Appreciation of Fu Baoshi's Fine Calligraphy
Fu Baoshi Excellent Calligraphy Pictures 1
Fu Baoshi calligraphy fine picture 2
Fu Baoshi excellent calligraphy pictures 3.
Fu Baoshi excellent calligraphy picture 4
Fu Baoshi's introduction.
192 1 was promoted to the first normal school in the province with the first place. At that time, after he was in charge of India, he began to read some theories about the history of ancient paintings, especially Shi Tao. I do it my way? Suddenly, he appreciates Shi Tao more? Search Qifeng, draft? The idea. 1933 In March, Fu Baoshi traveled to Japan, entered the Imperial Academy of Fine Arts in Tokyo, and studied under the art historian Jin Yuan. Fu Baoshi China Art Exhibition in Tokyo in May, 1935. Dean Naoko Masaki and painter Yokoyama Taikan visited the exhibition. 1June, 935, Fu Baoshi returned to China due to his mother's illness. /kloc-0 held a solo exhibition in Nanchang in July, 936, which was his first solo exhibition in China. After the summer vacation, at the invitation of Xu Beihong, he taught in the Art Department of Nanjing Central University. 1937 After the outbreak of the Anti-Japanese War, he returned to his hometown in Xinyu with his family. 1April, 938, at the invitation of Guo Moruo, he went to Wuhan to take part in the work of the Three Pavilions. Since then, he moved to Chongqing and entered a peak of his artistic creation. His family lives in Jingangpo, Shapingba. Since then, he has often painted inscriptions? King Kong breaks Xiazhai? . He painted a picture of Yuntai Mountain, compiled a chronicle of Master Shi Tao, and created a portrait of Master Shi Tao and a picture of Dida Cottage, all of which reflected the relationship between Fu Baoshi's artistic creation and historical research, as well as his artistic origin.
In more than six years after 1939, on the one hand, Fu Baoshi entered the peak of his own historical research, on the other hand, he also completed the transformation from seal cutting, historical research to painting creation. 1942 10, Professor Fu Baoshi's art exhibition was held in Chongqing. 1September, 944, Fu Baoshi wrote his masterpiece "The Second Way" based on Du Fu's Yuefu poem "The Second Way" (Guardian International Auction Company 1997 sold for10.78 million yuan). Later, Xu Beihong praised his paintings: Is this a symphony of sound, emotion and flesh? And the title:? Mr. Bao Shi's recent works are more and more unrestrained and boundless, with endless changes in the benefits of landscaping and meticulous scrutiny of characters. What is the so-called perfection?
After the victory of the Anti-Japanese War, he and his family moved back to Nanjing with the school. 1947 10, Professor Fu Baoshi's art exhibition was held in Shanghai, Guo Moruo? Immersion? Han Ying drunk? To evaluate this exhibition. However, at this time, Nanjing of the Kuomintang government was in full swing. Fu Baoshi took advantage of the evacuation to leave Nanking and return to Nanchang with his family. After the founding of New China, the modern history of China entered a new era. Fu Baoshi began to welcome a new life full of hope.
Fu Baoshi, as the president of Jiangsu Traditional Chinese Painting Academy, led the team in September 1960? Jiangsu Chinese Painting Working Group? I traveled 23,000 miles to sketch, which promoted the development of new landscape painting in the mid-20th century, and pushed the movement of promoting the innovation of Chinese painting by sketching, which started in the early 1950s, to a historical climax. Later, Fu Baoshi's social theme represented by "Magnificent Coal City" and his efforts in the integration of landscape and industrial themes have clearly pointed out the development law of modern landscape painting in line with the trend of the times; The natural theme represented by Flying Spring on the Mirror is the shock and reflection of the northern landscape in Fu Baoshi's mind. 1965 is dead.
Fu Baoshi's Painting Status
That is, before and after Fu Baoshi painted Shaoshan and Beijing, a number of his works, such as Landscape of Four Seasons, One Stop in Romania, Spring Arrives in Zhongshan and Song of Water Villages, participated in many exhibitions at home and abroad. 1960 In March, Shanghai People's Fine Arts Publishing House published his book A Study on the History of Ancient Landscape Painting in China. In August of the same year, he was elected as a member of the All-China Federation of Literary and Art Circles and vice chairman of China Artists Association. In September, Jiangsu Branch of Artists Association was established and was elected as the president and vice president of Jiangsu Calligraphy and Seal Cutting Research Association. At this time, Fu Baoshi's position in the history of modern painting in China has been completely established.