What aesthetic principles are contained in Ode to the Heart?

The article Ode to a Heart actively touches on the basic structure, changing rules and different artistic treatment methods of Chinese character modeling, and discusses the "freedom" of calligraphy from the aesthetic point of view. This freedom is based on the basic structure of Chinese character modeling and the created "statutes", and it is created for aesthetic purposes without violating the "statutes". It is the embodiment of personality characteristics. In fact, it advocates breaking the symmetrical, repetitive, flat and rigid modeling and creating more activity space within the permitted scope. From the dialectical point of view, we can find that all these laws are put forward around the idea of changing in unity and comparing in contact. In addition, Ode to the Heart also talks about the word "Qin Jing", and the works return to complacency, back-to-back, back-to-back and back-to-back. It's amazing to see that the lines are in the same strain and harmonious, and they are connected without violating. "This is the rule that calligraphy should abide by in the process of extending from point to surface. Just as language is composed of a single morpheme into a complete sentence, it contains many complicated relationships, including the relationship between words and the relationship between words and the whole. Calligraphy as an abstract art