2, the whole sentence explanation:
The reason why I can't recognize the true face of Lushan Mountain is because I am in Lushan Mountain. It means that to understand the truth and the whole picture, we must go beyond the narrow scope and get rid of subjective prejudice.
3. Source and original text:
Cylinder wall
Northern Song Dynasty? Su Shi
Looking at Lushan Mountain from the front and side of peaks and valleys, from far, near, high and low places, Lushan Mountain presents various faces.
I can't recognize the true face of Lushan Mountain because I am there.
4. Full text explanation:
Seen from the front and side, Lushan Mountain is undulating and peaks stand tall. Seen from afar, near, high and low, Lushan Mountain presents various appearances.
The reason why I can't recognize the true face of Lushan Mountain is because I am in Lushan Mountain.
5. Appreciate:
The meaning of this poem is very profound, but the language used is extremely simple. Simplicity is one of Su Shi's linguistic features. Su Shi has no habit of carving when writing poems. What the poet pursues is to express a fresh and unprecedented artistic conception in simple and fluent language; And this artistic conception, from time to time flashing the light of philosophy. Judging from this poem, the language expression is concise, but the connotation is rich. In other words, poetic language itself is a high degree of unity of image and logic. In four poems, the poet roughly describes the image characteristics of Lushan Mountain, and accurately points out the reasons why it is irrelevant to see the mountain. Bright sensibility and clear rationality are intertwined and mutually causal, so the image of poetry is sublimated into a model in the field of rationality, which is why people regard the last two sentences as philosophical epigrams for thousands of times.
6. Introduction to the author:
Su Shi (1037-1101) was a writer, painter and gourmet in the Northern Song Dynasty. Zi yue Zhan, no Dongpo lay man. Han nationality, Sichuanese, was buried in Yingchang (now Jiaxian County, Pingdingshan City, Henan Province). I have a bumpy career, profound knowledge, extremely high talent and excellent poetry, calligraphy and painting. His writing style, Wang Yang, is unrestrained and fluent, and he is also called Ou Su with Ouyang Xiu, one of the "Eight Masters of Tang and Song Dynasties"; Poetry is fresh and vigorous, making good use of exaggeration and metaphor, and its artistic expression is unique. Together with Huang Tingjian, they are called Su Huang. The uninhibited school has a great influence on later generations, and it is called Su Xin with Xin Qiji. Calligraphy is good at running script and regular script, and it can be innovative. Writing with a pen is ups and downs, full of childlike interest. And Huang Tingjian, Mi Fei and Cai Xiang are also called Song Sijia. Painting is the same as literature. In painting, we advocate spirit likeness and "literati painting". He is the author of The Complete Works of Su Dongpo and Dongpo Yuefu.