Second, the pen heart, handsome, deputy, and pawn. Clear. Liu Xizai's Art Outline
Third, the ancients said with a brush: "Double hooks hang the wrist, so that the left is right, and the virtual palm is real, which is intended for the pen." On the potential of books: "Like a leak, like a wall, like a cone painting sand, like Yin Yinni, like a broken hairpin." Fang's book strategy
Fourth, Zhang Changshi's folding fork, Master Yan's family leaking the law, Wang's painting sand and Yin Yinni with a cone, Huai Su's wind birds coming out of the forest, startled the snake into the grass, and Suo Jing's silver hook stinging the tail are all the same tricks: I don't know my hands, but my hands don't know my heart and my ears. On Books by Huang Tingjian
Five, within an inch, the law is at your fingertips; One inch and one outside method is in the elbow and wrist. The palm-finger method is universal, and the elbow-wrist method has also changed. Yuan. Zheng Shuo's Yan Zhu
Sixth, the big character is the wrist, and the boy is the wrist. If the meat is not lined with paper, the pen will fly. Fang's book strategy
Seven, writing low is calm, writing high is elegant. Liang Qing Xian on Writing.
8. Anyone who learns calligraphy should learn to write first. If it is a real book, he should write two inches a minute. If it is cursive, he should write three inches a minute. The next point of drawing Bonet's buckle needs one hand to send it. Eastern Jin dynasty Wei Shuo's brush drawings
Nine, the depth of the pen lies in the distance to the paper, the distance is floating and thin, and the front weight is near. Don Lu Xie's Linchi Tactics
10. Anyone who studies books must first learn to use a pen, and the method of using a pen is to double-hook back to the wrist, palm empty and finger real, and press the pen with the ring finger, which is powerful. On Books by Huang Tingjian
Eleven, the so-called law, coercion, hook, resistance, guidance is also. Five generations. Li Yu's Shu Shu
Twelve, the pen is tight and the pen is alive. Can't point to the pen. When the wrist is transported, the pen is in hand and the hand is not the main one; Luck lies in the wrist, but the wrist doesn't know how to hold it. Sun Guoting has the method of holding, making, turning and using: holding long and deep; Make it vertical and horizontal; Steering hook and loop reel; Point to the back with verbs; What a coincidence! Song. Jiang Kui's Continued Book Score
Thirteen, where the book is written with a pen, the argument should be at the beginning of the pen, especially at the end of the pen. The word "press" is used by calligraphers, consistent but not separated. Therefore, you should lift the pen when it is heavy, and press it when it is light to avoid dropping and floating the pen. Qing Liu Yizai's Artistic Outline
Fourteen, the pen must be light and weak. Too slow and boneless, too quick and boneless. On the Essence of Pen by Yu Shinan in Tang Dynasty.
Fifteen, the pen should be clever and clumsy, clever and handy, clumsy and muddy, combined into one, writing without frivolous and turbid diseases. Clear. Qin's Painting in Tianjin and Liang
Sixteen, calligraphy is to use a pen, and the pen is to use a front. Clear. Zhou Xinglian's My Opinion on Linchi