"Risk" is an absolute danger, as opposed to "mediocrity". If you don't know this, no matter how you copy it, you can only write it in plain characters.
The article describes, "In the past 1000 years, people only got a glimpse of the method of opening letters through his Jiuchenggong Li Quanming, Huangfu Birthday Monument and Huadu Temple Monument. But it is easy to go astray, and it is not the essence. I won't say it in the contemporary era. " Everyone understands the implication of Nobunaga.
Then an example is given. "In the second year of Guangxu, Feng explored flowers in 90% of the palace, which was more exquisite and graceful, but less dangerous."
As you know, people in the Qing dynasty couldn't even write European characters well, let alone us modern people. (Chatting like this, is everyone relieved at once? How many people are in front of you? ) Compared with the above-mentioned Ou Yangxun's book, this remnant volume is no different from that of the Qing Dynasty and modern people, and it is flat.
What is the reason? Although the statement that they are "not the essence of God" is correct, it is vague. The so-called "essence of God" is actually "law". This method is the "Two Kings Method" and "Wang Zhong Method" that Ou Yangxun brought into the prosperous Tang Dynasty. Xuanhe Shupu said that European calligraphy is the "crown of calligraphy". You think it's loose talk? ! Ou Yangxun's calligraphy has been listed in the "Fa Tie" of past dynasties, which is enough for future generations to follow suit.
Don't contemporary Tang people understand this?
The answer is: no!
The author of this remnant volume didn't get the real "Dharma" from Ou Yangxun, that is, he didn't know it at all.
According to Huang Jian's analysis, Yu Shinan's calligraphy is also reserved (accompanying a gentleman like a tiger, brushwork is also a matter of personal life; Later generations, such as Qianlong, also have this example, talk to you later); We talked earlier about the words of Japanese monks in the empty sea. He studied in the Tang Dynasty for so many years before he learned the word "Ping Bian", and the master of calligraphy in the Tang Dynasty didn't teach him the core "Fa". Yu Zhonghua also said that the "Royal Calligraphy Training Course" in Datang was a failure, and no one could write it. (A colleague said that Yu Zhonghua discovered this phenomenon, but unfortunately he didn't know the true inheritance system of brushwork. )