Chu Suiliang's calligraphy skills?

I don't want to make a long speech. I just want to talk about some opinions I have learned from the preface to the holy teachings in recent years: Chu style is very flexible, with obvious changes in thickness and thin surface, which leads some friends who study Chu style to write without meat and bones and nothing has changed! In fact, Chu's figure is not only thin, but also mellow, which is more difficult for us to do! In addition, the meaning of the word Chu comes from the official script "ritual monument", so don't guard against this monument! It will be very helpful to look at the stroke direction of the ink "Ni Kuanzan" and "Yin Fu Jing"!

The following is a general analysis of horizontal painting, not a master, just sharing, I hope I can help you!

First, there are three kinds of horizontal strokes: starting from the front, such as the bottom horizontal stroke of "Gai, Er"; The sharp pen entry (sharp horizontal) is a virtual pen entry, such as the bottom horizontal of "yellow"; Go straight, like a "big" cross.

Second, there are four kinds of horizontal pen collection: permanent pen collection, that is, pen collection without pressing the tail, such as horizontal pen collection at the bottom of the "cover"; Recycling is the same as other regular script, so this is no longer said; Swallowtail set, that is, official script set as long as it is "silent"; The other is a pen as sharp as "big"!

There are many other strokes, and you will understand them with more practice! Here are a few words I synthesized with photoshop for analysis, hoping to help you!