Edit this paragraph to explain in detail.
1. refers to people's spirit and demeanor. Biography of Wang Jinghong in the Song Dynasty: [Jinghong] has a simple charm, and he knows how to meet a gentleman. Song Sima Guang's poem "Sending Guards to Lushan Mountain" said: "Philosophers come to Jinling with a lonely charm." The second act of Cao Yu's Thunderstorm: "Her eyes are a little dull, and sometimes she is lost in thought, but between her long eyelashes and round eyes, she can still find her youthful charm." 2. Refers to the charm of literary and artistic works. Zhang Tang's six methods of Yan Yuan: "As for ghosts and gods, they are lifelike and must have charm." Kuang Zhouyi's "Hui Feng Hua Ci" Volume 1: "The lyrics must be dignified first. There is charm in dignity, and achievement is not far away. The so-called charm is that things are far away. " Lu Xun's Zhu Ziqing on China Language: "The verve here probably means" nature "and" home ",which means" familiarity "or" practice ". 3. See "verve".
Edit the modern common definitions of this paragraph.
1. verve: charm of demeanor, also refers to the style verve of poetry and calligraphy. 2. Charm: refers to an ideal artistic realm, whose aesthetic characteristics are natural and vivid, with far-reaching charm, and there is no trace of artificial creation in nature, reflecting the ethereal and distant artistic conception.
Edit this poetic history with charm.
In fact, it is the development and evolution history of verve poetry school. In the past, verve poetry, as an important branch of classical poetry, has been discussed by many people, but as a genre, there is no specific research. In fact, in the history of China's poetry, verve poetry exists not only as a style, but also as a genre. In other words, it has its own process of occurrence, development, maturity and decline, with a group of writers and representative works of the same strain. In this sense, the meaning and value of verve poetry have not been fully revealed by people. As we all know, Wang Tutao, a poet and critic in Qing Dynasty, formally praised verve and put it into practice. However, Wang Dutao is the leader of the school of charm, not the initiator. His most important contribution is to summarize the creation and theory of verve school, which provides an important basis for us to study verve school. The research facts so far show that only by tracing back to the source of the school of verve poetry can we accurately grasp the artistic connotation and immortal aesthetic value of verve poetry and avoid superficial research. This book's research on the history of verve poetry is an attempt in this respect.