Sitting alone, sitting leisurely in the room, writing poems about idle flowers.

A person sitting in the spare room, a person sitting in the spare flowers, gently cooking time, slowly cooking tea. Mo Wen fireworks, let years cold.

Appreciation of the whole poem:

There is a family halfway up the mountain. They are far away from the noise of the city and live in this paradise surrounded by mountains and rivers. Don't be burdened by worldly pressures and trifles. In this leisurely nature, make a pot of green tea, enjoy the beautiful scenery and let the years flow quietly. This poem has a feeling that Tao Yuanming sees Nanshan leisurely under the hedge of picking chrysanthemums.

The purpose of the poem is to return to nature. The first step to return to nature is to deny secular values. From ancient times to the present, power, status, wealth and honor are generally the basic objects that people pursue, which is also a socially recognized measure of value.

The whole poem means to experience life slowly and attentively, and then you will find all kinds of beauty around you and understand that it is good to be alive.

Su Shi, whose word Zi Zhan, whose word Zhong Zhong, is called Dongpo lay man. Meishan, Meizhou, Luancheng, Hebei, a famous writer, calligrapher and painter in the Northern Song Dynasty.

In the second year of Jiayou (1057), Su Shi was a scholar. Song Shenzong worked in Fengxiang, Hangzhou, Mizhou, Xuzhou and Huzhou. In the third year of Yuanfeng, he was demoted as the assistant envoy of Huangzhou Yingyong because of Wutai poetry case.

After Song Zhezong acceded to the throne, he served as a bachelor of Hanlin, a bachelor of reading and a minister of rites, and was well known in Hangzhou, Yingzhou, Yangzhou and Dingzhou. In his later years, he was exiled to Huizhou and Danzhou because of the ruling of the New Party. Song Huizong was granted amnesty and returned to the north, where he died. Song Gaozong posthumously awarded a surname; Song Xiaozong pursues "Wen Zhong".

Su Shi was a literary leader in the mid-Northern Song Dynasty, and made great achievements in poetry, ci, writing, calligraphy and painting.

Vertical and horizontal text; Poetry has a wide range of themes, fresh and healthy, uses exaggerated metaphors and has a unique style. Also known as "Su Huang" with Huang Tingjian. Ci is an uninhibited school, and Xin Qiji is the representative of the uninhibited school, also known as "Su Xin"; Prose writing is rich and unrestrained, and he is also called "Ou Su" with Ouyang Xiu, and is one of the "Eight Masters in Tang and Song Dynasties". Su Shi's good book, one of Song Sijia; He is good at literati painting, especially ink bamboo, strange stones and dead wood.

Su Shi's literary achievements;

Su Shi has made extraordinary achievements in the creation of ci. As far as the development of a style itself is concerned, the historical contribution of Su Ci has surpassed that of Su Wen and Su Shi.

After Liu Yong, Su Shi carried out a comprehensive reform of ci style, and finally broke through the traditional pattern of "Ke Yan", improved the literary status of ci, changed ci from an accessory of music to an independent lyric style, and fundamentally changed the development direction of ci history.

The transformation of Su Shi's ci is based on his concept of ci and his creative idea of "being unique".

Ci has been regarded as "Tao" since the late Tang Dynasty and the Five Dynasties. Liu Yong devoted his life to the creation of ci, which promoted the development of ci style, but failed to improve the literary status of ci. This task needs Su Shi to complete. Su Shi first broke the concept that poetry is superior to ci in theory.

He believes that poetry is homologous, and the word "is the seedling of poetry". Although there are external differences between poems and words, their artistic essence and expressive function should be the same. So he often compares poetry with poetry. Because he raised the word to the same position as the poem from the stylistic concept, it provided a theoretical basis for the word to move closer to the poetic style and realize the mutual exchange and infiltration between the word and the poem.