This monument absorbs the strengths of Wang Zhushu, pays attention to change and cohesion, and its engraving is quite accurate. Therefore, it can be said that St. Tie is selected and synthesized from Wang's Book Trace, which is enough to represent the essence of Wang's book and can be called the best model.
Jiang Heng, a Qing Dynasty man, said in the inscription of Zhuo Village Hall. "Shaman Huairen is the grandson of the right army, and he got his own French. Therefore, the preface to ji zi's holy teachings is full of enthusiasm and is the originator of ancient Chinese character studies. " After the publication of Preface to Ci Collection, calligraphers in Song, Ming and Qing dynasties spoke highly of this work, calling it "Bai Dai Mo Kai".
Imitation of Xi Shu must start with Huai Ren. "Indeed, this inscription fully shows the exquisiteness, elegance and agility of Wang Xizhi's calligraphy art ... This inscription has boundless merits and is still a rare and precious inscription for us to learn calligraphy.
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Although the preface to the holy teachings is a collection of words, it lacks the combination of words. However, due to Huairen's skill and caution, he was able to fully display the artistic features of Wang Xizhi's calligraphy, which, in Amin Wang Shizhen's words, was "the best of the eight skills" and became a treasure house of Wang Zi. This tablet was interrupted after the Song Dynasty, and it was handed down from generation to generation with an unbroken Song rubbings. The handwriting was slightly fat, and the nib made the turning point visible.
Wang Xizhi's exquisite brushwork and vigorous brushwork reveal the charm of "dignified and elegant, vigorous and graceful" between the lines, which is really difficult for later literati to achieve. When we study this post, we should first understand the laws and regulations of Wang Zi in the process of repeated reading. When we put pen to paper, we should exercise our pen skills, realize its "hard bones" and "rigor and integrity" in bone strength, and especially carefully refer to the manuscripts of Lanting in Tang Dynasty.
The pen should have muscle, bone, blood, pulse and flesh, the trace of stippling should conform to the posture of using the pen, and the font shape should be generated with the pen. That is to say, Wang Zi's elegant, quiet and free-and-easy style is gradually written by using the pen gesture, focusing on the spatial position occupied by stippling, radicals and structural parts, and familiarizing the characters one by one.
At the same time, it must be understood that Wang Xizhi's success is due to his mastery and application of calligraphy techniques. On the other hand, because of his care for the mountains and forests, he is indifferent and elegant, so that in the process of pursuing the natural interest of calligraphy, he has never been obsessed with statutes, or his techniques have never been bound by statutes.
This is quite enlightening for ordinary learners. Therefore, it is very important to keep calm and relaxed when learning Wang Zi's skills. How to master the "degree" between the two is also a problem that we must solve according to our own situation in the process of learning.
Secondly, it is an important feature of Wang Xizhi's calligraphy that "it is flat when broken, and oblique when inclined". Preface to the Holy Teaching is a collection of words, which has been greatly adjusted in composition and layout, but it was not written in one breath, so there are some shortcomings, that is, some words are not coherent enough and circulation is not enough.
In this regard, we can pay more attention to the consistency of the upper and lower strokes, and refer to Wang Zi's calligraphy posts, such as Preface to Lanting, Mourning Post, and Qingxue Post. From this, we can feel and appreciate the wonderful layout of Wang Shu's essays, and then we can naturally glimpse the true meaning and grasp the overall style.
Baidu encyclopedia-preface to Datang Sanzang