What are Lu Xun's collections of short stories, historical novels, essays and essays?

Lu Xun began his literary activities on 1907 and died on 1936. Over the past 30 years, he has left more than 7 million words of works and translations, plus about100000 words of diaries and letters. He created two collections of short stories: Scream and Hesitation; Collection of historical novels: new stories; A collection of prose poems: Weeds; A collection of essays focusing on reminiscing about the past: "Morning Flowers Picking Up in the Evening", with a total of 350,000 words. Lu Xun's main energy was devoted to the creation of essays, and * * * published 16 essays, including: tomb raiding, hot wind, canopy collection, sequel of canopy collection, Cargill, Sanxian, Erxin, Nanqiang and Beijiao, pseudo-free books, etc. The creation of essays occupies a very important position in his life, with nearly 700 essays, about 6.5438+0.35 million words, accounting for 80% of all the creations, which lasted 654.38+08 years. He compiled, sorted out and published five collections of China classical literature: Ji, Miscellaneous Books of Huiji County, Old Banknotes of Novels, Ancient Novels and Legends of Tang and Song Dynasties. There are two books on the study of the history of classical literature in China: A Brief History of Chinese Novels and An Outline of the History of China Literature, with more than 800,000 words. Translate and introduce 9 novels, novellas and fairy tales, 78 short stories and fairy tales, 2 plays, 8 literary works, 50 short articles and 365,438+10,000 words from more than 0 countries. There are about 600,000 words left in the collection. Lu Xun received more than 500 visiting young people and personally opened and read about 1200 letters from young people. He personally replied about 3,500 letters, but now he can only collect more than 1400 letters, about 800,000 words. There are no statistics in his diary from May 5, 19 12 to June 1936 (including 1922). In addition, there are about 40 kinds of newspapers, magazines and series edited by Mr. Lu Xun, more than 50 kinds of books with preface or postscript for young authors, and 54 kinds of manuscripts for young people to review, edit and introduce. After Lu Xun's death, The Complete Works of Lu Xun published in 1938 has 20 volumes. After the founding of New China, the published Complete Works of Lu Xun was divided into works 10, translations 10, diaries 2, letters 1 0. Many of Lu Xun's works have been translated into more than 50 languages, such as English, Japanese, Russian, French and Esperanto, becoming the most influential writer in the world. Lu Xun is an unprecedented superstar in China's literary world and a teacher for later generations. Regarding the naming of Lu Xun's essays, there are 14 essays written by Lu Xun and to be named. The naming, metaphor, quotation, irony and word separation of these essays are humorous, alert, ironic and enlightening. Regarding the naming of essays, Lu Xun mostly explained it himself when compiling.

Most of the titles of Lu Xun's works are closely related to the historical background of writing at that time, with profound implications.

Hu: Hu, the first collection of Lu Xun's novels, written around the May 4th Movement, 19 18- 1922. Lu Xun said that he "shouted" several times to comfort the "Mercedes-Benz fighters" in the struggle and make them brave. The purpose of the author's creation of "Scream" is to comfort those warriors who are running in loneliness and not to mourn for their predecessors. At the invitation of the editorial board of New Youth, he "shouted a few times and talked a few words to comfort the brave man who was running in loneliness and made him not afraid of his predecessors". He also said: "Since you are crying, of course you have to listen to the will."

Vagrancy: Vagrancy was written in the period when the new culture camp split after the May 4th Movement. Originally, people who participated in the New Culture Movement all "retired, promoted and advanced", while Lu Xun was "lonely" and "hesitant" like a tramp. Wandering shows his mood of exploring on the revolutionary journey during this period. Later, in a poem entitled "Wandering", he said: "Lonely new literary garden, stable old battlefield, two more than one pawn, He Ji alone." This is the origin of the title of "wandering". On the title page of Wandering, he quoted the poem Li Sao: "The road is long, Xiu Yuan is Xi, Xiu Yuan is Xi, and I will go up and down."

On Moro's poetic power: In Moro's poetic power paper, Moro means Sanskrit transliteration, which is called "Satan" in Europe. It turned out that someone named Byron was a British bourgeois revolutionary poet. Later, "those who are determined to resist refer to action, but people who are not very happy in the world are aware of it." The so-called "Moro" poet is also a rebel poet.

On Fulai's Slowness: Fulai is a transliteration of English fairplay in On Fulai's Slowness, which was originally a term used in sports or other competitions, meaning: Fair play, don't use unfair means. Lin Yutang and Zhou Zuoren moved the rules of competitive competition to the political stage. Be lenient with the enemy, don't chase after him.

From Baicaoyuan to San Tan Yin Yue: San Tan Yin Yue is a famous private school in Shaoxing in the late Qing Dynasty. Mr. Lu Xun 12 years old is studying here, and the teacher is Mr. Shou Jinghu. San Tan Yin Yue, the small living room between three long rooms, was originally the study of Shou Jia. Mr. Shou Jason Wu has been teaching here for 60 years. The flavor of "three pools printing the moon": The "three pools printing the moon" mentioned by Mr. Lu Xun in his famous article "From a Hundred Herbs Garden to a Three Pool Printing the Moon" is near the former residence of Mr. Lu Xun in Shaoxing City, Zhejiang Province, where Mr. Lu Xun studied as a teenager. So, why is it called "three pools printing the moon"? It turns out that the "three flavors" come from the old saying that "reading classics tastes like rice, reading history tastes like Yao biography, and reading a hundred flavors like acyl sugar". Reading four books and five classics is the basis of eating rice and flour; Reading Historical Records tastes like drinking wine and eating delicious food: reading books like "A Hundred Schools of Thought contend" tastes like soy sauce and vinegar (like seasoning for cooking). The plaque of "Three Tans Printing the Moon" was written by Liang Shanzhou, a famous calligrapher in Ganjia period of Qing Dynasty. At that time, there was such a woodcut couplet hanging on both sides of the plaque: "I am silent and filial, and I love reading too much." The "three flavors" in "From Herb Garden to San Tan Yin Yue" means: reading classics is like eating staple food; Reading history is like eating vegetables; Look at other things, like spices. About "Three Flavors": The descendant of Mr. Shou, a teacher of Lu Xun's private school (San Tan Yin Yue) said that "Three Flavors" refers to the warmth of cloth, the fragrance of vegetable roots and the long taste of poetry and books. Cloth refers to ordinary people, and "warm cloth" refers to being willing to be ordinary people, not being an official or a master; "Vegetable root fragrance" means being satisfied with simple food and not eager for the enjoyment of delicious food; "Poetry has a long flavor", that is, to seriously understand the profound content of poetry, so as to obtain a deep and long flavor.

Tomb-robbing: Essays on Tomb-robbing written between 1907- 1925 was published by Lu Xun because "some people hate it"; At the same time, it also converges to a part of life, "building a new small grave, one side is burial, and the other side is nostalgia."

Hot air June editor 1925 1 1. Regarding the name of the anthology, Lu Xun explained: "Ruthless cynicism is not as good as a piece of paper, and the feelings and reactions around it are probably' like a duck to water'; I think the air around me is too cold, so I say my own words, so I call it hot air. " When Hot Air collected essays from 19 18 to 1924, Lu Xun's feeling of the status quo was as cold as ever, and he used "hot air" as a metaphor, which reflected Lu Xun's profound criticism of society and urged people to transform society.

Ji 1925 65438+ February. Huayi Ji Supplement was edited on June 1926+00. Received 1925 and 1926 respectively. In ancient superstitions, people's good luck or bad luck is called "good luck with China". Lu Xun explained the name of the collection like this: "People sometimes have to" get people by accident ". ..... Good luck becoming a monk: a canopy on the top is naturally a sign of becoming a Buddha as the ancestor. But the layman can't, the canopy is on the ground, it will be covered, so we have to hit a nail. " When Lu Xun lived in Beijing, he was persecuted by the Beiyang warlord government and attacked by cultural accomplices. It can be said that he had a lot of fate in his life, and his nails often touched: "He was beaten all over by gravel and his head was broken, but he kept touching his blood coagulation." However, "he refused to obey orders and kowtowed." Taking "Gai Hua" as the title, it is humorous, "nothing more than releasing anger and expressing feelings." In addition, in the poem "Self-mockery" written by 1932, the sentence "I want to get over the canopy, but I dare not turn over, and I have met" can be confirmed by the name of Ji Zi.

Weeds: 1924- 1926. He "wrote some short articles when he had a little feeling, exaggerated them and printed them into a book called Weeds". Since the appearance of Weeds, it has really laid the foundation of modern prose poetry. Weeds is a collection of Lu Xun's prose poems, with 24 articles in total. Weeds is the most difficult of all Lu Xun's works. The reason why it is difficult to understand is mainly because the author uses a series of unique artistic techniques. The meaning of the title of Weeds, the flowers and leaves of weeds are not beautiful, but they are growing tenaciously.