Whether he deals with traditional or modern themes, he always incorporates the deep thinking of a contemporary scholar-type painter, endows his works with richer cultural connotations, and truly embodies the weight of traditional culture. One foot is deeply rooted in tradition, and the other is firmly based on modernity. The flexible movement of both feet alternately becomes his solid artistic steps. In the long-term artistic practice, the painter has accurately dealt with the relationship between tradition and reality, the relationship between life and art, and the relationship between independence and personality. The relationship between objectivity and subjectivity enables his art to create new ideas in terms of reducing complexity, applying techniques, and creating realms, allowing people to appreciate the infinite aesthetic styles of nature and gain aesthetic enjoyment and spiritual satisfaction from them. He loves tradition without being obsessed with it, and always has a sense of innovation. Liang Jian's painting method is both workmanlike and artistic. He is good at using pen and ink. His line drawing is bright and accurate, and his pen and ink are vivid and precise. He has established his own expression form in "work without work" and "work without work". Use ink boldly and tidy up carefully, using ink as the main part and color as the supplement. The reason why pen and ink is important is that it is the unique language and aesthetic object of Chinese painting. Any painting has shape, composition, and color, but Chinese painting also requires pen and ink. If the pen and ink were removed, it would be difficult to distinguish Chinese painting from other paintings. The pen and ink must finally be reflected in the work. Liang Jian's figure paintings have distinctive artistic characteristics, especially his success in the creation of Peking Opera figure paintings, which benefited from his solid basic modeling skills and comprehensive artistic accomplishment, as well as his sincere devotion to objective objects and art. manner. He is very focused on studying the appearance and physical characteristics of the characters. At the same time, he also attaches great importance to his own subjective experience. He also has a rare visual penetration and psychological induction of the psychological activities of the characters. These abilities of his have been outstandingly demonstrated in many of his human body sketches, and they are even more freely displayed in his creations. The highest state of plastic art is to express the spirit through form and to have both form and spirit. However, God comes from the form, and the form comes first. Without form, how can we talk about God? Therefore, mastering the rules of modeling and improving modeling ability are the basic skills necessary for a good painter. On the stage, Peking Opera actors sing, chant, and beat, with their hands, eyes, and body moving as quietly as a virgin, and as moving as a stray rabbit. Each picture is lost in an instant. It is not easy to choose what kind of picture to use as a copy of the character. thing. Paying attention to character modeling is not a mechanical imitation of stage characters. It requires the painter to carefully ponder and deeply understand the thoughts and emotions of the characters, and actively integrate personal and social aesthetic consciousness to recreate them, so that they can create vivid and flexible characters. , lifelike characters. Liang Jian can always keenly capture the momentary images that best reflect the dramatic plot and character style, and summarize and freeze them in calligraphy and painting, turning them into eternal and solidified beauty, which is pleasing to the eye. The painter Liang Jian has achieved this. The connotation of the Peking Opera characters in his paintings makes his Peking Opera character paintings beautiful, durable and worth chewing and savoring. Liang Jian's painting style can be said to be both refined and popular, with a lot of innovation and accumulation. His paintings also have certain representative significance. I like Liang Jian’s works very much, because they always add a lot of vitality to my spiritual world, keep me away from sadness and be filled with the joy of life, and enable me to abandon resentment and promote love. The arms make me no longer depressed and lift the sail of life. I can't tell whether this is love or reason. Is this the Tao or the heart? But it is so meaningful, so gentle, like a wisp of light smoke, with the fragrance of an orchid, lingering in my heart.
Over the years, Liang Jian has held many art exhibitions and group exhibitions, and every time I see his works, I feel that there has been a new breakthrough. I have been paying attention to Liang Jian's paintings, watching him step by step to get to where he is today, watching him continue to participate in various exhibitions at home and abroad, and keep winning awards one after another. And echoed the old saying: "If you don't work hard every day, how can you harvest every month.". He is using diligence and hard work, and he is using true feelings to repay those who love his works. I especially admire his innocence, his unremitting spirit of exploring art, and his dedicated heart. I feel like a confidant with his paintings. I write down my most authentic feelings for that sincere feeling. feelings. I believe that he will definitely make a new leap forward. I have no doubt about this.