Li served as cashier director, assistant manager and deputy manager until the reform of private banks in the early 1950s. "Printing is not bad. People always talk about art, but when he talks about Qin Lisi's imperial seal, he always reads it as jade rib seal. It's cool to laugh and generous to use as a' tendon'. 16 years old studied under Mr. Zhao Shuru, the master of Zhao Gonggu's calligraphy and painting, and studied under the times. His family has a collection of nearly 100 pieces of Zhou, Qin and Han bronzes, and he is also a painting and calligraphy partner. After work, Luo Weng always tends to be around, respecting the tips of painting and printing, and appreciating cultural relics is also beneficial. If the elders are Ding Fuzhi, Chu Deyi and Gao Luoyuan, they will often go to Zhao's apartment to get together, talk about art and sit at the table as if enjoying it. After more than 30 years' efforts, a hundred schools of thought have contended in Tao Rong, and painting and seal cutting are very famous. 1956, China Painting Academy was established, and Luo Weng was employed as a painter. In the same year, the second national Chinese painting exhibition was held in Beijing, and paintings such as Wisteria were selected and received rave reviews. The desire to specialize in art in that era can now show its ambition. A glimpse of flowers and birds in Shanghai, Selected Works of Chinese Paintings in Shanghai and Special Collection of Chinese Paintings in Shanghai Painting Academy show their excellent works, which critics call elegant works of "Southern Sky, Flowers in Heart". Twenty years ago, a picture of Loquat by Yu Hui won the charm of Ishida.
Mr. Wang worked hard all his life and made the greatest achievements in popularizing printing art and printing science. In the early days of Indian rule, he lived in Zhejiang school, especially Chen Mansheng. Later, it took the ancient seal of the French and Han dynasties, which was closely related to the Huizhou school. He is also interested in inscriptions on bronzes, mirrors, spring coins, clay prints and bricks in Shang and Zhou Dynasties, and he is inexhaustible in all wonderful things, which makes him unique. Careful study of composition shows that stippling contains neat changes, and the singularity is hidden in the square inch, that is, the residual pen is unstable and inconsistent, so all works are elegant, graceful and vivid. Bian Postscript is also full of vitality, variety and unique charm. Famous painters include, Shen,,,, Xie, etc. Used seals. 1979 and 1999, he visited and demonstrated in fusang, which was highly praised by people from other countries. Famous calligraphers such as Sakamoto Kistler, Murakami Santo, Gugu Cangyun and Kurihara Rosui. , all seek the treatment of stone, think it is their honor. Lu Weng's printed works have been collected and published, among which Jingle Yin Gao 1986 was published by Shanghai Painting and Calligraphy Publishing House, with a total of more than 240 volumes; The other is Ye Lvyuan Printing published by Shanghai Bookstore in 1990, with more than 240 volumes. The latter was written many years later, and its quietness and subtlety do not diminish its middle age, but it should be better than the opposition.
Mr. Wang has a good memory and forgetfulness. He is not only proficient in the history of printing, but also has a good study on the identification of seals in Ming and Qing Dynasties. Recalling that I went to Jinglechang in early 1959, the master made a detailed analysis of various ancient genealogies and dozens of stones, which opened my eyes. I said, "Ye Gong really printed a walking dictionary." Mr. Zhang Lufan, who visited with Yu, also smiled and nodded. The printed inscriptions recorded in Gansu and the handwritten masterpiece "See the Famous Seal in Luyuan", that is, the origin, stone quality and characteristics of the Ming and Qing painting schools are recorded in detail, reaching more than 100,000 words, which need to be sorted out and published. In his published works, 1963 co-authored the book The Origin of Seal Printing in China with Mr. Qian Juntao at the request of Hong Kong Ta Kung Pao. Firstly, it summarized the development of seal history with four articles. Secondly, it is divided into official seal, private seal and famous seal from pre-Qin to Ming and Qing Dynasties. All sixty-six verses have been carefully printed and discussed, and readers regard them as classics and reprint them more than ten times. In terms of paper, "Profound and Elegant, Profound and Beautiful, Brilliant —— Talking about Mr. Tan Shuru's Calligraphy Art" (the 19th issue of Calligraphy Research) covers his teacher's life and artistic attainments in detail, for example, Zhao Gong's seal cutting is "dry and vivid, beautiful and elegant, vigorous and powerful, without stagnation and suspicion of wrong hair". There are dozens of people in Zhao's family, and I admire Lu Wengzhen for his wonderful art, which is free from vulgarity. On the Bamboo Slips of Yuan Zhu Wen was published in the first issue of Calligraphy in 1986, with only 2000 words. However, we need to describe the origin, naming system and creation since Ming and Qing Dynasties in order to be good at it, so all the discussions are related. There is also the preface to Qilu ancient seal, which is not prepared. Mr. Wang is modest and generous, noble in moral character, indifferent to fame and fortune, willing to reward and be willing to lag behind, and has long been praised by the Indian altar. Over the years, I have collected 150 prints of various schools from the Ming and Qing Dynasties to the Republic of China, and the original rare edition 120 kinds, all of which are rare Indian research cultural relics. Although his grandson also likes seal cutting, he turned private into public, all of which were dedicated to the country to meet the needs of the public to promote printing research. Lu Wengsheng was a painter of China Painting Academy in Shanghai, a director of Xiling Printing Society, a consultant of Shanghai Calligraphers Association, a member of Shanghai Branch of China Artists Association, and a librarian of Shanghai Literature and History Research Institute. (Ma Guoquan,1February 1995 10)