Sun, Xinhua bibliography
"Unveil the mystery of Chinese character writing and let every student write a good hand." The writing textbook (Tuo's MiG copybook) concentrates the latest achievements of Tuo Chun's double calligraphy research in recent 40 years, and is also a synchronous writing textbook in cooperation with the compulsory education curriculum standard experimental textbook published by People's Education Publishing House. It covers the whole compulsory education stage from grade one to grade nine in junior high school, including pencil textbooks for grades one and two, pen textbooks for grades three to nine and brush textbooks for grades three to nine, with a total of 32 volumes.
The cooperation between Duo Chunshuang and People's Education Publishing House is a kind of fate. 20 10 Yu Chunshuang's calligraphy research achievement Yu Calligraphy Technology has been highly valued by the Central Committee of the Agricultural Workers' Party. You, director of the General Office of the Central Committee of the Agricultural Workers' Party, made a speech at the plenary session of the Third Session of the Eleventh CPPCC "Revolutionary Innovation of Chinese Character Writing-Yu Calligraphy is Worth Promoting" and put forward "About"
Duo Chun clearly remembers the first time he met the staff of People's Education Publishing House. That was on the afternoon of February 3rd, 20 10, because the day before happened to be the 60th anniversary of the founding of People's Education Society, and the editors, deputy director of the editing room of the teaching resources of People's Education Society, and others were very interested in "more calligraphy techniques" ....... 20066.0000000000005 Later, he said to Tuo Chunshuang: "Tuo's calligraphy skills need personal experience to dispel the concerns of publishing house leaders, so can you find a word that you think is the most difficult to write and teach me on the spot? If I can learn it by writing it three times, then I will. Under the guidance of Du Chunshuang, Li Jianhong and others mastered the essence of this word after only writing it once. Later, Li Jianhong returned to Beijing on February 28th, 65438. After the holiday on New Year's Day in 20 1 1, People's Education Society drafted the investigation report of A Trip to Tongliang and the cooperation plan with Yu Chunshuang in just three days. The planned publication this time is not a copybook but a writing textbook, and it is a complete set of textbooks for grades 1 ~ 9. Du Chunshuang was surprised, but also sincerely praised the speed, courage and keen publishing perspective of People's Education Society in planning topics.
However, there is a world of difference between publishing textbooks and publishing copybooks. Duo Chunshuang, who has published 80 works, was still very contradictory at the beginning of cooperation with People's Education Publishing House. Yan Chunshuang joked that he quarreled with the editor every month and once wanted to give up writing textbooks. Because calligraphy pays attention to personality and style characteristics, while teaching materials are good at standardization. Finally, under the constant running-in with the editor, his Writing Textbook (Yi's MiG Copy) was successfully published.
In the constant contact with the editors of People's Education Society, Du Chunshuang felt that the editors of People's Education Society had a natural sense of mission to the teaching materials, which was very forward-looking in the market. Take this "writing textbook" as an example. On August 26th, 2065438+0/KLOC-0, the Ministry of Education just issued a notice of "one calligraphy class per week for the third to sixth grades of primary schools" to vigorously develop handwriting education, but the People's Education Society had paid attention to and implemented the issue as early as nine months ago. De Chunshuang believes that the editors of PEP are rigorous in compiling textbooks. The editor of PEP is uncompromising, because the author is an authority on calligraphy. On the contrary, they perfectly assisted the author in compiling textbooks, and their spirit was commendable.
"The more you use the keyboard, the more familiar you are, and the worse your handwriting is." Experts are worried.
Xinhua Daily Telegraph 2nd Edition (June 8th, 20 10)
According to Xinhua News Agency (Reporter Wang Xiaolei), the more familiar the keyboard, the worse the calligraphy-this is the concern of the famous calligrapher Duo Chunshuang for contemporary teenagers. He is determined to invent a technology to make teenagers love calligraphy.
After years of painstaking research, he invented the "Chinese character geometric block writing method" and won the national patent. It uses magical geometric blocks to decompose Chinese characters and locate strokes, benefiting tens of thousands of children.
"The younger generation is facing a' writing dilemma'." Du Chunshuang, a member of the National Calligraphers Association, said that many teenagers' calligraphy is getting worse and worse, with many typos and ugly glyphs, and they are even more unfamiliar with China's calligraphy. "How to promote China culture if you can't write well?" Yan Chunshuang told reporters that he taught a child to practice calligraphy a few years ago and found that every time she wrote, it was either too big or too small, which was very ugly. Du Chun drew a dotted box on the commonly used "Mi Zige" in calligraphy practice with double pens: "Write it so big." Since then, the child's handwriting has been much neater.
Du Chunshuang suddenly realized that from this seemingly simple box, he invented the Chinese character writing "Huimig". After several years of painstaking research, Du Chunshuang invented the second generation technology of Du Calligraphy, that is, "geometric block writing", which uses Huimig to standardize the size of Chinese characters, uses the inner dotted line to define the stroke positioning, and decomposes Chinese characters with five geometric blocks, such as triangle, square, rectangle, trapezoid and polygon, so that each stroke has coordinates.