Jianjin: tenacity and strength. ⑨Ren: Let it go. ⑩ Er: You. 译文：The bamboo clings to the green hills and never relaxes at all. Its roots are firmly rooted in the crevices of the rocks. After thousands of tortures and blows, it is still so strong. Whether it is the southeast wind in the scorching summer or the northwest wind in the harsh winter, it can withstand it and remains strong and strong, surviving tenaciously. Appreciation of Famous Sentences: This poem focuses on expressing the tenacious and persistent quality of bamboo. It is a painting poem praising Yanzhu. It is a painting poem and a poem chanting objects. The word "firm" is used at the beginning to personify rock bamboo and convey its charm; the last two sentences further describe the character of rock bamboo. After countless hardships, it has developed a particularly upright posture and is never afraid of coming from behind. Strong winds from east to west, north and south. Zheng Xie not only wrote beautiful poems about bamboo in Bamboo and Stone, but also painted bamboos that were lifelike. In his words, he "painted bamboos to comfort the working people in the world." Therefore, this poem is written about bamboo on the surface, but it is actually about people. It is about the author's own upright and stubborn character, and his arrogant character that will never bow to any evil forces. At the same time, this poem can also give us the touch of life. In the tortuous and harsh environment, we can overcome difficulties and face reality, being as strong and brave as rock bamboo, which embodies the feelings of patriots. It is also a poem that supports things and expresses ambitions. It supports the tenacity of Yanzhu and expresses his uprightness, unyielding and unyielding character. The language of this poem is simple and lively, but persistent and powerful. It vividly describes the bamboo growing in a harsh environment, growing up in danger, but also being free, firm and optimistic. Bamboo takes root in the broken rocks and withstands the blows of wind, snow, rain, and frost, but it just "sticks to the green mountains and never relaxes." The word "bite" expresses the tenacity of bamboo. The word "ren" in the last sentence also expresses Zhuzi's fearless, generous, positive and optimistic mental outlook. Explanation: This is a painting poem with profound meaning. The first two sentences say that bamboo takes root in broken rocks and has a solid foundation. The second sentence says that no matter how strong the wind blows from all directions, and how much torture and blow the bamboo and stone receive, they remain firm and strong. In praising the firm and tenacious spirit of Bamboo and Stone, the author also expresses his own strong spirit that is not afraid of any blow. This poem is often used to describe the revolutionaries' firm stance in struggle and their unwavering character when attacked by the enemy.
Author's background Zheng Xie, also known as Zheng Banqiao, also known as Kerou, also known as Banqiao, also known as Li'an, was born in Xinghua, Jiangsu Province in 1693 and died in 1765. He was a scholar of Kangxi, a scholar of Yongzheng, and a Jinshi of Qianlong. He lives in Yangzhou and makes a living by selling paintings. He is one of the "Eight Eccentrics of Yangzhou". His poetry, calligraphy and painting are known as the "Three Wonders" in the world, and he is good at painting orchid and bamboo. Banqiao's ancestors were scholars for three generations. His great-grandfather Xinwan was born in Xiang (xiang); his grandfather Qingzhi was a Confucian official; his father Liben was named Li'an and was born in Lin (lin). Portrait of Zheng Xie [1] Born in Guiyou, Guiyou, 1693, October 25, the 32nd year of Kangxi, in Gubanqiao, the east gate of Xinghua City. His mother, Mrs. Wang, passed away when he was 4 years old; his father inherited Mrs. Hao when he was 5 years old. At the age of 14, his stepmother, Mrs. Hao, died. When I was young, I studied in Maojiaqiao, Zhenzhou, around this time. At the age of 20, I started writing lyrics from Xinghua senior Mr. Lu Zhongyuan. At the age of 23, he married Xu, a native of Zhouyi. He became a scholar at the age of 24 and started teaching at the age of 26. His father Zheng Li'an died at the age of 30. He started selling paintings in Yangzhou around this year when he was 31 and continued for about ten years. His son also died this year. At the age of 39, in 1731, the ninth year of Yongzheng reign of Xinhai, his wife Xu died. At the age of 40, in 1732, the tenth year of the reign of Emperor Yongzheng of Renzi, he went to Nanjing to take part in the provincial examination in the autumn, and passed the examination. He wrote "Getting the Sound of Nanwei Jieyin". In February of his 43rd year, he fell in love with Rao Wu, a girl from the northern suburbs of Yangzhou, and wrote the title "Xijiang Moon". . 44 years old, Bingchen, 1736, the first year of Qianlong, from February to March, took the examination in Beijing, and won the 88th place in the second class. At the age of 45, the wet nurse Fei died, and Cheng Yuchen regained his support and accepted the Rao family. 50 years old, in Renxu, 1742, the seventh year of Qianlong's reign, he was the magistrate of Fan County in the spring, and concurrently served as the Chaocheng County in the summer. At the age of 52, concubine Rao gave birth to a son. At the age of 54, he was transferred from Fan County to Wei County and was re-elected for seven years. At the end of his 60th year, he resigned from the post of county magistrate. At the age of 63, he collaborated with Li Chan and Li Fangying on the "Three Friends" painting. In April of 73, he painted the "Bamboo and Stone Painting" and on May 3rd, he painted the "Xiu Bamboo and New Huang Painting". On December 12, 1765, the year of Yiyou (the 30th year of Qianlong's reign), he died of illness in the green garden beside Shengxiandang in Xinghua City. He had no children, so he adopted Zheng Mo's son Zheng Tian and was buried in the east of the city. Guan Ruan Village (now Guan Ruan Village, Daduo Town). Banqiao's "Xianju" says: "Jing's wife wipes the inkstone and grinds new ink, while the weak girl holds a paper to learn regular script." It is said that Banqiao was studying calligraphy and mistakenly used his fingers to practice respectfully on Xu's body and skin at night. Xu said: "Everyone has his or her own body." This sentence touched Banqiao, so he learned half of the ancient calligraphy style and left out the other half, creating the "six-and-a-half-point calligraphy". "Seven Songs" tells that the Xu family gave birth to two daughters and one son, and another daughter after the age of 30. Zheng Banqiao, one of the "Eight Eccentrics of Yangzhou", served as a seventh-rank official for twelve years. He was honest and upright. During his tenure, he painted a picture of ink bamboo with a poem on it: "I lie down in the Yazhai and listen to the Xiaoxiao bamboo. It is the sound of suffering among the people. These little officials in Caozhou County are always caring about each branch." He has very deep feelings for the lower class people and has a strong interest in folk customs. In his poems, calligraphy and paintings, he always reveals this fresh content and unique style from time to time. Tea is an important part of it. His father, Zheng Li'an, was a private teacher in the county and taught hundreds of students. Zheng Xie studied with his father since he was a child. He loved reading history books and poetry collections. He was erudite and memorized, and could recite all the books he read. When he was young, he studied in Maojiawan, Zhenzhou. The scholars of Kangxi and Yongzheng went to Nanjing to pass the provincial examination in the year of Renzi (1732). In 1736, Bingchen, the first year of Qianlong's reign, went to Beijing to take the examination for the Ministry of Rites and passed the Jinshi examination. In 1742, the seventh year of Qianlong's reign, he was appointed magistrate of Fan County, Shandong Province. In 1746, the eleventh year of Qianlong's reign, he was transferred to the post of magistrate of Weixian County. Zheng Xie was an official and loved the people as his son. When he was the magistrate of Weixian County, it was a time of famine. Regardless of the obstruction of others, he opened a warehouse to loan grain, asked the people to write IOUs, and saved more than 10,000 people. He also carried out extensive construction, built pools, and recruited people. Hungry people work to eat. When autumn came and the harvest failed again, Zheng Xie burned the people's IOUs. The people of Weixian County were grateful for his kindness and built a shrine for him. Zheng Xie is very concerned about fairness in civil affairs, and there has been no unjust case in twelve years. In 1748, the 13th year of Qianlong's reign, Qianlong traveled to Shandong and granted Zheng Xie the title of "History of Calligraphy and Painting". Zheng Xie carved a seal of his own: "History of Calligraphy and Painting of Qianlong's Eastern Feng". Zheng Xie was an upright official. Later, he resigned from office due to old illness and lived in Yangzhou. He had nothing but a few volumes of books, so he made a living by selling paintings. He is one of the "Eight Eccentrics of Yangzhou" and his poems, calligraphy and paintings are known as the "Three Wonders" by the world. His poets were Tao Yuanming and Lu Fangweng, and their bamboo paintings were like Su Dongpo's. Zheng Xie's calligraphy combines running script and cursive script to form a self-contained body. He calls himself "Six and a Half Calligraphy" and later known as "Banqiao" style. His works include "Banqiao Poetry Notes", "Banqiao Ci Notes", "Banqiao Family Letters", "Banqiao Paintings", "Mr. Banqiao's Seal" and other self-engraved editions. [Appreciation] Zheng Xie passed the Jinshi examination in 1736 (the first year of Qianlong). He was a famous painter, calligrapher and writer in the Qing Dynasty. He was known as the "Three Wonders" of poetry, calligraphy and painting. He was one of the famous "Eight Eccentrics of Yangzhou".
(The "Eight Eccentrics of Yangzhou" refers to a painting school in Yangzhou during the Qianlong period of the Qing Dynasty. The main figures of this painting school are: Wang Shishen, Huang Shen, Jin Nong, Li Peng, Zheng Xie, Li Fangying, Luo and others. ) Zheng Xie's political attitude showed dissatisfaction with reality and an arrogant and rebellious personality. He was a representative figure among the "Eight Eccentrics". Zheng Xie especially loves to paint bamboo. The bamboos he paints are proud, fresh and unique, with a high degree of artistic expression and artistic appeal. Since the Song Dynasty, bamboo has been known as one of the "Four Gentlemen" of plum, orchid, bamboo and chrysanthemum. It is modest yet upright, tall and evergreen, and has always been regarded as a symbol of nobility, integrity, tenacity and tenacity. Zheng Xie likes to draw bamboo because bamboo can best reflect his personality. Zheng Xie is known as the "Three Wonders": poetry, calligraphy and painting. He has profound attainments in these three aspects, forming a complete artistic whole. It forms the characteristics of the so-called "three truths": true energy, true meaning and true interest. He is good at painting orchid and bamboo. He uses cursive script to make orchid leaves with long and vertical strokes. There are many but not messy, few but not sparse, and they are extremely beautiful. The bamboos painted are vigorous, cool and sparse. He once made his own rules for refining calligraphy and painting: "It costs more to paint bamboo than to buy bamboo, and the price of paper six feet high is three thousand. Let him talk about the old talk, just as the autumn wind blows by his ears." Behind this elegant and playful text, there is a ruthless exposure and ridicule of the world. However, Zheng Xie valued friendship and deep gratitude. He lost his mother when he was young and relied on a wet nurse named Fei for his upbringing. When she was a child, there was a hungry year. Fei carried Zheng Xie on her back to play on the street every day, and used her own money to buy a cake for him to eat. Zheng Xie and his wet nurse have a deep relationship like a son, and they depend on each other for life. In his poem in memory of Fei's wet nurse, he said: "Thousands of kinds of food and salary are not as good as a piece of cake in the hand. How can I be the only one who owes me all the kindness in my life?" The sentence is sincere and touching. When he was young, Zheng Xie's family was poor, but he was unruly and unruly. He often "talked loudly, concealed people, had no taboos, and gained a great reputation." (Zheng Fangkun's "Biography of Zheng Xie"). At the age of forty-three, after becoming a Jinshi in high school, he served as the magistrate of Fan County and Weixian County in Shandong Province. During his tenure as an official, he did a lot of good deeds for the benefit of the people and was deeply loved by the people. However, he served the people in the famine years. He asked for relief, but offended the prefect and local gentry. He was upright, caring about the people and had a noble character of "coming out of the mud but not staining". When he was ashamed to bend his back, he despised the powerful, took off his ribbon and hung his seal, resolutely resigned from office and returned to Yangzhou to sell paintings for a living. Just like his famous saying "If you don't make decisions for the people when you are an official, it is better to go home and plant sweet potatoes." "Bamboo and Stone", a painting written by Zheng Xie in his later years, is a portrayal of his arrogant and upright personality. I will not let go of the green mountains, and my roots will always be in the broken rocks. It has endured thousands of blows but is still strong, regardless of the winds from east to west, north and south. Zheng Xie is not only a master of painting, but also quite accomplished in composing lyrics and poems. The four short poems also show a vivid picture in front of the readers: Under the chaotic cliff, a few green bamboo branches stand proudly in the wind, growing and expanding tenaciously, and their tenacity and uprightness are vividly reflected on the paper. . This poem is purely a description of scenery, but it is by no means a sketch or replica of natural scenery. This picture has a clear symbolic meaning. The rough cliffs and strong winds suppress and destroy the growth of bamboo branches. It reminds us of the cruel rule of the feudal dynasty. Isn't this a symbol and portrayal of the social environment at that time? Bamboo branches "bite" the green hills, take root on the cliffs, and stand upright in the wind. Although they have been struck by thousands of times, no matter in the hot summer or the last winter, they still keep moving upward and stand proudly. Isn't this the symbol of the author's indomitable and noble personality? Mapping? The evil wind on the cliff is cruel, but under the maiming of the evil forces, the bamboo branches not only did not yield, but became stronger and taller. From this strong contrast, we can clearly feel the author's strong hatred for evil forces, and we can also appreciate the author's lofty praise for the strong personality symbolized by bamboo. The poet's high artistic skills and proficient artistic language endow the bamboo he describes with personified characteristics, which is not only reflected in the specific use of specific anthropomorphic techniques such as "hold firm" and "not relaxed", but also in the description of the shape of bamboo branches. superior. "Still strong despite being struck by countless blows, no matter how wind blows from east to west, north or south." The bamboo here is clearly a tough and tenacious fighter! The personification technique makes readers feel friendly and real. They are not only intoxicated by the natural beauty in the poem, but also infected by the beauty of his character. The poet's language is particularly accurate, vivid and vivid. "Thousands of blows" describes the extent of evil forces, and "east, west, north and south" describes the ubiquity of evil forces, which accurately summarizes the characteristics of that dark era. The use of verbs is even more unusual. "Stick to the mountains and never relax." The word "bite" shows a stubborn and tenacious character, as well as endless charm and wonderful artistic conception. It starts with the word "bite", which is abrupt and steep, and the start is extraordinary. It is really amazing.
"Let the winds of east, west, north and south", the word "Ren" vividly and accurately describe the heroic spirit of standing proudly in the wind and fighting against evil! The author depicts an image of tough, upright and unyielding bamboo branches. Through this vivid picture, he expresses the author's strong, unyielding and high-spirited character.
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What is the meaning of the ancient poem "Bamboo and Stone"?
The meaning of this poem is: Bamboo clings firmly to the green mountains and digs its roots deep into the cracked rocks. It has withstood thousands of hardships and blows, but it is still as tough and upright; no matter which direction the wind blows from, it cannot blow it down or make it succumb. The original text of this poem is as follows: "Bamboo and Stone" Zheng Xie insists that the green mountains will not let go, and his roots are still in the broken rocks. It has endured countless blows but still remains strong, regardless of the winds from east to west, north and south. Appreciation: This is a poem inscribed on a picture of bamboo and stone. The author is chanting about bamboo and stone, but it is no longer a general description of bamboo and stone in nature, but contains the author's profound thoughts and feelings. The author uses objects as metaphors for people, and actually writes bamboos, but what he praises is people. The poet stands on the green hills, with hard rocks as the background and foundation, saying that the bamboo "clines to the green hills", "breaks the rocks with its roots", and "struggles with thousands of blows". "Strong strength" is a true portrayal of the bamboo that has withstood the wind and rain and the person symbolized by the bamboo. Therefore, it can be said that by singing about bamboo and stone, the poem creates a glorious image of a strong man who is indomitable and indomitable. The whole poem is fresh and smooth, with sincere feelings. Although the language is popular, it is profound and meaningful.
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