Guqin is one of the oldest and most representative musical instruments in China traditional culture, with a history of more than 3,000 years. It is listed as "masterpiece of oral and intangible cultural heritage of mankind" and a first-class intangible cultural heritage. The exhibition vividly reproduces the charm of Lingnan Guqin culture and art through text pictures, more than 20 pieces of Guqin objects, on-site demonstration of Guqin technology and discussion on Guqin restoration technology.
This exhibition can not only give the audience a glimpse of the ancient Qin in Ming and Qing Dynasties, but also enjoy an elegant artistic feast. In the antique environment of Chenjiaci, there is a Guqin performance experience meeting, where the audience can participate in the Guqin performance experience activities, appreciate the charm of heptachord and the Lingnan customs.
Among the ancient temples with a long history and carved beams and painted buildings, the two cultural treasures of Lingnan and Guqin complement each other. Lingnan region has a long tradition of guqin culture, which has been handed down from generation to generation in Lingnan since the Song Dynasty. There are many famous artists in history, and they have far-reaching influence.
This exhibition shows the guqin restored by Jun Hong, the representative inheritor of Guangdong intangible cultural heritage, and Hongshan, the representative inheritor of Guangzhou intangible cultural heritage.
The organizers of this exhibition are Guangdong Arts and Crafts Museum and Lingnan Feiyue Rainbow Piano Hall, and the supporting units are Guangdong Intangible Cultural Heritage Protection Center, Guangzhou Intangible Cultural Heritage Protection Center, China Musical Instrument Association, Instrumental Culture Professional Association and Musical Instrument Society.
Huang Haiyan, director of Guangdong Arts and Crafts Museum, accepted the "Gu Mu Gu Qin" donated by Mr. Qu and Mr. Qu Hongshan on behalf of Guangdong Arts and Crafts Museum and presented the collection.
Qu said that 63 years ago, when he was 13 years old, his alma mater No.32 Middle School was located next to Chenjiaci Square, and Chenjiaci was a treasure to accompany him through the third grade. At that time, there was a pond near Chenjiaci. After school, he will go to the pond to catch fish and dragonflies, and sometimes he will sit down and quietly enjoy the ancient and magnificent architecture and exquisite and beautiful carving art of Chenjiaci. He said emotionally, "In retrospect, junior high school was quietly influenced by the art of Chen Family Temple. This guqin exhibition held in Chenjiaci is a continuation of my beautiful love with Chenjiaci. "
District Hongshan introduced the characteristics of "Gu Mu Xiao Chun" guqin. He said: influenced by these years, it is very important to know that apart from experience, it is very important to meet natural talents when making guqin. The wood grain of this guqin is like scales and waves, which has a strong visual impact. Guqin's body has his own inscription. I want to pay tribute to guqin through this.
Seven laws have no common rhyme for thousands of years.
It is reported that Guqin has spread to this day, forming many schools, and Lingnan Guqin has its own school. The representative figure of modern Lingnan painting school is Zheng He and Yang Xinlun. Jun Hong, a famous guqin expert and pianist of modern Lingnan School, was born in a family of traditional Chinese medicine. He is proficient in Huang Qi and is good at guqin, calligraphy and martial arts. After studying under Yang Xinlun for decades, he inherited the artistic style of Yang Xinlun's guqin and martial arts and "courage and heart", and jointly created the creation and restoration of contemporary Lingnan guqin with Mr. Yang. Qu Hong Jun combines the skills of guqin performance, restoration and piano-making, and integrates the essence of Chinese excellent traditional culture such as calligraphy seal cutting and Taiji sword-passing, thus inheriting and developing the Guqin art of Lingnan School. His temperament is calm and carefree, and his interest is out of the dust. He is famous for his elegant piano style. He is good at repairing old pianos and building good ones. Now he is the consultant of Guqin Research Society of Chinese Musical Instrument Society, the representative inheritor of "Guqin Art (Lingnan School)" and the expert of Guqin restoration, "inheriting Guangzhou culture 100".
Qu Hongshan, the son of Qu, studied guqin performance, restoration and production skills with Qu since childhood. "Guqin Art (Lingnan School)" is a representative inheritor of municipal intangible cultural heritage, director of Guqin Research Institute of Chinese Musical Instrument Society, and curator of Lingnan Rainbow Guqin Museum. He is the inheritor and innovator of a new generation of Lingnan Guqin art.
The restored Qin Ming "Yaluqi" is more beautiful than the ancient one.
This exhibition shows Qufu's Elegant Musical Instruments (Ming Dynasty), Luanling (Qing Dynasty), Feng (Qing Dynasty), Canal (Qing Dynasty) and other guqin instruments, the most striking of which is the Ming Dynasty guqin Elegant Musical Instruments produced during the Jiayin period of Hongwu (A.D. 1374), which has been more than 600 years since.
At the beginning of 2002, Qu restored a worn-out Qing dynasty guqin for a collector, and the old one was as good as ever. The family was very satisfied, so they sent a broken piano without a piano head, leaving only two rotten boards. Everyone thought it was hopeless to repair the broken piano to the bend.
Judging from the broken lines, wood and style of the piano board, Qu concluded that it was an ancient Qin of the Ming Dynasty, and the inscription of the Qin was inverted on both sides of the piano face with ink, and at the same time, it was written in an inch square official script of the Tang Dynasty: "The Ming Dynasty Hongwu Jiayin Jinghu Du system". On the other side is a regular script twice as small as it: "In the third year of Guangxu reign in Qing Dynasty, Dashan sent me to rebuild Lu". The bottom of the piano is engraved with gold lacquer "Yarucci". According to legend, a piano used by Sima Xiangru, a famous pianist in the Han Dynasty, is called "Lv Qi", which shows that the people who made this piano in the Ming Dynasty had a high spirit.
The "Yarlung Zangbo River" has experienced more than 630 years of vicissitudes, and the degree of damage is unbearable. There is no piano head, the bottom is separated, the panel is arched, and the piano tail is cracked and peeled off. In the face of two worn-out piano boards, how to make it return to heaven, District Hong Jun pondered day and night. After studying hard for more than two months, he put everything he learned, thought and realized in his life into the piano, and finally resurrected Yarucci.
When Xie Li, a late guqin player, heard the news that the district government was watching Yaruqi, he couldn't help but write down his impressions: "If Yaruqi falls into the hands of ordinary collectors, it is only two rotten pieces of wood, but ordinary musicians can't repair it. If it is entrusted to ordinary carpenters, it will still be two rotten pieces; For another example, if it falls into the hands of ordinary piano players, it is not as good as two pieces of rotten wood that are expected to become famous flowers. Now, the Yarlung Zangbo River is destined to meet Qu, and the piano has a master. Qu won this good piano, came back to life, and really got his place ... Restored the "Yarlung Zangbuqin", and the body of the piano was jade bone, which was beautiful and better than the ancient beauty. The sound of the piano is elegant and mellow, and the scattered plucked strings are lovely and perfect, which is really commendable and amazing. ...
Show the representative works of Lingnan Guqin, and show the piano skills.
Guqin system has been regarded as a kind of cultural behavior and artistic creation since ancient times, which has certain philosophical implications. Most of the famous Qin instruments in the past dynasties were attended by literati, and most of the ancient Qin instruments were artistic treasures containing the spirit of literati. In this exhibition, there are two pieces of Guqin 12: Ganoderma lucidum, crane dance Changhong, ancient wood, rainbow crossing, flying rainbow outside smoke, idle clouds, ancient bamboo, dream wind, heavenly wind, auspicious rainbow, sparse tung accompanying the moon and empty valley. Every guqin is exquisite and has its own unique characteristics, but all this shows that Qu can play guqin.
The six guqin made in Hongshan District on display this time: Shanlinquan, Jinsitong, Jade Pillow, Jianque, Zhu Jie and Xiao Chun, an ancient animal husbandry, can be seen that he inherited the guqin making skills handed down from his family, innovated the techniques of "golden lacquer painting" and "piled lacquer painting", and created "Jianque" and "boat".
In this exhibition, there are also displays of guqin techniques and tools. At the opening ceremony, there were guqin technical demonstrations and guqin performance experiences. The organizers hope that through this exhibition, young people will be guided to understand the Guqin culture, and a window will be opened for people to understand the Lingnan Guqin culture, so that the general public can feel the historical background and enduring humanistic charm of this Lingnan intangible cultural heritage at close range.
Text, map/Guangzhou Daily Xinhua City reporter Li Wei correspondent Li Biyue Guangzhou Daily Xinhua City editor Ma Junxian
The above is about the Jiayin Year of the Ming Dynasty, and it is about the sharing of art. After reading the Jiajing Jiayin Year of the Ming Dynasty, I hope this will help everyone!