What are the personality characteristics of Fu Shan, a calligrapher in the early Qing Dynasty?

Fu Shan (1607 ~ 1684), formerly known as Chen Ding, was named Zhu Qing; Later, it was renamed Shan, and it was named Weng, Fu Daoren, Zhenshan and Xiao Corporal. Yangqu (now Taiyuan, Shanxi) was born. Young master was brilliant since he was a child, and he read from memory to memory. However, in the Ming Dynasty, he did not gain any fame. After Ming's death, she wore Zhu's clothes and lived in an earthen cave to foster her mother. In the eighteenth year of Kangxi (1679), he was recommended as a "learned man", but he insisted on it on the pretext of being seriously ill. I had no choice but to carry it back to Beijing and lie in an ancient temple in the west of Beijing, not to take the exam. He returned to his hometown and buried himself in writing at the age of 78.

Fu Shan, a Geng Jie, is upright. He is one of the most famous scholars in the early Qing Dynasty. He understood Confucian classics, Buddhism and Taoism, and at the same time expounded new meanings, which initiated the study of Confucius in Qing Dynasty. He is also good at painting, calligraphy and seal cutting. In addition, Fu Shan is also proficient in medical skills, especially in gynecology.

In calligraphy and Taoism, Fu Shan advocates truth and simplicity. Pay attention to individuality and oppose slavery. He once denounced Zhao Mengfu's soft and vulgar calligraphy, "like Xu Yanwang's boneless", and totally denied Dong Qichang. In view of the prevailing situation of Zhao and Dong's book style at that time, he put forward the idea of "not being clever, preferring ugliness to flattery, preferring piecemeal fluency, preferring straightforward arrangement" (Fu Shan's "Writing Words to Show Children and grandchildren"), which saved the tide of Linchi.