2, the pen walks the dragon snake, iron painting silver hook.
3. Gu Mo lightly grinds a few incense, and Dianchi Lake is full of light.
4, or emphasize or tactfully, or like graceful beauty, or like a strong man, or like blowing flowers, or like the north wind entering the deep cold.
5. Pick up the pen and daub it a few times, and a flying dragon will pop up on the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said).
6, the teacher's words, like petals, the farther the fragrance, the more fragrant.
7, the teacher's words, is a symbol of the years, a bold pen.
8, dragon and snake race, wear iron inkstone.
9, unpretentious and Na Gankun.
10, its color, its shape, its yin and dryness, its breaking and turning, its hidden thickness is endless, and it is full of weather.
1 1. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in the brushwork for the sake of emptiness and distance.
12, flowing, flowing.
13, a pen, if the view is out of control, the horse will fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
14, arrogant, not bound at all, even a stroke of the whole line, like a fairy to escape, come and go without a trace.
15, the fonts are staggered, large and small, open and closed, and the line thickness changes obviously and fluctuates. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt". He writes quickly, with a strong pen and great effort.
Other people's handwriting is good,
How to express compliments?
Learn these calligraphy idioms!
Superb calligraphy
Interpretation: Write scriptures for geese. Describe superb calligraphy.
Source: Jinzhong Hangshu: There is a Taoist raising geese in Yin Shan, which means Xi is very happy. The Taoist priest said, "If you want to write Huang Tingjing, you should give gifts to each other." It's for writing, and I'm going to cage the goose.
perspicacious
Interpretation: This means that the pen is powerful, and later it is used to describe or discuss profoundly.
Source: Zhang Huaiguan's Book End Wang Xizhi: Wang Xizhi's book is a blessing version, which was cut by workers.
Lu Ji's "Ping Fu Tie"
Sweep away millions of enemy troops
Interpretation: Describe the vigorous, majestic and unrestrained brushwork, which is unparalleled.
Source: Du Fu's drunken songs: Ci Fu poured down the Three Gorges, brushing the array and sweeping a thousand troops alone.
The font structure is solid and full, and the strokes are strong.
Interpretation: Calligraphy has bones and muscles and vigorous brushwork. Metaphor font structure is solid and plump, and the brushwork is more than enough.
Source: Xuanhe Pu Shu: At the beginning of the Three Kingdoms, the study of Chinese characters was lacking, so it became a family law. Commentators said that it was powerful and full of potential.
(of calligraphy) vigorous and powerful.
Interpretation: Describe the strength of writing and drawing. Later poems and other works can be described as profound and magnificent.
Origin: Yan Zhenqing's Notes on the Twelve Meanings of Zhang Changshi: It is very clever to try to make it pass through the back of the paper.
Shang Yu Tie by Wang Xizhi in Jin Dynasty (Tang Transcript)
Excellent calligraphy
Interpretation: pen and ink fall on paper, as changeable as clouds. Describe calligraphy or poetry as superb, mysterious and changeable.
Source: Du Fu's Song of Drinking Eight Immortals: Three cups of grass in Zhang Xu, bared in front of the princes, like a cloud.
(of calligraphy) the graceful strokes of a calligraphy work.
Interpretation: Describe the beauty of calligraphy. It is also a metaphor for fresh and beautiful poetry.
Source: Yuan Ang "Book Review of Ancient and Modern Times" Author: Wei Changshu, like a flower arranging beauty, dancing and laughing at the mirror.
Calligraphy is round.
Interpretation: Metaphor is the charm and beauty of people. He also described calligraphy as elegant and mellow.
Source: Emperor Taizong's Preface to Sanzang: Feng Shui is not as good as Tsinghua; Fairy dew pearl, can you make it shine?
The King of Jin's "Sticking to Confucius" (Tang Copy)
be in cheerful mood
Interpretation: strong and smooth; Energetic and hearty.
Source: Yang Xin's "Picking the Name of Ancient Energy Books": Wu emperors can grass, and the world is called music.
The brushwork of calligraphy shows no edge.
Interpretation: It's like drawing in the sand with an awl. Describe the uniform brushwork of calligraphy.
Source: Jiang Kui's "Continuing the Book Score with a Pen": Using a pen ... just like drawing sand with a cone ... evenly hides the front.
Articles, speeches, etc. are vigorous and unrestrained.
Interpretation: Describe articles, speeches, calligraphy, etc. These are all unrestrained. As "Wang Yang arrogant".
Source: Song Wangzao's Preface to Series Collection: There are few schools of learning Wang, and he has tasted Meishan Su Gong, so his writing style is Wang Yang, and it is classic, but his brushwork is bold and unrestrained.