What is the main content of Preface to Lanting Collection?

The majestic spirit of Preface to Lanting naturally shows the highest realm of Wang Xizhi's calligraphy art. It is said that the original work has been buried in the mausoleum of Emperor Taizong of Tang Dynasty. The Preface to the Lanting Pavilion is magnificent, and naturally shows the highest realm of Wang Xizhi's calligraphy art. According to legend, the original work has been buried in the mausoleum of Emperor Taizong of Tang Dynasty. There are altogether five Prefaces to Lanting, which was circulated in the Tang Dynasty in history. Among them, Yu Ben written by Yu Shinan in Tang Dynasty, which best embodies the meaning of Preface to Lanting Collection, contains the official seal of Yuan Dynasty, also known as Tian Li Ben. Yu Shinan's wisdom is truly legendary and has direct charm in Wei and Jin Dynasties. His brushwork is vigorous and profound, which is close to the rhyme of Wang Xizhi's calligraphy. The copy that best embodies the soul of Preface to Lanting Collection is Chu Ben presented by Chu Suiliang in Tang Dynasty, because there is a poem inscribed by Mi Fei after the volume, which is also called Poem Inscribed by Mi Fei. This temporary pen is light and healthy, and the stippling is warm and smooth, which won the charm of Lanting. The manuscript that can best reflect the original appearance of Lanting is Fengben written by Tang, which is called "Dragon Book" by later generations because of the left half of the word "Dragon" at the front. Because of the use of the "double hook" copying method, this book is copied carefully, and its brushwork, pen and ink, style and charm are all reflected. The manuscript that best embodies the style of Preface to Lanting Collection is Dingwuben presented by Ou Yangxun in Tang Dynasty. Stone painting in Xuanhe period of the Northern Song Dynasty was named after the discovery of Li Youth in Dingwu, Hebei Province in the Northern Song Dynasty. Dingwuyuan stone has been lost for a long time, and only rubbings have been passed down from generation to generation. The Five Copyright of Hanshu shows the charm of "the best running script in the world" from different levels, and it is the originator of two systems of Lanting in later generations: one is the paste-learning ink system based on Yuben, Chuben, Fengben and Huangqiben; First of all, it is the stone inscription system based on my book. These two systems coexist in the world, giving birth to countless people in later generations. The "Five Copyright of Han People" once belonged to Qianlong Palace in Qing Dynasty, and then it was scattered in all directions. Yu Ben, Chuben and Fengben are now in the National Palace Museum in Beijing, while Huang Boben and Ding Wuben are now in the National Palace Museum in Taipei. In the autumn of the third year of Yuan Dynasty (A.D. 13 10), Zhao Meng sailed from Huzhou to Beijing and went to Nanxun Town, Xing Wu. The lonely monk gave him a five-word damaged Dingwu Lanting. Zhao Meng loved reading on the boat, so he wrote a postscript at the end of the volume, which was a kind of paper running script with a paragraph of *** 13, and was later called "Postscript of Lanting XIII". Unfortunately, it was later destroyed by fire together with the original, and only the remnant copies were passed down from generation to generation and collected in Japan. Preface to Lanting is flowing, with natural layout and patchwork. "Sunny weather, sunny weather" is elegant and smart, with delicate brushwork, refreshing lines, smooth and elegant lines, skillful brushwork and clear writing rhythm. The four-character brushwork of "talking about love" connects the preceding with the following, echoing the lingering silk thread, which not only enriches the graceful form of stippling, but also plays a decorative role in the knot cloth. "Yes, Mao" stippling is a link between the preceding and the following; "_, _" pen has ups and downs in one go; "_ _, Lin Xiu" gesture, glance left and right. Although this work is naturally written on the same Chinese characters, it is rich in changes and interesting. The word "zhi" appears as many as 2 1 time. The font potential of the "Zhi" knot is long or short, big or small, and the pen is light or heavy. The connection or disconnection not only avoids the similarity between the ending and the pen, but also shows the intention of connecting the past and the future. The words "clean flow and turbulent flow" all have three water roots, and the gestures are varied. Although it is the same radical, the words are not similar. The four characters of "Ceremony and Ceremony" are written in series. The forms of the characters are simple and complicated, but the layout of the chapters is coordinated and unified, which complement each other. Source: Examination