At the age of eighteen, Song Shenzong succeeded to the throne. Because he didn't forget Mi Fei's mother Yan's old love, he became the secretary of the provincial school for Mi Fei, responsible for proofreading and correcting mistakes at that time. From then on, he embarked on his official career and died in 1 107.
Mi Fei's low rank in life is related to his incompetence in pandering to officialdom and his lofty personality. Mi Fei is a man of real talent and learning, and he is not good at catering to officialdom.
He has won a lot of time and energy to study the art of painting and calligraphy by playing with stones and appreciating inkstones, and his pursuit of painting and calligraphy has reached the realm of infatuation. His unique unconventional personality and quirks in others' eyes may be the cornerstone of his success. He once wrote a poem by himself: "Chai Wife, opening a window to the museum, fame and fortune, never guilty for life."
He is such a person who values the art of calligraphy and painting above everything else. Mi Fei studied calligraphy the most in his life, and his greatest achievement was running script.
Although paintings have not spread to the world, many calligraphy works still exist. Most of the famous replies since the Southern Song Dynasty are engraved with their calligraphy books, which spread widely and have far-reaching influence. They are second to none among the "Four Great Calligraphers of Northern Song Dynasty".
Kang Youwei once said: "Tang Yan structure, Song Shang is interesting." Calligraphers in the Song Dynasty emphasized interest and individuality, especially Mi Fei, who was an outstanding representative of the four masters in the Northern Song Dynasty.
Mi Fei studied books and claimed to "collect ancient Chinese characters". Although some people think this is a laughing stock, others praise that "Tian character block needs no praise, and the ancient Chinese character set can finally stand on its own feet" (Wang Wenzhi). This explains the success of Mi calligraphy to some extent.
According to Mi Fei's self-report, before learning the Book of Jin from Su Dongpo, we can see that he was most influenced by five Tang people: Yan Zhenqing, Chu Suiliang, Duan. Mi Fei has many special brushstrokes, such as the turning of the right corner of the word "door", the steep rise of the vertical hook, the crab claw hook, etc., all of which are taken from Yan's running script; The shape of the body is cut, when it comes from the imitation of European characters, and it has been kept for a long time; Shen Chuanshi's running script is similar to that of Chu Suiliang; "Unique four sides" and "brush strokes" may come from Mi Fei's Chinese character season exhibition. Chu Suiliang's brushwork is the most varied and vivid, which is in line with Mi Fei's taste. He once praised himself for saying, "If you are familiar with horses, you will follow others, but there will be no arrogance."
Yuan Feng (1082) started looking for Jin people's law posts five years later, and got the Mid-Autumn Post only one year later. This big order post for ancestors had a great influence on him, and he always felt that the right army was not as good as his son.
However, Mi Fei, who was unruly by nature, was not satisfied with Wang Xianzhi's words. As early as Shao Sheng's reign, he shouted "Old people hate slave books and don't change geese" and "Wash two kings' bad faith". Mi Fei is said to have studied Yang Xin, and Li Zhiyi said, "The immortal sea and moon don't wait for me ... Yang Xin's works are even more surprising".
So Mi Fei met Yang Xin in Buju Haiyue Temple about six years later in Yuan You. Nevertheless, the secret book has not been finalized. The Tiaoxi Post, the Monument and Postscript of the Ming Toutuo Temple in Yinling, and the Shu Su Post, which have been written in Yuan You for nearly three years, were written in a month and a half, but their styles are quite different, and they have not completely stepped out of the threshold of collecting ancient Chinese characters.
It was not until "I became my home when I was old, and everyone saw it, and I don't know why it was the main thing" that I finally completed the establishment of my own style, probably after 50 years old. This kind of stereotyped calligraphy, because Mi Fei is too unruly, blindly "potential", even in the small print such as "holding words to the queen mother", is also eager to try.
This "potential" is an advantage, but at the same time it has become his defect. For a clear-headed person like Huang Tingjian, praise and criticism should be more objective and fair.
Huang Changrui commented on his calligraphy, "but he can write calligraphy, but grass can't." At that time, the so-called "positive" did not have a definite meaning, and it is not necessarily the current "block letters". If it means the official seal, it is also appropriate. The existing seal cutting officials in Mi Fei are really not very diligent, and the cursive script is also plain.
Later, he held a negative attitude towards the cursive script of the Tang Dynasty and was limited by his understanding of Cao Jin, so his achievements were generally inevitable. Miffy's book is very serious, not as some people think.
Mi Fei himself said, "I have written Haidai's poems three or four times, but I can't believe his books" (Mingming Fan Taiwan Mi Fei Yang Zhu). A poem has been written three or four times, and only one or two sentences satisfy him. Among them, the bitterness is beyond the reach of an expert, which also shows his rigorous creative attitude.
Mi Fei is famous for his calligraphy and is one of the northern Song Sijia. If he is handsome, he is the first. His achievement comes entirely from the efforts made the day after tomorrow.
At the age of 30, he became an official in Changsha. He once saw the stone tablet of Yuelu Temple, and the next year he went to Lushan to visit the stone tablet of Tolin Temple, and they all signed their names. In two years, I also bought Li Yong's How Hot I Want to Post with six paintings by Zhang Xuan and two posts by Xu Haoshu and Shi.
With his calligraphy, it is proved that 24-year-old Lingui Long Yin inscribed a cliff on a rock, with a slight momentum and no shadow of his family; At the age of 30, the inscription and postscript of Bujitu also made people feel deeply gifted and academically incompetent. It is reasonable for Mi Lao to be scheming and occasionally boasting, just as his predecessors said, "Set a high standard."
Mifei's self-narration and learning from the scriptures are often somewhat mysterious. For example, he said to the emperor, "I have been studying Yan Xing since childhood.". However, Mifei's success comes entirely from the hard training the day after tomorrow, and there is no element of Machiavellian tactics. Mi Fei keeps coming to the pool every day, citing two historical materials as evidence: "If you don't write for a day, you will feel sleepy, thinking that the ancients never waste books for half an hour."
"Zhi Yong inkstone into mortar, can reach the right army (Wang Xizhi). If you start with Zhong (Yao) and Suo (Jing), he can always encourage you. " His son Mi Youren said that he didn't even forget to write on New Year's Day.
(According to Sun Zubai's Friends of Mi Fermi). Mifei has a rich collection. He often goes with him when he is on business. On the boat here, he hung the banner of "Mijia Painting and Calligraphy Boat".
In his later years, Mi Fei lived in Dantu, Runzhou (now Jiangsu) and had a mountain forest hall. Therefore, its poetry collection is called "Mountain Forest Collection", with 100 volumes, and most of them are lost now.
At present, there is a "Jin Bao Ying Guang Ji" handed down from generation to generation. Mi Fei can write and write poems, and the title of the poem is meaning, which is lofty and unique.
I tried to write a poem for Xu Chongyuan and said, "I don't attack people. I haven't recorded a poem in my life." I have a unique style for my own advantages and deliberately seek differences for my own shortcomings. Miffy's paintings don't exist in the world.
Mi Fei's History of Painting records his collection and appreciation of ancient paintings, as well as his love for painting, aesthetic taste and creative experience. This should be the best basis for studying his paintings.
Miffy's success lies in some kind of.
2. I recently read Mi Fei's Shu Su Tie, and I really want to learn his calligraphy. To write his calligraphy well, I suggest you practice regular script first.
Get to know him first:
Homophonic with "fu"
brief introduction
Mi Fei (1051-107) people's seal, numbered Xiangyang Manchu, Haiyue Waishi and Lumen Jushi. Originally from Taiyuan, Shanxi, I settled in Zhenjiang, Jiangsu. He is called "Mi Dian" because of his eccentric personality and crazy behavior, and he is called "brother" when he meets a stone. Zhao is a doctor of calligraphy and painting, known as Guan. Mi Fei is good at poetry, calligraphy and painting, and his appraisal is accurate. He is a painter, appraiser and collector. He is one of the "four calligraphers of Song Dynasty" (Su, Mi, Huang and Cai) and is second to none. His writing style is bold and unconstrained, and his statutes are rigorous. "The Biography of Wen Yuan in the History of Song Dynasty" said: "My calligraphy is particularly wonderful and I am deeply impressed by Wang Xianzhi's brushwork."
Mi Fei studied hard all his life and made the greatest achievement in calligraphy. Mi Fei claimed that his works were "collections of ancient Chinese characters", and he had a deep understanding of the brushwork, composition and charm of ancient masters, which also showed to some extent that Mi Fei had made great efforts in the tradition of learning books. Miffy was not involved in the political whirlpool and her life was relatively stable. Later, he became a doctor of painting and calligraphy, enjoyed the collection of books in the palace and familiarized himself with the Millennium stories. The gains and losses of the ancients are countless. When he was young, he studied hard Yan, Liu, Ou and Chu, and laid a solid foundation. When Su Shi was demoted to Huangzhou, he visited for advice, and Dongpo advised him to study gold. From the fifth year of Yuanfeng (1082), Mi Fei devoted himself to the study of Wei and Jin Dynasties, searched many calligraphy posts of Jin people, and even named his study "Baojinzhai". Today, Wang Xianzhi's ink-and-wash autumn post is said to have been copied by him, which is both beautiful in form and spirit. Mi Fei turned to many teachers all his life, and in his later years, he also said in the book "readme": "I am a beginner, so I should learn to write the wall first. I was seven or eight years old. The words are as big as a picture, so it is impossible to write simply. I saw Liu and admired his tight knot, so I learned Liu's Diamond Sutra. For a long time, knowing that it comes from Europe means learning from Europe. For a long time, such as printing plate arrangement, it is the longest time to learn from Chu, and the season of Mo Duan turns fat into beauty, and all sides are perfect. Over time, Jue Duan Quanze exhibited Lanting, so he joined the Jin and Wei Dynasties and abandoned Zhong Fang to study in Yigong. " The same is true of Liu Kuanbei. The seal characters love Chuchu and Shi Guwen. I also realized that bamboo slips are painted with bamboo, which is wonderful and ancient. "
Mifei is famous for his calligraphy, and his achievements come entirely from hard training the day after tomorrow. Miffy comes to the pool every day. Historical records record: "If you don't write for a day, you will feel sleepy, thinking that the ancients never wasted books for half a time." "Zhi Yong inkstone into mortar, can reach the right army (Wang Xizhi). If you start with Zhong (Yao) and Suo (Jing), he can always encourage you. " His son Mi Youren said that he didn't even forget to write on New Year's Day. (According to Sun Zubai's Friends of Mi Fermi). Mi Fei wrote a book seriously, and said to herself, "She wrote Hai Dai's Poems three or four times, but it is hard to believe what she said in the book" ("Mingming Fan Taiwan Notes Mi Fei Yang"). A poem has been written three or four times, and only one or two sentences satisfy him. Among them, the bitterness is beyond the reach of an expert, which also shows his rigorous creative attitude.
Mi Fei's calligraphy is in Song Sijia, after Su Dongpo and Huang Tingjian, and before Cai Xiang. However, regardless of Su Dongpo's position as a literate Sect or Huang Tingjian's influence as a leader of Jiangxi Poetry School, Mi Fei's traditional skill is the deepest in terms of calligraphy, especially the running script, which shows that the two are positive. Dong Qichang's Essay on Painting Zen Rooms in Ming Dynasty said: "I tasted the word rice and thought that the Song Dynasty was the first. After all, it was based on Dongpo. In other words, Mi Dian's books are more self-sufficient. When he changed in his later years, it was strange that ice was colder than water. " When the emperor asked about calligraphy, Mi Fei claimed to be a "brush character". He was modest and down-to-earth, and "brush character" showed that he was quick and energetic with his pen and tried his best. His calligraphy works, from poems to bamboo slips and inscriptions, are full of vitality and freshness. Judging from the existing nearly 60 Mi Fei's handwriting, the word "brush" vividly shows the spirit of the word "rice". No wonder Su Dongpo said, "Mi Fei gets carried away." He also said: "Haiyue has been a seal character, an official, a true character, a line and a cursive script all his life. When you are parallel to Zhong Wang, dive and be happy. Not only worth it. " Mi Fei's calligraphy had a far-reaching influence, especially in the late Ming Dynasty. Many scholars, such as Wen Zhiming, Zhu Yunming, Chen Chun, Xu Wei, Wang Juesi, Fu Shan, etc., have taken a Heart Sutra from Mi Zi, and this influence has continued to this day.
Mi Fei's calligraphy has reached a high level, and his calligraphy theory is quite a lot. He is the author of History of Books, Famous sayings of Hai Yue, Visiting Bao Lu, Copyright Review and so on. It shows his outstanding courage and refined taste, and often scoffs at his predecessors. However, he never followed the old saying and was valued by calligraphers of all ages. However, he also talked too much, belittled Ada and Xu Su, and was harsh and critical. Mi Fei's ink handed down from generation to generation mainly includes Tiaoxi Poetry Collection, Shu Sutie, Fiona Fang Anji and Ma Tiancai, among which there are many Korean essays.
Mi Fei is good at ink and wash landscapes, and is called "the Yunshan of Mi Fei", but Mi Fei's paintings do not exist in the world. But at present, the only thing that can be seen is hardly a real "rice painting"-"The Picture of Coral Pen Holder", in which there is a coral pen holder inlaid with the word "golden sitting" by Zuo Shu. Then, with the rice dots and inscriptions, Mi Jiashan water suddenly emerged. It's quite interesting for Miffy to use painting as a ghostwriter.
Appreciation of the Works: Coral Post, Yan Post, Hongxian Poetry Book, Su Post, Political Participation Post, Tiaoxi Poetry Volume, Cursive Script Post
Our posts are those of Uncle Hui, Shibo, Sanwu, Bamboo, Huai and Lin Bu.
3. What are the four words in Mi Fei Yun Shan? Mijia Yunshan by Mijia and his son.
Mi Fei, a famous Xiangyang barbarian, is a scholar of the sea and the moon. He once lived in Taiyuan (now Shanxi), then moved to Xiangyang (now Hubei) and then settled in Runzhou (now Zhenjiang, Jiangsu). Hui Zong, known as the doctor of calligraphy and painting, was once a member of the official etiquette department and was called "Minnan Palace". Because of behavioral madness, it is also called "rice epilepsy". Can write poetry, be good at calligraphy and painting, and have accurate appraisal. Lines and cursive scripts are very powerful in Wang Xianzhi and handsome in brushwork. They were commented as "calm and happy" and called "Song Sijia" with Cai Xiang, Su Shi and Huang Tingjian. He is good at mountains and rivers, learning from Dong Yuan, not demanding meticulous work, and dyeing with ink and ink. He claimed to be "writing with letters, hiding trees and stones with clouds, and returning to his heart seems to be enough." Ziyou, who inherited his painting techniques, called himself "Moxi", and was called "Mi Jiashan", "Mi's Yunshan" and "Mi Pai" in the history of painting. He also painted flowers such as plum blossoms, pines and chrysanthemums, and painted figures in his later years, claiming that "taking care of (opening branches) should be high and ancient, and not entering the martial arts (Daozi)."
4. How to preview Miffy Book 1, the Chinese version S, the second volume of the fourth grade, and understand the meaning of words such as "attainments, private schools, enlightenment and memory"?
2. Read the text correctly, fluently and emotionally. You can tell this story.
3, know that no matter what you do, you should feel and understand with your heart, so that you can make rapid progress. 4. Learn how to portray people in detail.
Teaching emphasis: on the basis of reading the text, guide students to understand that no matter what they do, they should understand with their hearts. Difficulties in teaching: You can tell this story in your own words and talk about inspiration in combination with reality.
Teaching process: First, introduce new lessons. The text we are going to learn together today is the story of Mi Fei learning calligraphy when he was a child. Blackboard writing: learning books in Mifei No.2 Middle School. Guide students to question questions and stimulate reading interest. What do you want to know after seeing the topic? How did Mifei learn calligraphy? What good method does he have? How does he practice calligraphy ...) [Primary School Teaching Design Network =-.
Xxjxsj .CN=-] Then read it with these questions.
Third, the first reading of the text, the overall perception 1, please read the text first. Tips for self-study: (1) Read the text silently. After reading it, tell me what the text is mainly about. (2) Mark the questions you don't understand.
Solve it in the group later. 2. Read the text by name.
Objective: To check the self-study and correct the pronunciation of new words. 3. Tell me one thing. What did the text message say? What kind of child do you think Mimi was when she was a child? (Diligent and earnest) Fourth, read the text silently and deeply understand why Mi Fei and Xiu can find the knack of writing. Please read the text silently, extract relevant sentences from the text and write down your feelings next to it.
1. Students read silently and meditate as required. 2. Share your reading experience in groups.
3. Read the sentences out loud. Fifth, talk about the harvest and summarize the full text.
1. After studying the text, we know that Mifei was a diligent child when he was a child, so he can achieve such great success when he grows up. So what else have you gained? 2. Reread a trick of practicing Chinese characters named by scholars.
3. Talk about the views and understanding of what this scholar said. Sixth, expand the extended homework: 1, talk about your own experience after class, and write about your feelings after reading.
2. Practice writing these two new words learned today with the tricks that the scholar said.