Su Shi
Jianghan comes from the west, and there are many tall buildings in Pu Tao, with deep blue sea water.
I still bring my own, snow waves and spring scenery in Jinjiang.
You are a legacy of Nanshan, and I am homesick for foreigners.
Are you heartless about this room and the scenery? Speak diligently.
"Biography of Jiang Biao", you have a rest; Crazy Chu Shi, what a pity.
The empty continent is desolate for parrots and reeds.
Laughing alone, scholars fight for the bottom, Zuo Gong and Huang Zu wander.
May you give immortal poems and chase the yellow crane.
Appreciation of Su Shi's Ci
This word was given to Zhu Shouchang, a friend of Ezhou Prefecture, when the author exiled Huangzhou. Words not only contain the feelings in the scene, but also take care of friends and me, talking about the past and discussing the present. The author expresses his feelings in a direct way, which not only shows the deep friendship between friends, but also shows his inner world in heartfelt comments. The words are full of emotion, meaningful and straightforward, expressing the desolate and sad passion.
The first movie is from scenery to emotion. At the beginning, a big outline was drawn, which suddenly rose, depicting the majestic momentum of the great river, endless and vast, pointing to the East China Sea.
Jianghan is the Yangtze River and Hanshui River. The Yangtze River and Hanshui River flow down from the west and meet in Wuhan. The famous Yellow Crane Tower, Wuchang Huang Qishan, stands tall and overlooks the vast river. Magnificent, these two sentences capture the most distinctive local scenery and write the regional characteristics of Ezhou. "Deep blue in Pu Tao" describes the deep blue of the Yangtze River flowing in front of the Yellow Crane Tower with Li Bai's poem "A duck's head looks like the beginning of a grape from a distance". The following words "Jude brings his own" are vivid, and continue to dye the river with colored pens. Li Bai also has the sentence "Emei snows on the river" ("After the troubled times, the sky is full of grace, and Yelang remembers old books"); Du Fu's poem "Climbing the Building" said: "Jin Jiang Shui suddenly came to heaven and earth". Su Shi not only used the poems of his predecessors without trace, but also used gorgeous words such as "climbing grapes", "snow waves", "Jinjiang" and "spring scenery" to describe the "deep blue" river, which was rich in ink and colorful and fascinating. The poet connects the deep garden in front of Linghe River with the spring scenery in Jinjiang, which not only has rich literary talent and flying aesthetic feeling, but also reveals the infinite yearning for Jincheng, which is full of flowers and spring, thus paving the way for the "homesickness" below. From scenery to people, the following is connected with Minjiang River, arousing homesickness; It also linked the Yellow Crane Tower with the front line of Chibi, which triggered the idea of cherishing friends.
"Is it heartless and attentive to this place and scenery?" It is always tied to the top film and leads to the bottom film, which is triggered by the scenery characters. Change the first two sentences and advise friends not to watch the biography of the Three Kingdoms Jiang Zuozhuan for the time being. This book records Wu's deeds in the Three Kingdoms, but the original book has not been circulated today, and it is scattered in the notes of Pei Songzhi's "The History of the Three Kingdoms". Arousing it in an angry tone just shows that it is deeply touched and the topic is about to turn to the figures of the Three Kingdoms. "Crazy Chu Shi" four sentences, closely related to the above, express the regret for Mi Fei, who was arrogant and led to the fatal disaster. Mi Fei, loyal to the Han Dynasty, lived up to his mission and cursed Cao Cao. Cao Cao didn't want to be accused of murder, so he deliberately sent him to Jingzhou to assassinate Liu Biao, who transferred him to Huang Zu, the satrap of Jiangxia. Later, he was killed by Huang Zu and buried on the sandbar southwest of Hanyang. Because Mi Fei once wrote "Ode to the Parrot" and became famous, he later called this continent Parrot Island. "The empty mainland is bleak as a parrot reed", which means regret with the bleak scenery. Later, he turned his pen and pointed his sarcasm at Cao Cao and Huang Zu, who persecuted the scribes. Don't just laugh at the scholar, Tso Gong and Huang Zu are erratic. "Fighting for the bottom" means fighting for something, which is why scholars struggle with this generation to make trouble. Cao Cao and Huang Zu, who lost their talents, were able to dominate for a while, but they also lost power! This sentence shows Su Shi's life attitude of being detached from things and conforming to fate. Finish the three sentences, give directions in front of you and dig out the correct meaning. I hope my friends will stay out of the turbulent political whirlpool, pin their hopes on the immortal career of writing articles and write excellent works to catch up with their predecessors. When Li Bai visited the Yellow Crane Tower, he read Cui Hao's famous poem "Yellow Crane Tower", and he once sighed. Later, he wrote poems such as "On Nanjing's Landing on the Phoenix Terrace" and "Nautilus Island", which is said to be in order to compete with Cui Hao. Su Shi borrowed Li Bai's story to inspire his friends to write famous works in order to catch up with the poem Yellow Crane Tower. This not only inspires people, but also shows the author's pursuit of eternal value.
This word ranges from scenery to emotion, from homesickness to homesickness, from luxury to vastness, without losing pride and magnificent pursuit of life. The first part of the poem is associated with the snow waves in Min 'e and the spring scenery in Jinjiang from the west of Jianghan to the deep blue in front of the building, which leads to homesickness. The river color of "Deep Blue Grape" connects the Yellow Crane Tower and Chibi Chicken, which naturally leads to the thought of cherishing friends. The next film turns from homesickness to nostalgia, expressing views and feelings about Mi Heng's murder, and finally returns to the messenger and the Yellow Crane. The whole word is scattered in form but not in spirit, and it is open and closed. The realm is bold and unconstrained, and the discussion is vertical and horizontal, showing the unity of bold and unconstrained style and rigorous structure. First, nostalgia, judging people's stories by local historical sites, can make the scenery in the eyes, the things in the heart and the feelings in the chest fit; Moreover, it chooses rich and interesting historical anecdotes to write, which is of little significance and intriguing; Third, the pen is saturated with feelings, and there is a desolate and sad passion flowing between the lines.