Chinese painting’s heavy-color freehand brushwork is both traditional and innovative. Heavy-color freehand brushwork has a stronger impact on the vision in the use of colors. Heavy-color freehand brushwork is more expressive, especially in figure paintings and landscapes. Heavy-color freehand brushwork It gives the work a lot of vitality and gives people a refreshing feeling. Compared with the traditional freehand brushwork, it is more exaggerated and gives the work more creative space. At present, Mr. Jiao Zisheng's work "Sunflower Blooming", a representative figure of heavy-color freehand brushwork in my country, can be regarded as a representative figure in heavy-color freehand brushwork. Jiao Zisheng has profound attainments in jade carving, heavy-color freehand brushwork painting and calligraphy. He has injected his understanding of heavy-color freehand brushwork in traditional Chinese painting into jade carving. In the works, Jiao Zisheng cleverly integrated the composition of jade carvings into the works of heavy-color freehand brushwork. It can be said that Jiao Zisheng opened up a new realm of heavy-color freehand brushwork and became a leader in the field of heavy-color freehand brushwork. Chinese modern heavy-color painting is a new type of painting produced by the transformation and development of traditional fine brushwork and heavy-color painting under modern cultural and aesthetic conditions. It started in the early 1970s and continues to this day, with a history of more than 30 years. It once again holds high the banner of Chinese folk emphasis on color represented by Dunhuang murals, and strives to revive the glory of the Han and Tang Dynasties and restore the unique expressive power of color; it makes full use of the expertise in the use of modern colors and materials, and boldly combines Western abstraction, composition and Decorative beauty is introduced into painting, and the visual beauty intertwined with unique shapes, colors, and textures greatly strengthens the essential characteristics of painting and enriches the expressive power of Chinese painting. The emergence of modern Chinese heavy-color paintings not only had a strong impact and was refreshing in the Chinese painting world, but also caused a sensation in the Western world and was widely praised by people all over the world, showing its strong vitality. From today's perspective, modern Chinese heavy-color painting is compatible with ancient and modern times, East and West. With its unique decorative style, interest and bright and gorgeous colors, it has opened up a new field and new space for Chinese painting. In the contemporary Chinese painting circle, a trend of integrating Chinese and Western elements to innovate traditional Chinese painting has formed, and a group of representative modern Chinese heavy-color painting masters and famous painters with national exploration spirit have emerged, such as: Lin Fengmian, Huang Yongyu, Zhang Guangyu, Ding Shaoguang , Jiang Tiefeng, Zhou Ling, Liu Bingjiang, Hu Yongkai, Zhang Hongbin, Zhang Yimin, etc.