It is urgent to seek three calligraphy works and appreciate them.

Bo Yuantie (appreciation)?

Yuan Bo Tie was written by Jin and Wang Xun in paper and running script, with 5 lines of ***47 words, with a length of 25. 1 cm and a width of 17.2 cm. ?

Yuan Bo Post is a letter written by Xun (350-40 1). ?

The frontispiece has four characters "Jiangzuo Fenghua" with a seal on it. And the imperial title: "The original work of the Tang Dynasty is rare, and the people of the Jin Dynasty are so rich! Hidden in the palace, the right army speed snow post and the big order mid-autumn post are all treasures on earth. Today, the cocoon paper in Wang Xun is as beautiful as the family style! Some rewards are also helpful to the swimming pool. Imperial knowledge. " Zhong's "Gan" and "Han Jian" are printed. ?

"Book of Jin Xun Wang (350-40 1)" contains the following biography: "Xun Wang, the grandson of the guide, the eldest son. Xiao Wu (Sima Yao, Emperor Xiao of Jin Dynasty, 373-396) is an elegant classic. With Yin Zhong Kan, Xu Miao, Wang Gong, Miao Hui, etc. And look at your articles about talent. Long Anchu (397) (Emperor Sima of Jin 'an) gave an official order, gave a chariot to ride a general, opened a yamen and offered a bath. " "Xuan He Shu Pu" contains: "Xun III is famous for his ability to write, and he is a book fan. Cao Xun sage also has a biography. "There are two pieces of Wang Shu in Xuanhe Neifu, and Yuan Botie is one of them. ?

Wang Xun's Yuan Bo Post entered the palace in the 11th year of Qianlong (1746). After the inscription was completed, it was stored in hall of mental cultivation Xinuange along with Wang Xizhi's Clear Post in the Fast Snow and Wang Xianzhi's Mid-Autumn Post, and the imperial plaque "Sanxi Hall" was completed. In the 12th year of Qianlong reign, 134 original calligraphers, including Sanxi, were selected from the imperial palace and inscribed with inscriptions, named "Sanxitang Fa Tie". "Reading Gu Lou" was built in Beihai, Xiyuan. The stone carvings on it are embedded in the wall of the building, and rubbings are circulated to show the model of Linchi. The original Sanxi is still hidden in Sanxi Hall and Yangxin Hall. ?

19 1 1 years later, 1924 before Puyi left the palace, Yuan Botie and Mid-Autumn Festival Tie were hidden in Shoukang Palace, where the imperial concubine Jing Yi lived. When Puyi left the palace, the imperial concubine Jing Yi took this pillar out of the palace, sold it to an antique dealer through her grandnephew, and then sold it to Guo Shiwu. On this page of "Yuan Bo Post", there is a "Shi Guozhai Jimmy", which is the collection seal of Guo Shiwu. Guo Shiwu kept these two posts secret from beginning to end. After his death, these two posts belonged to his son Guo Zhaojun. After the victory of the Anti-Japanese War, Guo Zhaojun donated all his father Guo Shiwu's Zhai porcelain to the Palace Museum, so Guo Zhaojun got the position of assistant manager of Beiping Branch of the Central Bank. 1949 He retreated to Guangzhou with the bank, evacuated in Guangzhou and arrived in Hong Kong. He borrowed a sum of money from the church in Hong Kong with two positions as collateral. 1950, he lost money in business and the loan was due, so he found a way to discuss it. Xu immediately wrote to the president of the Palace Museum, who reported the whole incident to the Prime Minister. 1950, Premier Zhou Enlai instructed to buy back "Yuan Bo Tie" and "Mid-Autumn Festival Tie" and give them to the Palace Museum for collection.

Mid-Autumn Post is known as the originator of "one stroke and one painting", and Wang Xianzhi is the only one who handed down Zhang Zhi's "one stroke and one painting" to the Jin Dynasty. The dripping brushwork is amazing. Mid-Autumn Festival stickers were circulated in Wang Xianzhi, and now they are collected in the Palace Museum together with Wang Xizhi's Quick Snow and Clear Sticks and Wang Xun's Yuan Bo Sticks. "Broken Book" said: "The style of words is formed in one stroke, occasionally interrupted, but the pulse is constant and even the climate is staggered." The calligraphy posted on Mid-Autumn Festival is bold and unrestrained, which should be a new style initiated by Wang Xianzhi. Interpretation of Mid-Autumn Post: How can you win the Mid-Autumn Festival if you can't?

Wang Xizhi's "Quick Snow Clear Post"? Wang Xizhi's book. The running script has four lines, and the font is smooth and beautiful. Yuan Zhao Mengfu once called this post "the best calligraphy in the world". "Shiqu Baodi" received three posts from Jin people, called "Three Wishes", which ranked first. It can be seen that people attach importance to it. "Sunny post in the snow" is a letter. Running script, four lines, 28 words. Its content is that the author writes about his happy mood and greetings to his relatives during the early Qing Dynasty in heavy snow. This post is charming and vigorous, graceful and colorful, with smooth hands and eyes. There is a trend of "Yue Long's sky, the tiger lies on the phoenix valve", which many people think is another masterpiece of his running script after The First Running Script in the World and Preface to Lanting. Judging from the many inscriptions, seals and related books attached to this post, it is the official book of the secret government in the Tang and Song Dynasties. It once entered Baojinzhai in Mi Fei in the Song Dynasty and later entered the court in the Yuan Dynasty, with the inscription of Zhao Mengfu on it, which is the most rare. It was owned by Wang Wangdeng in the Ming Dynasty, and later by Wu Ting, Liu Chengxi and Feng Shuan. , and in the 18th year of Qing Emperor Kangxi (A.D. 1679), he entered the Imperial Palace. Gan Long cherishes the "Sunshine Station in the Heavy Snow". In front of the post, I wrote eight small words "A westward journey, fresh in ancient and modern times" and four big words "Curious news about its skills". This post has been engraved in Fa Tie and Fa Tie, Sanxi Hall, and the ink version is now in the National Palace Museum in Taipei, Taiwan Province Province, China.