What minority calligraphy are there?

There are the following kinds of minority calligraphy:

1, Mongolian writing: Mongolian is a kind of phonography, with concise fonts, few strokes and beautiful shapes. Mongolian writing pays attention to the arrangement of glyphs and the use of spaces. Through the use of brushwork such as thickness, reality, lightness, rigidity and softness, it shows a flowing sense of movement and rhythm.

2. Tibetan calligraphy: Tibetan is an ancient phonetic alphabet with a strong religious color. Tibetan calligraphy has a strong decorative and three-dimensional sense, unique font shape, uniform line thickness, rigorous structure and reasonable layout.

3. Uyghur Calligraphy: Uyghur is a script used by Uighurs in Xinjiang, which has the characteristics of Arabic script. Uyghur calligraphy pays attention to the roundness and smoothness of glyphs, and shows unique rhythm and beauty with curves and arcs.

4. Miao Grammar: Miao Wen is a script used by Miao people, with unique shape and style. Miao calligraphy pays attention to the symmetry and balance of glyphs, and shows a unique aesthetic feeling by using the changes of line thickness, straightness and rigidity.

Characteristics of minority calligraphy;

1, font shapes are different: different nationalities have their own unique shapes and characteristics in font, strokes and structure. For example, Tibetan calligraphy pays attention to the three-dimensional sense and decoration of glyphs, while Uighur document rules pay attention to the roundness and fluency of glyphs.

2. Various forms of expression: There are various forms of expression of minority calligraphy, some pay attention to arrangement and combination, and some pay attention to free play and improvisation. For example, Mongolian calligraphy shows a unique sense of movement and rhythm through the use of brushwork such as thickness, reality and lightness, while Miao calligraphy shows a unique aesthetic feeling through the changes of line thickness, straightness, rigidity and softness.

3. Rich cultural connotation: minority calligraphy is not only a kind of writing art, but also contains rich cultural connotation and national spirit. For example, Tibetan calligraphy is often regarded as a symbol of Tibetan Buddhism, and Miao people's unique understanding of nature and life is reflected in Miao law.

4. Pay equal attention to practicality and aesthetics: minority calligraphy is not only a practical writing art, but also has high aesthetic value. They are not only used for daily writing and recording history, religion, literature, etc. It is also regarded as a unique art form, which is widely used in decoration, gift giving and cultural exchange.