European calligraphy, the structure of a word is tight on the top and sparse on the bottom, which is reflected in the small "treasure cover". Bao Gai's horizontal folding brushwork is actually a "pecking" method, which is quick and crisp, like a bird looking at its chest. Just like a bird suddenly lowers its head and pecks at the feathers on its chest, it happens in an instant. In calligraphy theory, the technical term is "prone", so don't procrastinate. The word "female" is sparse, but there are few changes in female characters in different times.
In ancient times, the writing of this word reflected the feudal thought that men were superior to women. Before the Tang Dynasty, the anti-worship was almost horizontal, representing the kneeling posture of women. After the Tang Dynasty, it gradually evolved into a structure almost symmetrical to the left. Long and horizontal, open, longer than the headscarf.
European calligraphy:
European style is a regular script font created by Ou Yangxun, a great calligrapher in the Tang Dynasty. It is characterized by the combination of harmony, strong stippling and cohesive brushwork. It is steep and rigorous. Keep the side stable, compact and sparse. Ou Yangxun's calligraphy was originally imitated by Wang Xizhi, but it was not limited to one family: it is said that Ou Yangxun once rode out and happened to see a stone tablet written by Suo Jing, a famous calligrapher in Jin Dynasty.
He rode on a horse and watched it carefully for a while before leaving, but just a few steps later, he couldn't help but return to dismount and watch. He boasted many times that he didn't want to leave, so he simply laid a blanket and sat down to ponder over it. Finally, he sat by the monument for three days before leaving. Ou Yangxun is obsessed with calligraphy, because he studies and practices hard, and he can find his own way.