1, similarities and differences of strokes. The strokes of the running script are relatively regular, and there are not too many Lian Bi, but more intentional connection between strokes, and then the thread head, that is, the "broken line head", but there will not be too many Lian Bi.
There are many strokes in the running script, which are also horizontal, oblique, straight and curved, with different shapes. Running script has a strong connection with the strokes of running script, but generally speaking, the strokes of running script are more diverse and more casual than running script.
2. Structural differences. Generally speaking, the structure of running script is still biased towards regular script, so many structural rules of regular script can often be well used in the structure of running script. This is also a reason why the overall structure of running script is relatively regular.
The structure of running script is more changeable. Different calligraphers have endowed the same word with various forms, some horizontal, some vertical, some long, some short, some outward, some positive, some oblique, and thousands of gestures.
3, the difference in composition. The rules of running script can learn from regular script, and the spacing and line spacing in a work are relatively uniform.
Running script is a kind of calligraphy between regular script and cursive script, which appeared in the late Eastern Han Dynasty. The name of the running script first appeared in Wei Heng's Four Books in the Western Jin Dynasty: Zhong (Yao) and Hu (Zhao) all studied calligraphy.
In the Ming Dynasty, Feng Fang had a more vivid description in Ji Shu: "Write without stopping, write without engraving, gently turn and press again, like running water, without interruption, for business will last forever." Because of its unique artistic expression and wide practicability, running script has been favored and widely circulated since its birth.