Brief introduction to the world standard
Cha Shibiao (1615-1698), whose real name is He Mei, was born in Xi
Brief introduction to the world standard
Cha Shibiao (1615-1698), whose real name is He Mei, was born in Xin 'an (now Shexian and Xiuning, Anhui) and lived in Yangzhou, Jiangsu. He was a scholar in the late Ming Dynasty and a famous painter, calligrapher and poet in the early Qing Dynasty.
Jia Fu collects it, so he is good at learning and painting landscapes. He is one of the four families in Haiyang. With Sun Yi, Wang Zhirui, Hong Ren and other painters, they are also called "Xin 'an Four Schools".
The life of Zha Shibing
He was a scholar at the end of the Ming Dynasty and died at the beginning of the Ming Dynasty (1644). His works are excellent in poetry, calligraphy and painting. The calligrapher is from Dong Qichang and has an elegant and elegant style. He is good at landscape painting. He studied with Ni Zan at first, and then with Mi Fei, Mi Youren, Huang, Zhenwu, Shen Zhou, Dong Qichang and other painting techniques. His brushwork is vertical and horizontal, rough and bold, or poor in brushwork, dry and wet in ink, beautiful and elegant, or vigorous in brushwork, with an extraordinary style of painting.
After entering the Qing dynasty, it is not appropriate to lift it, but to learn calligraphy and painting. Exquisite appreciation, home collection of many pieces of Ding Yi and the original works of Song and Yuan Dynasties. Calligraphy is in Dong Qichang, near Mi Fei, Zong Yi. His idleness determines that his painting temperament is also lazy and elegant.
First, learn painting from an early age
He obeyed Jian Jiang in his early years, and began to learn from Ni Yunlin like Jian Jiang. Later, when he lived in Yangzhou, he still paid attention to Jianjiang's paintings and learned from Jianjiang modestly. Landscape is a beginner in Ni Zan. Later, the methods of Zhenwu and Dong Qichang were used to make it simple, ethereal and cold.
Cha Shibiao often writes "imitating Yunlin's brushwork" and "imitating Ni Yunlin's method" in his paintings, and his name of "lazy mark" also comes from Ni Yunlin's name of "lazy praise", which can be described as a remote connection of Fengshen.
Because of his intelligent nature, he often made friends with Wang Yi, Yunnan Tian, (1623- 1692), Kong (1648- 17 18), Shi Tao and other celebrities in the painting and literary circles at that time.
He is especially respectful to Dong Qichang. He is also good at poetry, and he is the author of "The Book of God Poetry". His paintings are good at landscapes, with a wide range of materials, including dead wood and bamboo stones, and there are two main artistic styles. A cloud-mountain smoke tree is characterized by extensive brushwork and luxurious style, mostly taking ink-and-wash Yunshan as the theme, imitating Mi's father and son, poor brushwork, rendering with dry and light ink color, and combining Dong Qichang's fine and elegant brushwork, which is rough, transparent and generous.
Another kind of pen and ink is sharp and dry, mainly imitating the landscape of Ni Zan. There are also some works that have different faces because they imitate different ancients. Previous people commented that his paintings lacked boldness of vision and innovative spirit.
Second, the rambling poet.
Cha Shibiao is a rambling poet with a celebrity temperament. He drew a few strokes and drew two banks of a river. The scholar came back with a piano. Nearshore bamboo shed, distant mountains and rivers, misty and hazy. "Qin Gui" is just like the painting style of the world standard, with scattered pen and ink and scattered composition, but feelings are like running water, full of ink and wash, attached to it and disappeared inside.
Singing a sigh and finally "disappearing like water" (in Borges), this is the realm of the chessman. The structure of the painting follows the style of Yunlin, but it is incisive, and the brushwork is still from Mifei. Ni Yunlin's paintings are dry, quiet and soft, while Zha Shibiao uses pens to disperse them.
Cha Shibiao often sleeps during the day and paints at night. He calls himself "lazy" and "scattered". "What I want is not Wenda, but a room apart, just mountains and rivers." After the death of the Ming Dynasty, he took refuge in Xin 'an Mountain and spent the rest of his life wandering around.
Mi Fei often visited Jinshan, Jiao Shan and Gubei in Zhenjiang, and Cha Shibiao stayed here with Wang Shigu, Da Zhongguang and Yunnan Tian for three or four years. Cha later lived in Daihelou, Yangzhou, and "Guangling Poetry Talk" recorded the scenery at that time: "Every household has a cup and a plate, and every family draws an axis to see it."
At the age of 73, Cha Shibiao joined the Chunjiang Poetry Society with Kong, Gong Xian and Shi Tao. Painting in his later years was extremely beneficial, and he got a direct glimpse of the Olympics of Yuan people. Song Mantang (Yi) is not big, and he is just about to get his album Lion Forest. Entertainment in the swimming pool will be late into the night and will not be bitter. He is over 80 years old and still a child. He died at the age of eighty-four, and he wrote "The Legacy of Planting a Book Hall" and so on.