Qin Shaoyou's book, like a woman swimming by the water, looks at her own shadow and praises herself.
Huang Tai's history books, such as a master wins a scholar, are admirable.
Mickey Mouse, like fine print, is not a stupid frozen fly, and Le Yi's theory won the legacy.
Chinese characters have no pain, and officials and slaves bully Boying.
Follow other people's plans, and future generations will be realistic. The deeper Youlong is, the more the steed is conquered, and the drama is really unattainable. Su Shi's calligraphy thought not only had an unparalleled influence on the calligraphy of the Song Dynasty, but also had a far-reaching influence on the calligraphy of later generations. Here, we try to take several representative calligraphers and calligraphy theorists as examples to roughly explain the important influence of Su Shi's calligraphy thought on later calligraphy.
The representative calligrapher of Yuan Dynasty first introduced Zhao Mengsui's exposition of "U Yue Xiang", with few words but profound insights. Apart from Wang Xizhi, Su Shi is the person who talks about his books the most. Zhao Meng's question is about the beer landing rate. He is idle and embarrassed! Buildings lead buildings "Su Shi's calligraphy is called" sacred objects "and points out:
Or discuss that her mother-in-law is too fat, but the son said, "There are different degrees of fat and thin. Who dares to hate Yuhuan Yan Fei?" There is another cloud: "The rest of the books are like iron in cotton." After reading this post, it is very chic. Although not as fat as a pig, it is soft on the outside and rigid on the inside. It's really called cotton-coated iron. People who are interested in French books are too tired to enter, but they are twice as long as those who read ancient books. I've seen this more than once!
It can be seen that Su Shi's calligraphy creation and calligraphy thought are famous for imitating the two kings and advocating ancient calligraphy, and Su Shi's calligraphy thought also has important enlightenment for him to learn ancient calligraphy. For example, Zhao Meng's wife and son share their responsibilities.
Dongpo's poem said: "A few people in the world learn Du Fu, and whoever gets his skin and bones." So are those who study Lanting. Huang Taishi also said: "The world only learns the face of Lanting, and there is no elixir to change bones." Learners don't know this meaning.