This paper interprets China's flower-and-bird paintings from the aspects of development history, tools, materials, forms of expression and basic techniques, introduces famous artists of past dynasties, analyzes meticulous techniques, and includes masterpieces for appreciation, so that readers can form a general understanding of China's flower-and-bird paintings.
It can be used as a reference for art and art designers. Chapter I Pre-Qin Calligraphy
Section 1 Oracle Bone Inscriptions of Yin Shang Dynasty
Section III Shi Guwen
Chapter II Calligraphy in Qin and Han Dynasties
Section 1 Biography of Qin Dynasty
Section 2 Han Bamboo Slips Calligraphy
Section 3 Inscription of Calligraphy in Han Dynasty
Chapter III Calligraphy in Wei, Jin, Southern and Northern Dynasties
Section 1 Zhong You
Section 2 Wang Xizhi and Wang Xianzhi
Section 3 Cliff Stone Carvings in the Southern and Northern Dynasties
Chapter IV Calligraphy in Sui, Tang and Five Dynasties
Section 1 Four Schools in Early Tang Dynasty
In the second quarter, three outstanding men described by Tang Cao
Section III Strict Care
The fourth quarter Yang Ningshi.
Chapter V Calligraphy in Song Dynasty
Section 1 Song Sijia
Section 2 Four Schools of Thought in Southern Song Dynasty
Chapter VI Calligraphy in Yuan Dynasty
Section 1 The third day of the Yuan Dynasty
Section 2 Hermit Calligraphers
Chapter VII Calligraphy in Ming Dynasty
Section 1 Wu Calligraphy School
Section 2 Huating Calligraphy School
Section 3 Booksellers tomorrow night
Chapter VIII Calligraphy in Qing Dynasty
Section 1 Post-school in Qing Dynasty
In the second quarter, Yangzhou Eight Monsters
Section 3 Qing Dynasty stele study
Chapter IX Calligraphy Creation
Section 1 Simulation and Innovation
Section 2 Content and Composition of Creation
Section 3 Examples of Calligraphy Style
Chapter 10 Calligraphy Appreciation
Section 1 The General Law of Calligraphy Appreciation
Section 2 Standards of Calligraphy Beauty