Dao Lang's The First Snow in 2002 is believed by many friends, especially the post-80s generation, who have the deepest memory. Even today, they can still sing a few words. That kind of song once made Dao Lang a hit, but after it was hidden for so long, its new album quickly became popular and became the angle of mass communication.
There are also many netizens who don't understand the meaning of "Luo Cha Haicheng", but whether they like it or not, the calligraphy masters have written a new realm of "Luo Cha Haicheng", and the lyrics writing of "Luo Cha Haicheng" written by this calligraphy master has indeed reached a new realm.
First of all, the calligraphy master's work "Luo Cha Haicheng" is very obvious in terms of potential. Whether it is a word or a whole, it has achieved the ultimate. We can clearly see that every word has a certain tendency. Although the inclination is different, it has produced a sense of unevenness, showing a state of ups and downs.
At the same time, we also noticed that the contrast of handwriting, especially the contrast of left and right structures, is stronger, with the left big, the right small, the left small and the right big. This change is enough for us to see that his calligraphy level is extraordinary.
Not only that, but also in the expression of pen and ink, it is very strong. Belonging to this kind of rich and colorful rewriting, Su Shi's plump state is vividly expressed, especially in the expression of brushwork. At the same time, it also combines the calm and happy feeling of Mifei's running script.
In his pen, some stippling has obvious exaggeration, such as vertical pen, which is not only powerful, but also hanging needle, which is more textured.
At the same time, the brush strokes penetrating into the back of the paper are perfectly in place, and there is a sense of satisfaction in receiving the pen. It can be seen that this folk master wrote calligraphy to the extreme, and we can also clearly see that,
In calligraphy, he has a wonderful performance, especially in the change of brushwork, which includes the change of hiding and revealing, the change of freedom, and the interoperability of middle edges. He is always a free state, switching freely and transiting naturally, and also reflects a carefree state in layout.
Although it looks more relaxed and free, it also gives people a strong visual contrast. After seeing it, will it also be linked to a saying that the master is in the folk and the big one is hidden in the city?