I. The inscription of Yiying was carved in the first year of Yongxing in the Eastern Han Dynasty (A.D. 153). The original stone is now in the Confucius Temple in Qufu, Shandong Province. It is also known as the "Three Monuments of Confucius Temple" together with Li Monument and Shi Chenbei, and has long been valued by calligraphers. Yang Shoujing commented in Qing Dynasty: "It is a good example of steling official law. Weng Xiqin (Weng Fanggang) said:' The flesh and blood are balanced and comfortable, and the emotions are smooth.' I really don't flatter, but its waves have opened the way for the Tang people to flatter the vulgar. "
Second, the ritual tablet, carved in the second year of Han Yongshou (156), is now in the Confucius Temple in Qufu, Shandong Province. There are sixteen lines of stele Yang, with 36 characters. At the end of the text, there are nine titles such as Han Xu. There are inscriptions on the body and sides of the tablet. His article was included in Book 9 of Jin Bian. This tablet is the most recorded since the Song Dynasty, and it is a work of high artistic quality of calligraphy, which has always been regarded as the ultimate principle of official script.
3. Cao Quanbei (a national treasure cultural relic) was carved in the second year of Zhong Ping in the Eastern Han Dynasty (A.D. 185). It is 272 cm high and 95 cm wide. At the beginning of Wanli in the Ming Dynasty, it was unearthed in Xinli Village, Heyang County, and 1956 entered the Anbeilin Museum. The content is Wang Chang's account of Cao Quanping. This monument is one of the representative works of the Han Dynasty and a typical example of the beautiful school. Its structure and brushwork have reached a very perfect state.
Hanshu (a popular writing form in Han Dynasty)
Broadly speaking, all official scripts in the Han Dynasty were Han Li, including those in the early Han Dynasty, Han Li (Han Li in a narrow sense) and stereotyped writing. Han Li in a narrow sense refers to the most widely used official script in the Western Han Dynasty, and the bamboo slips in the first year of Wufeng (Han 22) and Dingxian (Han 23) are its mature forms. Han Li is more formal than ancient times, but it is not as decorative. It is a common calligraphy style from the Western Han Dynasty to the end of Han Dynasty.
According to the chronological data, including 2 1 batch data, they are Han 10-23, Han 25-27, Han 29, Han 3 1 and Han 33-34 respectively. Han Li's characteristics are: take the horizontal potential, highlight the horizontal painting, horizontal and vertical. Its structural type is similar to the flat-drawing wide knot summarized by Mr. Sha Menghai. Give people a free and easy, vigorous and deep feeling.