Qing Ping Le
"Books and Paintings"
Books and paintings in the morning and evening, as if riding a war horse.
Passionate pen notes,
Information is priceless.
The records of the Qin and Han dynasties are written in the annals.
No one can see whether he will come or not.
While walking, I was sweating and sweating,
The paper was full of clouds and smoke.
The Sixteen-Character Order
Book,
Kaili Jincao cannot be controlled,
Dating back to the Qin and Han Dynasties,
< p>Every word is wind and rain."Expressing the Meaning"
The pen and ink are full of charm,
The Jie Si sparkles with luster.
Take advantage of the situation casually,
Reveal your beauty without being extravagant.
The magnanimity stores the connotation,
It awakens the emotions.
Describe folk customs and tastes,
soften the ancient and modern nature.
Form includes technique,
Movement and stillness are mutually changeable.
Returning to simplicity is the top priority, and
tradition is inherited and developed.
The pen is full of ink: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous.
The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander.
First written about Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote Huang Ting, it was just right." Later it was used as a metaphor for doing things just right.
Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of earthworms in spring and snakes in autumn.
The sword is at risk: the sword is drawn from its sheath and the bow is opened. Describes a situation that is tense and on the verge of breaking out. Later, it was also used as a metaphor for calligraphy to be vigorous and powerful.
Using examples: Zuo Qiuming wrote a biography of "Spring and Autumn" and summarized the calligraphy of "Spring and Autumn" into several categories and gave a general explanation. Later, the style of classifying and exemplifying a book was called "example and enlightenment". See "Fanfan Jiexi".
Strongly penetrating the back of the paper: Originally referring to the powerfulness of calligraphy, it is now also used to describe vivid, profound and powerful poetry.
Dragon flying and phoenix dancing: Like a dragon soaring, like a phoenix flying. The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.
Dragon and snake flying: describe the vigorous and vivid calligraphy strokes. Su Shi's "Xijiang Yue·Pingshan Hall" lyrics: "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall."
Luan Piaofengbo: Luan: a legendary bird like the phoenix. It turns out that calligraphy is described as free and unrestrained. It is also a metaphor for the separation of husband and wife among advanced students.
Luan Xiang Feng Zhu: Zhu: Flying high. It is a metaphor for the flying gesture of calligraphy strokes.
Beautiful hairpin: Describes the beauty and beauty of calligraphy or poetry style.
Penetrating three-thirds of the wood: The original description was of strong calligraphy (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated three-thirds of the wood into the wood), now it mostly describes the profound and powerful force of analysis, description and discussion.
Iron painting and silver hook: painting: strokes; hook: hook. The calligraphy is described as strong and beautiful.
Xinbi graffiti: Xinbi: write casually. Graffiti: The metaphor is poorly written and scribbled carelessly. Later, "graffiti" and "graffiti" were used to describe poor calligraphy or random writing.
Graffiti: letter: let one go, casually; letter pen: write casually; graffiti: a metaphor for poorly written words and random scribbling. Later, "graffiti" or "graffiti" were used to describe poor calligraphy or random writing.