The full moon flies in the mirror and returns to the heart to fold the sword.
Turn the tent and travel far, climb the laurel and ascend to heaven.
The waterway is suspected of frost and snow, and the forest is covered with feathers.
At this time, I look forward to the white rabbit, and I want to count the autumnal equinox.
("Full Tang Poetry")
This is the poet's work of avoiding chaos and entering Sichuan. In the first two poems, the feeling of watching the moon is aroused, and the moon on August 15, which symbolizes reunion, is used as a contrast of his wandering worries in a foreign land; After the poem, the two couplets depict the Mid-Autumn Festival night, and the words such as "seeing feathers" and "counting autumn flowers" are fantastic and romantic, which is unique in Lao Du's poems.
Liu Tang Yuxi "Playing the Moon in Taoyuan on August 15th"
Seeing the moon in the dust is also idle, and love is between the fairy houses in the clear autumn.
Long and cold, standing on the highest mountain at this time.
Blue is nothing but Feng Yun, and Songshan grows in the water.
A group of people are moving leisurely, and Gogoing is thousands of miles away.
Shao Jun led me to the jade altar and invited the real fairy officer to come from afar.
Clouds want to move under the starry sky, and the sky is cold with joy.
Jin Xin gradually moved eastward, and the shadow of the wheel still rose.
It is difficult to get back together when it is absolutely beautiful, and he should be disappointed on this day.
("Full Tang Poetry")
Liu Yuxi (772-842), a writer and philosopher in the Tang Dynasty, was born in Luoyang. This poem has sixteen sentences, and every four sentences have a rhyme, and each rhyme is a natural paragraph. The first paragraph is about playing with the moon in Taoyuan, with the scenery of the moon and the feeling of playing. The second paragraph is about the night of August 15th. The moon in the Mid-Autumn Festival contrasts with the landscape of heaven and earth illuminated by moonlight. The third paragraph is romantic imagination, which describes the feeling of becoming an immortal, from scenery to emotion, producing nature; In the last paragraph, I dragged myself back from my imagination, wrote about sunrise and sunset, and even expressed my feelings about "perfect time" After leaving Taoyuan, it is difficult to relive its significance. The scenery of the whole poem changes at any time, and the artistic conception changes with the scene, which has a sense of ups and downs.
Tang Bai Juyi's "Looking at the Moon on the Pavilion on the 15th of August"
On the evening of August 15 last year, next to the apricot garden by Qujiang Pool.
On the night of August 15 this year, in front of Songpu Shatou Water Hall.
Where is the hometown in the northwest and the full moon in the southeast.
Yesterday, the wind blew and no one would meet. Tonight, the light is as clear as usual.
("Full Tang Poetry")
This poem, when it was far away in Jiangzhou, showed the emotion that things are different, provoked the empty transformation in the transformation of time, and revealed the emotional transformation in the transformation of time and space. In contrast, it reveals the sadness in exile.
Don Pi Rixiu's Guizi on the 15th night of August in Tianzhu Temple.
Yu Xing got off the moon wheel and picked up the dew in front of the temple.
So far, the sky doesn't exist, but Chang 'e should be thrown to people.
("Full Tang Poetry")
Pi Rixiu (about 833-? ), the word escape less, Xiangyang people. Poetry is as famous as Lu Guimeng's, and there is also a book called "The Book of Approval". This poem describes sweet-scented osmanthus, which falls on the mountain as pure as jade and is more crystal clear in the moonlight. Picking up flowers with dew is more nourishing, and I want to be the Chang 'e scattered all over the earth. The whole poem is full of falsehood, ethereal and meaningful, with the Mid-Autumn Festival as the theme, it shows the full love of enjoying the moon in the Mid-Autumn Festival, and it is wonderful to see the big from the small.
Song Su Shi's Mid-Autumn Moon and Ziyou
The bright moon is not higher than the mountain, and the red light is thousands of feet.
A cup of silver is not full, and the clouds are scattered.
Those who wash God's eyes should welcome the water from Fermin River.
Then I will be indifferent to people in the world, just like I am sorry for Zhan Ran.
Mars in the southwest is like a projectile. Its horns and tail are bright and pale.
Not tonight, but even fireflies are fighting for the cold.
Who was rowing yesterday? This is a thousand days and nights.
The twists and turns have no intention of chasing the waves, and they bow their heads to sacrifice with the song board.
Will the waves and the wind return to the office before the green fluorescence disappears and turns to the mountains?
The bright moon is easy to fall and disperse, and it is even more important to see it when you come back.
The clearer the moonlight in front of the hall, the better, and the grass dew in the cold throat.
Shutters push doors silently, while windows are silent and old.
Du Nan is engaged in shame and poverty, and there are several people who write moon poems.
In the Ming dynasty, the personnel were in the same position as the morning glow, and suddenly I dreamed of Yao and Taiwan.
(Song Dynasty Paper Money)
This long song is composed of 14 couplets and 28 sentences, which can be described as a long Mid-Autumn Festival poem. From the rise of the moon to the setting of the moon, this poem not only vividly describes the moon in the Mid-Autumn Festival, but also vividly describes the personnel in the Mid-Autumn Festival. The poem "If a cup of silver is not full, it will go like a wave" is impressive, "Whoever washes his eyes for God should meet the water" has a unique imagination, "A thousand lights change overnight", "Going to the festival with his head down" tells the folk custom, "It is more important to call for wine when he returns" and "How many people are interested in the bright moon poem", and the whole poem is intertwined with the scenery.
Fei's Mid-Autumn Festival "Looking at the Moon"
Like Huaihai's eyes, the long sea is as white as silver, and millions of rainbow-like lights are pregnant with pearl oysters.
If there is no labor in the sky, the osmanthus tree will grow long and break the moon.
(Song Dynasty Paper Money)
Mi Fei (1051-1107) was born in Xiangyang. Guan Bu is far away. He can write poems, especially calligraphy, which was well known in the Song Dynasty. This poem quotes two folklores. First, it is said that the propagation of pearls is related to the profit and loss of the moon. When the moon is full, mussels are pregnant with pearls; 2. Folk custom month consists of seven treasures, which are often practiced by 82,000 households in the world. In this way, the legendary moon-missing adds a mythical color to the Mid-Autumn Moon, making it more charming.
Tianxiang "Returning to Dong for Mid-Autumn Festival"
Overlapping festivals along the river, painting boat ice; When the moon raises a glass, you will be fragrant and green. Worship the fall of Huaxing, about the floating of the bright moon. The wind and rain are all over the city, why are you lucky to be near? The picturesque mountains and rivers are still the trip to Chibi in those days. Straw is rewarded, and cloth is distributed in turn.
(integration of ancient and modern books)
This is a letter from Wen Tianxiang (1236- 1283), a famous writer in the late Song Dynasty, in reply to Dong Tiju. From the topic, Dong Tiju first sent an invitation to Wen Tianxiang and invited Wen Tianxiang to attend the Mid-Autumn Festival dinner. Judging from the content of this article, Wen Tianxiang readily agreed and expressed his interest in sightseeing. In this paper, parallel prose is used to tell stories, and the words are pertinent, concise and distinctive. At the same time, we can also see the customs and habits of literati celebrating the Mid-Autumn Festival at that time in this short article.
Pan Mingzhiheng's "Looking at the Moon at Qinhuai"
May 5 Mid-Autumn Festival, go to Tiger Hill to admire the moon and think of Qinhuai. Look at it a few times, the moonlight is like day, and it is not surprising that Li and Wang are alone among thousands of people. At that time, good listeners gathered in Jinling and heard about it at midnight. In the end, I have seen the beauty of my life in Jinling, and Jin Yi will do it. Qinhuai people said, "If you don't think about it, think about it again." This is a generous stay. Since the first winding, Wu Zha also, a few nights and two nights if suddenly defeated, then people win Wu, non-human victory and emotional victory. Cha Qingxi competed to spread five tones on the shore, and the winner in the pavilion was the true feelings. Then the Pearl of the Yuan Dynasty presented the flute of the colorful girl, which was the sound of its solitary tune. It is a drama, such as Pipa Xing and Princess Pearl, which is even more unique. Regret listening late, entertainment ears shallow. I should give up, but do it again, so that when Wu swims, the stone is willing and easy to vomit, and a spoonful of sword pool can be obtained. As a result of throwing a pen in the air, the moon went up and down, and I was in the middle of a tiger hill, because the song said, "My thoughts are hidden, the moon was born in the wind, and I woke up like a dream." I miss the sea again. Dragon Street is full of colors, and I suddenly swim and play. I hope that the future will remain unchanged. " "
Poetry of chanting moon cakes
_ _ _ _ Yuan Jinglan
Go into the kitchen to defrost and steam the liquid in the kettle.
Rub fine dust and polish rouge marks.
Qi and Li give each other a legacy, and there is no room for neglect in storing things.
The moon is full of resentment and the bowl is full of green light.
Jade food is in the mouth, and this cake is unique.
The towel is wrapped with silver thread, and I feel homesick and sad.
The children sat together and the cups and plates were scattered all over the floor.