Ancient Poems of Calligraphy Works of Li Bei _ Appreciation of Calligraphy of Ancient Poems of Li Bei?

The Book of Rites is an important inscription in the Eastern Han Dynasty. The full name is Yu Zao Confucius Temple Ritual Monument, also known as Xiu Confucius Temple Ritual Monument and Han Ming Fu Confucius Temple Monument. In the second year of the Eastern Han Dynasty, * * 156 * * * was established. Existing Confucius Temple in Qufu, Shandong. The following is a memorial tablet for ancient poetry and calligraphy works. I hope you like them.

A memorial tablet for appreciating calligraphy works of ancient poems. Figure 1 Li Bei calligraphy works ancient poetry. Fig. 2 Ancient poems in calligraphy works of sacrificial tablets. Fig. 3 Ancient poems in calligraphy works of sacrificial tablet. Fig. 4 Ancient poems in calligraphy works of sacrificial tablet. Fig. 5 Brief introduction of sacrificial tablet.

Important Inscriptions of Eastern Han Dynasty in China. The full name is Yu Zao Confucius Temple Ritual Monument, also known as Xiu Confucius Temple Ritual Monument and Han Ming Fu Confucius Temple Monument. In the second year of the Eastern Han Dynasty, * * 156 * * * was established. Existing Confucius Temple in Qufu, Shandong. The monument is 1.5m in height and 0.73m in width, with characters engraved on all sides. Beiyang 16 line, full of 36 words, Yin Bei 3 columns, column 17 line; There are 3 columns on the left, 4 rows on the right and 4 rows on the right. According to the inscription, Lv Xiang and Han Yi decorated the Confucius Temple, added various ritual vessels, and officials and people donated money to erect a stone to praise their virtues. The name and amount of money of the stone donation official are engraved on the side and yin of the monument. This tablet is one of the important representative works of official script in Han Dynasty, and it is highly praised by tablet engravers. The inscription is beautiful and elegant, vigorous and powerful, solemn and detached.

Summary: The full name is Xu Zao Confucius Temple Sacrifice Monument, also known as Han Ming Fu Confucius Temple Monument into Lu Shifa Monument, Han Xu Monument and so on. Han Yongshou two years *** 156 * * * carved, official script. Length 227.2 cm, width 102.4 cm. Confucius Temple in Qufu, Shandong Province. There is no amount. Carved on all sides, all official script. There are sixteen lines of stele Yang, with 36 characters. At the end of the text, there are nine titles such as Han Xu. There are inscriptions on the body and sides of the tablet. In Jin Bian, Volume 9

This tablet is the most recorded since the Song Dynasty, and it is a work of high artistic quality of calligraphy, which has always been regarded as the ultimate principle of official script. The style of the book is fine and vigorous, and the ending is rigorous and elegant, which is both beautiful and beautiful. The second half of the monument and the shadow of the monument are its most wonderful parts. The artistic value is extremely high. It has always been regarded as a classic in Han steles.

Guo Zongchang's The Story of the Stone in the Ming Dynasty commented: "Han Li should give priority to the rites and monuments in the Confucian Temple", and "the beauty of his calligraphy and painting is unprecedented in elegance. If the magical power is not man-made, the so-called "the flow of stars turns to electricity, and there are more fibers than hair implants" is not enough to describe. The monuments of the Han Dynasty are all like life, but this monument is as unique as Hehan, and it cannot be expected. "

Wang Qingshu's "Xu Zhou Ming Ba" commented: "It is strange for the Han Dynasty, and each monument is strange, so there is no similarity; Moreover, this monument is particularly magical, as thin as iron, and if it becomes like a dragon, it is strange and unpredictable. " He also said, "Han Xu is beautiful but unprepared, thinking it is superior and vigorous, and it is vigorous and elegant. No one has been so wonderful since the separation. "

Yang Qingshoujing also said: "Han Liru's" Opening a Ramp "and" Ode to Yang Jun Shimen "won by temperament; Jing Jun, lujun and Feng Longshan. Win by form and quality; Those who are both can only push this monument. In short, the combination of strange risks and fairness, and the combination of sparseness and strictness. " * * * Pingbei Ji * * *

The mouth of this tablet is complete, and the words on the side of the tablet are as sharp as new, which is especially elegant and colorful, and is highly praised by calligraphers. Those who attacked Han Li followed the example of "Li Qi". There are many rubbings in the sacrificial tablet. Different from the word "year", the Mingtuo fault hangs just right, not writing a word, but leading to a long foot. "

Modern calligrapher Fei commented on Li: "Beiyang calligraphy has inherited the characteristics of Qi Jinwen since the Spring and Autumn Period. Fang Bi is the main pen, and I use a round pen occasionally. Therefore, the style is both strong and beautiful. The contrast between light and heavy strokes is strong, the thin "one-minute pen" and thick "three-minute pen" are used alternately, and the ups and downs of light and heavy changes and the close use of words make the glyph like steel rope and iron rope, which has a fine strength, rigidity, fiber thickness, elegance, rigor, adventure and fairness. The dark pen is more casual and interesting. Kaifa in the early Tang Dynasty was full of Li Yi, and they all had a deep and close blood relationship with this monument. Therefore, it is not an exaggeration to say that Li Qi created the scale of the early Tang Dynasty. "

Artistic style: The rite of Adulthood is thin and broad in calligraphy, vigorous in strokes, and marked with pen power, just like a capable general of Mo Xie, which is extremely sharp. Its structure is located in the middle of the horizontal lines and contains two tight lines, which has always been regarded as the extreme principle of official script.

Li Bei's strokes are thin, hard and vigorous, and the strokes are thin, sharp and sharp, forming a strong visual contrast, which is somewhat similar to the calligraphy of Juyan Han bamboo slips. However, thin but not obvious, does not hurt the weak, very powerful. In particular, Beiyang's calligraphy is exquisite. On the other hand, the side of the monument and the shadow of the monument, because the names of donors and the amount of donations are recorded, look much more random, with random size and density, but there is a beauty of change.

Compared with other famous Han steles, it is different from English steles in beauty, simplicity, indulgence, strangeness, exquisiteness, founder and beauty. The monument has its own style, which is its success. Learning official script, it is best to start from this tablet.

In the Qing Dynasty, Wang Shu commented on this monument in "The Inscription of the Virtual Boat": "With Bill Han, each monument has its own singularity and nothing in common, and this monument is the most bizarre, as thin as iron, changing like a dragon, with a strange word and no clue." He also said: "Only Hanyi is beautiful and unprepared, thinking that it is superb and vigorous, and that it is profound and restrained, and it has its own division. No one is so wonderful. "

The line texture of Li Bei is different from other official books in the Eastern Han Dynasty, such as Zhang Qianbei and Cao Quanbei. It belongs to the way of justice, dignity, handsomeness and broadmindedness. Some words and strokes in the inscription are as thin as hair, and iron-painted silver hooks are strong and powerful; Some are as thick as a brush, but they are smart and not dull. Although the lines are ups and downs, they seem to be harmonious from beginning to end, and they are very successful in expressing their sense of strength. Therefore, when studying the Book of Rites, you can choose a double-stranded brush, which is flexible and focuses on practicing brushwork.

The strokes should be thin but not thin, and the waves are thicker than the tips of other strokes. Pause before closing the pen, and stir it up quickly by the elasticity of the pen, so that the strokes fly, fresh and healthy. Swallowtail paintings are mostly square, with a large proportion, which looks very imposing.

In addition, this monument is divided into four sides, namely, Yang and Yin. The inscription on Beiyang part is dignified and the arrangement rules are relatively regular, which can be regarded as the representative of the style of ritual monument, and the manpower should start with Beiyang part. However, from the artistic point of view, the tablet also has its unique value. His pen is unrestrained and elegant, naturally interesting, the size of words is not uniform, the rules of horizontal arrangement have been broken, and he is very lyrical, which has injected more subjective spirit and temperament into the whole book, so the inscription can not be ignored in the study.

Composition and ink color: in the positive part of the ceremony monument, the composition is vertical and orderly, and arranged horizontally; Wide spacing and close spacing. This composition fully shows the overall characteristics of harmony, dignity and beauty. The * * * points of the tablet are often vertical and orderly, with a certain spacing between rows and uneven spacing between words, which is full of fluidity, naturalness and dynamics throughout.

If you study sacrificial tablets, you can pay attention to a little change in the treatment of ink. Generally, when writing Fang Bi, the ink should be moist but not greasy. Pay attention to the relationship between lines: thick lines occupy a more important position and are the main pen of the whole word, with more concentrated strength and heavier pen and ink; The thin line is in the auxiliary position, and the ink color is light. If we want to write a line of Fang Bi's paper while studying, and the pen is out of ink at this time, we might as well copy this line with a round pen. Although as a copy of this line, it lost its original appearance due to the change of pen, but from the inscription to the ink book, the whole word has been supplemented by the loss of this shape, which is not contradictory to the so-called principle of "taking the spirit by shape" in calligraphy. To study the memorial tablet, we should first focus on the organic whole composed of thick and thin lines and maintain the strength of the text.

The characteristics of stippling and its writing: The Book of Rites is written by Fang Bi, which is neat and steady. Every stippling is required to be delivered to the end, and wrist strength should be emphasized to write. Only in this way can the gesture be opened and thousands of Li Qi can be achieved.