These silver coins engraved with characters are the most classic expression of artistic conception!

The most classic design idea in artistic conception is 1988' s commemorative silver coin for outstanding historical figures in China (Group 5). This set of silver coins is accompanied by classic sentences related to the portraits of Su Shi, Li Qingzhao and Yue Fei.

Is Niannujiao engraved on Su Shi's silver coin? The river of no return is a romantic figure through the ages in "Red Cliff Nostalgia". Imagine that Dongpo lay man was demoted by the court and came to Chibi in depression. After seeing the great rivers and mountains, he recited such beautiful sentences, put down his disappointment, and sublimated his mood, so that he would have such lofty aspirations and lofty sentiments, so that he would have such broad-mindedness and clarity.

Through the bold and unrestrained writing on the coin surface, we can touch his heroic heart

"Undead, the curtain rolls west wind, and people are thinner than yellow flowers." A euphemistic and poignant poem "Drunken Flowers" made Li Qingzhao the only poetess in the history of ancient China literature. She came late, the wind was urgent, and the west wind blew the curtains, giving birth to the feeling that "people are thinner than yellow flowers", telling the joys and sorrows of the world and the vicissitudes of life.

"Looking up at the sky and sighing deeply, it is extremely heroic." Yue Fei is a symbol of the nation, leading the indomitable spirit and soul, singing "Man Jiang Hong" to the depths of history, and a sense of awe pervades the world.

There is a key reason why this set of silver coins can be the best combination of calligraphy and coins: the cursive script on the silver coins was written by Han Tianheng, a master of contemporary Chinese calligraphy and seal cutting.

Mr. Han Tianheng, 1940, originally from Suzhou, Jiangsu Province. He is called Doulu, a man close to Mexico, and has the taste of leisure. He is good at calligraphy, Chinese painting, seal cutting, art theory, painting and calligraphy, and printing appreciation. His calligraphy and painting seal cutting is magnificent, magnificent, beautiful and varied, with a strong and distinctive artistic style, and he is a comprehensive and profound contemporary artist.

The reason why this set of silver coins integrates the artistic conception of calligraphy into the design is because of the tacit cooperation between calligraphy charm and character temperament. Although the "Su Shi" silver coin and "Yue Fei" silver coin are small print, the characters are magnificent, and the writing style is full of tension, temple spirit and strong masculine beauty, which fully shows Su Shi's bold and unconstrained broadmindedness and Yue Fei's passion.

The handwriting on the silver coin of "Li Qingzhao" is smooth and vigorous, which has the nature of ancient literati calligraphy, rough and delicate, and appropriately and naturally expresses the sadness of female poets.

Although the "Bi Sheng" silver coin does not show the master's calligraphy, as the founder of papermaking, behind the characters, the book slowly unfolds, with rows of tiny letters, and under the book is the process and scene of papermaking.

Free and elegant calligraphy complements the image of ancient literati and the unique texture of silver, giving people the feeling that there is a big world hidden between square inches. This set of beautifully carved silver coins shows the charm of calligraphy art with a long history, and also expresses the artistic conception of "endless painting" more vividly through different styles of cursive scripts.

If calligraphy is taken as a design element and integrated into the design patterns of gold and silver coins, we have to mention the silver coins issued at the 2007 -20 16 Coin Expo. This set of silver coins is not only suitable for the design and application of ancient coins and the inner shape of the outer circle, but also cuts and reconstructs the image of traditional ancient coins, decomposes the prototype of ancient coins, mutates on the surface of coins, and blends with the elements of contemporary western ancient coins to produce a new image.

In this set of silver coins, the designer showed the beauty of Qian Wen's calligraphy on ancient coins more vividly. Although it is only partial, the cut and varied calligraphy lines highlight the sense of volume and strength. Moreover, because of the special old sandblasting technology and mottled and heavy sense of history, the cut and mutated calligraphy Qian Wen is even more brilliant.