There are two versions of Little Window, one is by Chen Meigong and the other is by Lu. Why is the signature different?

The author of this book is suspicious. There are two versions of the story. One was written by Chen Jiru in Ming Dynasty, and the other was written by Lu in Ming Dynasty. The following are two versions of explanation and query. Now some scholars think that Story of a Small Window is a fake book written by Qing people under the guise of Chen Jiru, and it may be written by Lu.

1. Small window (Lu version)

(Ming) Lu (Han nationality, born in Songling (Wujiang, Suzhou), living around 1624): life is unknown. Xiangke, a native of Songling (Wujiang, Suzhou), was named after Lu Guimeng, a reclusive poet in the Tang Dynasty. Preface: "Every time you meet a good word, it wakes you up, regardless of ancient and modern times, and you can remember it at will." From the quantitative point of view, interest meets the purpose, blocks fill the chest, sweeps away the secular, entertains oneself, and many a mickle makes a mickle. "

Small window, a sword sweeps away the ancient hall, written nearly 400 years ago. Author [Ming] Lu. During the apocalypse of the Ming Dynasty, Lu, a gifted scholar in the south of the Yangtze River, lived in Beijing. He witnessed the secular world and felt a lump in his chest. In his spare time, Lu extracted exquisite sentences from more than 50 kinds of classics and history books, divided them into twelve volumes and compiled them into books for his own recreation. It, together with Caigen Tan and Night Talk Around the Furnace, is called the three wonderful books of self-cultivation. Since its publication, it has been highly praised, which is of great help to readers to understand China culture and cultivate their minds. The book is divided into twelve volumes: enlightenment, emotion, preciseness, spirit, element, scenery, rhyme, strangeness, extravagance, law and modesty, which are the twelve flavors of life.

This time, the brand-new version of Little Window is based on the six-year "Drunken Ancient Hall Sword Sweep" by Xingwentang in Yongjia, Japan. Emphasis and difficulty are added to the seven volumes of Sword Sweep of Drunken Ancient Hall collected by the National Library during the Apocalypse, and the twelve volumes of Small Window collected in the thirty-five years of Qianlong.

The Sword Sweeping Map of Zuigutang was published in the fourth year of the Apocalypse at the end of the Ming Dynasty (1624), which was assembled by Lu, a talented scholar in the south of the Yangtze River in the Ming Dynasty. At present, the earliest version found is apocalypse four-color overprint. According to Lu's Preface and Examples, this is the first edition, and there are seven volumes (twelve volumes of the whole book) in the National Library of China. The General Ancient Books Department of the National Library also has three editions of Yongjia 6 years and Meiji 4 1 year. Yongjia has an inscription by Zhou Zuoren 1932, which indicates that this book was purchased in Japan, and points out that this book is very popular in Japan, "and it is loved by people like Caigen Tan".

At present, the earliest version of Story of a Small Window was carved in the thirty-fifth year of Qianlong (1770). However, it is basically the same as the title setting and content of Sword Sweep in Drunk Ancient Hall edited by Lu. The former only made several modifications to the latter: deleting duplicate entries; Change the order of entries; Change individual words; Merge or split projects.

Cao Tiequan and Guo Mengliang's "China's Classic of Self-cultivation" first raised doubts. In the second volume of the book, The Complete Preface of Small Window, the author thinks that Chen Jiru's Small Window is actually Lu's Sword Sweeping Drunk the Ancient Hall. However, Mr. Qing Feng, the translator of The Story of a Small Window published by Zhongzhou Ancient Books Publishing House in 2005, further confirmed that The Story of a Small Window was a fake book published by the Qing Dynasty under the guise of Chen Jiru.

Beijing language and culture university scholars once pointed out in the article "Sword Sweep of Drunk Ancient Hall" that "Sword Sweep of Drunk Ancient Hall" was a concise collection of essays compiled and edited by Lu in Ming Dynasty, and "Story of Small Window" was a concise collection of essays published in Qianlong period, signed by Chen Jiru. The two books have different names and different publication dates, but the contents are basically the same. By analyzing and comparing the versions and contents of these two books, it can be judged that Story of a Small Window is actually a makeover of Sword Sweep of Drunk Ancient Hall by a bookseller in the name of Chen Jiru in Qing Dynasty. "

After entering the Qing Dynasty, more and more works taught Liang Wen to be a man and be cautious in life. Booksellers changed the aggrieved Sword Sweep to You Ji. Chen Jiru was the leader of the late Ming Dynasty, and his poems, especially the essays of the Qing Dynasty, had a great influence in the late Ming and early Qing Dynasties. Booksellers found the name of Chen Jiru to escort them, so that later people couldn't tell the relationship between them, especially the little-known Lu. Chen Benjing, the preface to the thirty-five-year edition of Little Window in Qianlong, praised his words, "Revealing the mystery of heaven and earth, picking up classics and taking the essence of history, obscure words, harmonious stone and stone ... The so-called dignified and mixed flow, elegance and gentleness, beauty and perfection, everything is ready."

2. Small window (Chen Jiru version)

The Story of a Small Window was published by Shanghai Ancient Books Publishing House, 1999, by Chen Jiru. There is also a new version of Small Window (edited by Lu). The whole book begins with waking up and ends with mystery. Although in the dust, I look down on things. In the criticism of dripping water, it shows the coldness of philosopher, and its motto is exquisite, short and pithy, which urges people to save money and benefit their hearts. Since it came out, it has spread like a raging fire, attracting readers' attention again and again, and its cultural charm has been recognized by readers more and more.

The whole book is divided into * * * volumes 12: Volume 1, Awakening Volume 2, Love Volume 3, Sharp Volume 4, Spiritual Volume 5, Plain Volume 6, Scenery Volume 7, Rhyme Volume 8, Odd Volume 9, Odd Volume 10, Haojuan1/kloc.

Written by Chen Jiru in Ming Dynasty. Chen Jiru (1558 ~ 1639) was a writer and painter in Ming dynasty. The word secondary alcohol, eyebrow male, elk male. Huating (now Songjiang, Shanghai) was born. Zhu Sheng, 29, lived in seclusion in Xiao Kunshan, and later lived in Dongsheshan and Dumen. He writes, writes poems and is good at calligraphy. He can also draw things and has been requisitioned by imperial edicts many times. He is good at ink painting plums, landscapes and painting plums. The pages of the album are small, natural and casual, and the posture is sparse. "On Painting" advocates literati painting, holds the theory of southern and northern sects, attaches importance to the cultivation of painters, and recognizes the homology of painting and calligraphy. There is the Plum Blossom Book and Yunshan Volume handed down from generation to generation. He is the author of Complete Works of Chen Meigong, Secret History of Small Window, Tombstone of General Angkor, Record of Nicholas, etc.