2. From the historical development of calligraphy art, a distinctive calligraphy art must have relatively stable characteristics and can be learned and passed on. If modern calligraphy is measured by this standard, the so-called modern calligraphy art has not yet reached this standard. They only emphasize visual impact, downplay and ignore the visibility of words, which creates obstacles to appreciation. Form determines everything and dispels the content contained in the soul of calligraphy. Not to mention the masses, that is, calligraphers, even those who belong to the Explorators can't identify and appreciate them. In addition, some people's calligraphy works are blind, random, without the characteristics of * * * *, and have no inheritance, so it is not in line with the historical development law of calligraphy art to call them de stijl.
3, any style of calligraphy art school should have a writing law relative to the whole Chinese character, not just for a few words and a few words. Judging from the history of calligraphy, both Wei Bei and Tang Kai have their own writing norms. At this point, modern calligraphy is only a few words, so it can't be called calligraphy art.
The art of calligraphy must be based on Chinese characters. Modern calligraphy can only be regarded as writing and painting, and it can only be regarded as an intermediate art form between calligraphy and painting. If it does not affect the recognition of Chinese characters, writing a few words casually can only be regarded as abstract painting or meticulous calligraphy, not calligraphy.