Zhao Mengfu's calligraphy in Luo Shenfu was mainly under the training of Wang Xizhi, and with his own diligence, he soon realized his delicate brushwork, which also formed his own unique calligraphy style. When Zhao Mengfu was in middle age, he combined his own characteristics and wrote the calligraphy work Thirteen Postscripts of Lanting Post, which was handed down to later generations. The whole font can be said to be beautiful, smart and beautiful, and the font is round and elegant, which is also a very eye-catching work for people who don't understand calligraphy. It can be said that he developed his own genre skills after showing the strengths of many genres. With the exquisite words of "Thirteen Postscripts of Lanting Post", it can be said that his aesthetics are vividly presented. Thirteen epilogues of Lanting Tie written by Zhao Mengfu were watched and studied by later calligraphers, which had a far-reaching impact on the future development of calligraphy.
Fu before and after Chibi "Fu before and after Chibi" is a calligraphy work created by Zhao Mengfu in his forties. At that time, Zhao Mengfu and Su Shi were equally frustrated. He also felt this when he saw "Red Cliff Fu". Coupled with Zhao Mengfu's superb brushwork and calligraphy skills at that time, this work became the most distinctive masterpiece at his peak. There are many highlights in Zhao Mengfu's Fu on the Red Wall before and after, which is regarded by later calligraphers as the best copy paste for running script. Judging from the whole book sticker, the characters in the later period picked up the pen, put it down to reveal the front, put it in the paper without hiding the front, and the place where the pen was collected also kept the artistic conception well. The whole line and brush strokes give people a sense of agility, with short and powerful glyphs and sharp contrast between rhythm and space. The cursive brush strokes in the running script can be said to be a masterpiece of calligraphy and one of Zhao Mengfu's outstanding masterpieces.
Danba Monument "Danba Monument" is the representative work of Zhao Mengfu in his later years. The regular script on the tablet is square, even in structure, fluent and colorful, which was written by Zhao Mengfu at the behest of Yuan Renzong. The calligraphy of the whole inscription can be said to be exquisite, beautiful, vigorous and unique, which fully embodies the charm and spirit of Zhao Mengfu's regular script. Is the "Danba Monument" also called? The ancient strength is unparalleled, and the product is the first? Exquisite regular script works are outstanding.