The author has the following insights from the exchange with teacher Liu Dazhi:
First, hide your feelings in poetry and write poems in paintings. The presentation of the work is a reflection of the author's soul. Mr. Liu Dazhi is an upright person and rigorous and careful in his art. From his works, we can interpret the poet's true feelings. Every sentence is a picture of life, the world's sophistication, love and hatred, all describing himself, but every question and answer strongly reveals the poet's love for life and pursuit of himself.
The second is the emotion in the painting. The blending of scenes is the art of combining emotions and scenery in paintings, and the creation of artistic conception is inseparable from it. The blending of emotion and scenery is definitely not the combination of emotion and scenery, or scenery plus emotion, nor is it the welding of emotion and scenery, but a fusion like a chemical reaction. Mr. Liu Dazhi's works are full of affectionate expressions of his love for life, his hope for a better future, and his heart is filled with a beautiful yearning for the new era.
Third, there are bones in the book. Mr. Liu Dazhi's calligraphy works reflect his lifelong pursuit of faith. He is chivalrous and tender, with backbone in his brush strokes and tenderness in his closing strokes. Have the world in mind and not stick to one particular pattern. The details are drawn with exquisite pen and ink, and the dyeing and dyeing are full of meaning. The clothes and background are chopped with knives and axes, the pen is loose and the ink is moving, and the undressing is majestic and free and easy. It is really "moistened by the spring rain and cracked by the autumn wind", which makes people excited. So addicted.
Seeing that Teacher Liu’s works are full of natural charm, fun, and unique craftsmanship, his extraordinary talent is like water from a bursting embankment, venting thousands of miles and being unstoppable. There are infinite painters in the world, and they are all sad and unable to paint. The brushwork is like Spring silkworms spin silk in a delicate and affectionate way. They splash ink and apply heavy strokes to make simple outlines, which are clumsy and large. There are hills and valleys in the chest, and the charm of the pen is breathtaking. The charm creates a new chapter of colorful dragons dancing in ink. The charm is vivid and the beautiful shapes are connected in the falling ink. The artistic conception is profound and implicit, and the charm is vivid and expressive.
Liu Dazhi, nickname: Danyangzi, Danyang Manshi. From 1954. Former: Distinguished Calligrapher of Jiangsu Provincial Traditional Chinese Painting Academy Current: Member of Suzhou Calligraphers Association, Deputy Secretary-General of Suzhou Wumen Modern Art Painting Academy, Vice President of Taibo Painting and Calligraphy Academy, Vice President of Wuxi Ximei Poetry, Calligraphy and Painting Academy, Chinese Literati Painting Association Director, China Education Station Ink Painting Column, Famous Lecture Column Group - Member of the Ink Painting and Calligraphy Academy, Member of the Asian Painters Federation, a calligrapher and painter signed by "Yibao Online", selected into many calligraphy and painting albums and dictionaries, and collected by some museums and art galleries ; He has held group and solo exhibitions in Beijing, Tokyo, Taipei, Hong Kong, Shenzhen, Shanghai, Suzhou and other places.
Local TV stations, newspapers and Suzhou Daily have reported on it. Works selected: 2015, 16, 17, 18, 19, 20 years China Post: "Top 100 Chinese Contemporary Calligraphy and Paintings with Prize Postage New Year Postcards"
Yixinzhai Poetry, Calligraphy and Painting Collection