Influenced by my grandmother since childhood, I am diligent and fond of painting and calligraphy. At the age of five, he began to learn from Tang Kai, copied Ou Yangxun's Jiuchenggong for eight years, and then dabbled in the simplicity of the Northern Wei Dynasty. After decades of hardships, Mi Fei and Han Li, the two great kings, constantly explored new connotations from the tradition, grasped the mysterious spirit pen, and gathered the qi of heaven and earth in their chests, which merged and interacted with each other.
He is versatile, and he can do anything with chess, calligraphy and painting. Literature, history, philosophy and art explore its true meaning. After years of study, life and work practice, I realize that calligraphy is precious in essence. He learned from others' strong points, learned from others' strong points, worked tirelessly, devoted himself to enlightenment, and pursued a book style that was magnificent, vigorous, bold, elegant, Mo Yun changeable, and both rigid and flexible.