Appreciation of Classic Works of Yan Ti Calligraphy Competition Yan Zhenqing has opened up a brand-new and magnificent realm of calligraphy: in terms of characteristics, Yan Ti's characters are brand-new, its statutes are severe and its momentum is unprecedented. From the aesthetic point of view, beauty of face and beauty of body are dignified, masculine and artificial, and beauty of number is simultaneous, which sets a rule for later generations. From the perspective of the times, the early Tang dynasty inherited the rest of the Jin and Song dynasties, but failed to stand on its own feet. As soon as Yan style appeared, the new style of Tang Doutan casting became one of the distinctive features of the prosperous Tang Dynasty.
Beautiful pictures of Yan calligraphy contest His regular script is contrary to the calligraphy style of the early Tang Dynasty, and he uses the strokes of seal script. It turns thin and hard into vigorous, broad in structure, magnificent, strong in bones and awe-inspiring in spirit. This style also reflects the prosperous style of the Tang Dynasty Empire, which is in line with his noble personality. It is a typical example of perfect combination of calligraphy beauty and personality beauty. His writing style is called. Face? , and Liu Gongquan said? Yan Liu? , is it? Yan gu? Fame.
After sixty-five years old, the change of face and body can be said to be the experience of the third realm. From maturity to magic, every monument has its own glory. The works of this period include stele (772), Ganlu Zishu (774), Yan Gao Qing stele (774), Miaoxi Temple stele (774), Zhushantang (774), and Li stele (777), etc. Taking typical steles such as Yan stele and Yanjiamiao stele as examples, Yan Shu is full of vividness in the old and spicy.