Chu Suiliang was a calligrapher in the Tang Dynasty. Mingzhai was born in Yuzhou, Henan Province today. The ancestor was Chu, who added historical records, and
Chu Suiliang was a calligrapher in the Tang Dynasty. Mingzhai was born in Yuzhou, Henan Province today. The ancestor was Chu, who added historical records, and his father, Chu Liang, moved to Hangzhou. Knowledgeable and proficient in literature and history. Its font is called Chu style, which has a great influence on later generations. The following is what I arranged for you, I hope it will be useful to you!
appreciate
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Chu Suiliang's Artistic Life
Chu Suiliang is a descendant of the four great calligraphers in the early Tang Dynasty. His calligraphy style was studied by Wang Xizhi, Yu Shinan and Ou Yangxun, and he became a master of calligraphy, forming his own family. Its characteristic is that it is good at combining Yu and European style brushwork, with both talents and talents, and it is more relaxed than its predecessors and won the appreciation of Tang Taizong and He. On one occasion, Li Shimin showed Chu the Mo Bao of Wang Xizhi, which was collected in the imperial palace, and asked him to identify the authenticity. He is not mistaken, which shows that he is good at studying Wang's calligraphy.
Due to tradition, the book reviews in the Tang Dynasty praised Chu Suiliang's words "The word is golden, the line is rich, and the Wen Ya is neat and beautiful". Even Mi Fei, a great painter and calligrapher in the Song Dynasty, did not refer to Tang calligraphy. He praised it with the most beautiful words: "Nine dances are played, cranes and herons are full of courtyards, and jade sounds are loud and graceful."
Main work
Preface to the sacred instruction of Yanta
The preface to the sermon on the Wild Goose Pagoda was written by Tang Yonghui in the fourth year. This tablet has the best method of Chu family, the words are more European and the brushwork has changed a lot.
Huipin:
Ming Sheng Poetry Stage: The Preface to the Sanzang Sacred Instruction handed down from generation to generation. After my evaluation, I thought that Wang Shuru was a fox, and there was no trace to be found. Chu Shu was like a lonely silkworm spinning silk, and there was something in the article. However, nowadays, there are many moments of the right army in the library, but only in the library. Jane Weng is so proud that paper and ink are fine, and the original is insurable. * * * "Cang Run Xuan Monument and Postscript" * * *
Qing dynasty package: Henan Shengjiao preface book plays to the right, from left to right, and the word welcomes; From right to left, the pen is opposite to the pen. Hey! Knowing this, you can compare with words. * * * "Art boat is for two" * * *
Ni Kuanzan's ink was passed down as Chu Suiliang's book * * *, and some people thought it was Ou Yangxun's book * * *, but the authenticity is still inconclusive. However, this book is quite ignorant. Regular script 50 lines, ***340 words. Song Zhao Meng Jian commented on this post: "Yi Rong Wanchang is a book in his later years." Yang Ming Shi Qi commented: "Critics believe that words are golden, lines are smooth, rules are Wen Ya's, and beauty is multifaceted." Zhan Jingfeng said: "Dry but not moist, find the taste of heaven." This post was originally written in Taiwan Province Province.
Preface to the sacred instruction of Yanta
Also known as the preface to Ji' an collection. There is one stone for every two under the Big Wild Goose Pagoda in Jionji, Xi, Shaanxi. The full name is Preface to Tang Sanzang, written by Li Shimin of Emperor Taizong and written by Chu Suiliang. Line 18, 42 words. After The Story of the Stone, the full name is The Story of Sanzang in Tang Gaozong, written by Tang Gaozong Li Zhi and Chu Suiliang, with 20 lines and 40 words.
In the pen, Fiona Fang uses it together, and the reverse is the opposite; Horizontal painting is vertical, vertical painting is horizontal, there are ups and downs between the head and tail, and there are certain rules in lifting and returning. Zhang Tang Huai Jin's evaluation of this book is: "The beauty Chanjuan seems to be no less than Luo Qi, and the protagonist is very graceful." Qin also commented: "Chu and Deng are a good book, which looks like Luo Qi and looks like copper and iron. This monument is particularly graceful and elegant, and the waves are like gossamer. You can spread out the nuances of the turning point one by one. The essence of Moeller is the crown of all the monuments in the Tang Dynasty. "
scenery
Da Mo, handed down from generation to generation as Chu Suiliang's book. Paper, 96 lines in regular script, ***46 1 word. The Yin Fu Jing handed down by Chu Suiliang has been circulated in the world in regular script and calligraphy, and the handwriting is very small, so it is difficult to see the true face of Lushan Mountain. This post is full of words. At the end, it said, "Letter from Chu Suiliang, the Japanese official." It's probably a fake of the book of learning Chu in the Tang Dynasty. Nevertheless, the big character Yinfu Jing is an exquisite calligraphy. This post not only has the characteristics of Chu-style calligraphy, but also is very similar to "Tang people write classics", and the history of writing classics is naturally simple. Yuanyang is blameless: "The cursive method is ever-changing and has infinite mystery. Today, Chu Zhong ordered regular script to see it, or commented on the clouds. The pen was magnificent and the momentum was ancient. " The stones are all regular script, engraved on Wan Wenshao. Now it has been selected as the original stone rubbings. The preface to the sermon on the Big Wild Goose Pagoda is the most representative work of Chu Suiliang's calligraphy style, with beautiful and vigorous fonts and skillful brushwork. Chu Suiliang was old when he wrote this monument, and so far he has created a set of norms for the new Tang Kai. In the word structure, it changed the long characters of Europe and Yu, and created a slim but full font.
Artistic feature
His book is a beginner of Ou Yangxun, followed by Yu Shinan, followed by Wang Xizhi of France, and merged with Han Li. Its characteristics are: the official books are colorful, unique, colorful and changeable. At that time, it was as famous as Europe and Yu, and there were many literati. Yan Zhenqing is also affected by it. The book review of the Tang Dynasty said that the Book of Chu was "rich in words, rich in lines, regular in Wen Ya and beautiful in many aspects." Inscriptions handed down from ancient times include "Preface to the Three Monks in Tongzhou", "Buddhist Shrine for Monks" and "Monument to Mencius".