They have their own emphasis, but they are coordinated and hidden from each other, which gives the audience a spiritual shock. It is this extremely changeable contradiction, unity and harmony from the outside to the inside, that is, the unexpected and understandable unique aesthetic view, which catered to the attitude of the literati represented by Mi Fei at that time. They are intoxicated with it, love strange stones, cultivate one's morality and cultivate one's character. I think this has naturally become Mifei's hobby.
In fact, we can also understand the physiognomy principle advocated by Mi Fei from his unruly personality and calligraphy characteristics. He is a talented and arrogant person, but he also advocates a natural, casual and unrestrained life. He is an artist with artistic temperament in emotional types. Not following the path of predecessors and pretending to be graceful is very tenacious in his works. His calligraphy is full of agitation, changefulness, profundity and freshness, especially his brushwork, which wants to be left first and right first, and to promote first and suppress first, all in order to increase the ups and downs and the flying spirit. On the premise of a solid foundation, he is naive and natural, never artificial, and can be said to be in the same strain as the concept of stone and other stones.