Secondly, the elegant layout, elegant style, changeable brushwork and free borrowing make later generations feel that they are facing an ordinary and mysterious tower, in which they can't live. Just look at the richness of their pens. There are various wonders such as hiding the front, weighing ornaments, hanging pens to return to the front, tying lines, reflecting tapes, turning from square to circle, and turning from circle to square. This is also the permanent artistic charm of Lanting Preface. The so-called "non-stimulation, non-stimulation, self-discipline" (in the words of Tang Sun Guoting) should be the most appropriate evaluation of the gods in the Preface to Lanting.
Third, the calligraphy of Preface to Lanting conforms to the most basic aesthetic of traditional calligraphy: "The style is not flashy but not wild, and it is gentle." His brushwork combines rigidity with softness, his lines are flexible, his stippling is concise, his book style is based on dispersion, and he has the aesthetic feeling of respect, concession and comparison, which has become a model of "the beauty of neutralization". Preface to Lanting is also honored as "the first cursive script in the world".
4. Preface to Lanting Collection is divided into three sections. The first paragraph describes the meeting place, personnel and environment. The second paragraph expounds the author's outlook on life, feeling that life is short and philosophical, and events are not frequent, closely following the word "music" above, causing various feelings. The reason why the previous paragraph compiled Preface to Lanting Collection. The last sentence explains the purpose of the preface, which aroused the feelings of future generations.
Verb (the abbreviation of verb) is Wang Xizhi (303-36 1, 32 1-379), a calligrapher in the Eastern Jin Dynasty, with few words. Originally from Langya (now Linyi, Shandong), I now live in Yinshan Huiji (Shaoxing, Zhejiang). The officers of the right army generals will review the internal history and be called "Wang Youjun". He came from a noble family in the Jin Dynasty. When Wang Xizhi was twelve years old, his father taught him the theory of brushwork. "If you use an outline, you will realize something." When I was a child, I studied calligraphy with the famous female calligrapher Mrs. Wei. Later, he visited the famous mountains in You Jiang, where he learned from foreigners, learned from foreigners, and learned from Zhong You. Observing and learning "how to combine multiple methods to prepare a family" has reached the height of "more expensive than others, the best in ancient and modern times".