Appreciation of cursive thousands of words;
Appreciation of cursive thousands of words 1
Appreciation of cursive thousand-character calligraphy II
Appreciation of cursive thousand words 3
Appreciation of cursive thousands of words 4
Appreciation of cursive thousands of words 5
Cao Zhang's artistic charm;
Cao Zhang is a wonderful flower in the history of calligraphy, and it is a calligraphy style corresponding to the evolution from seal script to official script.
Han Dynasty and Wei and Jin Dynasties are important periods for the transformation from ancient Chinese characters to modern Chinese characters in China. During the Qin and Han Dynasties, Qin Zhuan's vulgar style evolved into an early official script, commonly known as Guli. Later, Guli's positive body gradually developed into a mature Han Li, also known as? Book at eight o'clock. The vulgar style of Li cursive script developed into cursive script in ancient times, that is, also known as? Cao Li? Yes
Judging from the development history of cursive script, Cao Zhang was roughly formed between Xuanyuan in the Western Han Dynasty and flourished in the Eastern Han Dynasty, the Three Kingdoms and the Western Jin Dynasty. His classic is Urgent Chapter written by You Shi, a native of Huangmenling in the Western Han Dynasty. At that time, it was a primary school? Literacy? , is also the standard font in Cao Zhang. After the Eastern Jin Dynasty, the new cursive script, running script and regular script were fully mature, and the official script and Cao Zhang were replaced accordingly. At that time, in order to distinguish the old cursive script from the new one, people called it new style? Grass today? In view of the strict legal rules of the old cursive script, it is called? Cao Zhang? .
In recent years, through the study of Cao Zhang, especially the copy and excavation of Urgent Chapter, the author has a new understanding and understanding of Cao Zhang, a transitional body of ancient and modern characters. Based on the principle of guarding the post and opening up the grass, it pursues the integration of seal script and kai script and eclecticism, forming its own unique artistic charm.
The shape is flat and the words are unique, and the beauty of official script is outstanding. Cao Zhang's cursive script is official script. We know that official script is transformed from seal script, so what is official script? Simplify the strokes, draw the circle into a square and turn it into a fold? The characteristic is. In the process of Li's change, his shape changed from long to square and from square to slightly flat. Cao Zhang inherited the flat shape and independent writing of Lishu. At the same time, in strokes, Cao Zhang strengthened the waves, highlighting the most striking features of official script? Silkworm head and goose tail? .
The so-called silkworm head and goose tail is the most vivid metaphor for the main pen of Lishu (one foot horizontal painting). When starting the pen, the front of the pen is reversed, resulting in the shape of the silkworm head and a slightly thinner waist; When receiving the pen, it was pressed by Denton's pen and tilted to the upper right, shaped like a goose tail. His strokes are flat and curved, which is the most characteristic of official script and the key to writing official script well.
The so-called "wave" actually refers to the left and right strokes in later regular script. In the eight-character method,? Hey? Also known as? Hey? . It's called a tomb because it's written. Three twists and turns? Trend, the pen should be spread out slowly, the front should be tightened and calm. ? Wave? , refers to its left stroke, like a curved wave, called it in the eight laws? Skimming? . The body of waves now begins at the left and right, and its brushwork is like a bird's wing flying with beautiful posture, which is an important embodiment of the beauty of official script.
The meanings of "Li", "Fa" and "Li" are retained to the greatest extent. For example, from the pen, the Tibetan front is retreating? , pen container? Delayed delivery? . From the change of strokes, do you want it? Geese don't fly in pairs, silkworms don't? Wait a minute. From the structural point of view, due to the need of grass length, it is necessary to change the order or shift part of lines and strokes, but overall, the left and right structure, up and down structure and surrounding structure of Lishu are still retained. From the form of stroke connection, Cao Zhang often has a circle and then works. Wei Yan? Phenomena, such as? Are you sure? Change? Murder? Swimming? Hey? Distinguish? . If the first three words are still? Hey? Make it inevitable. What are the last three words? Horizontal? Keep it? Wei Yan? Let it be what it is. Here, the former is an organic combination of waves, and the latter is an organic combination of horizontal and vertical, but in the end, the tail has not been abandoned.
Throughout history, most famous posts have inherited the main characteristics of official script, infiltrated Li's thoughts and displayed Li's unique beauty.
In the process of planting grass, Han Li gradually started the road of planting grass. The former sublates Han Li's law in order to pursue writing speed; The latter is closely related to the characteristics of Han Li, and further pursues the beauty of modesty and neatness. At the same time. Double? In this process, cursive scripts intersect and merge, resulting in running scripts.
Capitalization is to gradually turn the flashy restoration of official script into the arrogance of official script, with regular script strokes such as edge (dot), peck (short stroke) and hook (straight hook). At the same time, official script? Like a figure eight? (Han Li? Eight points? Because of this, the font has been improved and the structure has become more rigorous and beautiful. By the end of the Han Dynasty and the Three Kingdoms period, regular script had begun to take shape, and Zhong You was its founder. After Wang Xizhi further developed and matured.
In the urgent chapter, we find that? People? Water? Fire? Anti? Nine? 、? Mouth? When you have more perfect regular script characters, you will see more running script characters. Of course, in general, these are still a few of the total number of urgent chapters. However, if you look at the radical, you will see the images of regular script from time to time, such as standing alone, holding hands, wooden characters, sanshui, Wang characters, etc., which are typical regular script writing methods. In addition, some characters, except one or two with regular script characteristics, are simply orthodox regular script characters, such as? Law? Both? First of all? Ting? These are enough to explain the standardized Cao Zhang's reference to some aspects of regular script, such as stroke writing, word formation structure and so on.
Look at the "urgent chapter", which has a unique shape, beautiful tail, simplicity, no branches and vines, and clear stippling. It is a model of cursive script. Zhang Tang Huai Guan once listed The King James Portrait Book as? God product? And comment on its zhangcao? All the characters are the same? , already? Extreme it? . Here? All the words are the same? It is not derogatory, but actually refers to the coherent posture, dignity and aesthetic feeling, which is the extremely high realm of calligraphy art.
Simple Zhuang Mu, the beauty of image in stillness, Cao Zhang took Han Li as the basic point, highlighted the wave of official seal, followed the circle of seal cutting, borrowed the French style of model, created the grass flow, and presented it to the world with a brand-new look. It combines the beauty of waves, curves, modesty and fluidity, forming its own unique artistic charm.
The charm of Cao Zhang's art is embodied in the harmony and unity of contradictions. The wave of official script, the strokes are left and right, and there is a tendency to fly; The arc ring of seal script has round and soft lines and a posture of wrapping inside; The grass is connected with the genus, and the gesture is flowing, which has the meaning of continuity; The French style of the model is square, beautiful in structure and regularly purged. Is this the charm of Cao Zhang? What's the difference between breaking and not breaking? Reflected in the situation.
There are many comments on the form and image of Cao Zhang in ancient classic works. Like what? Animals and enterprises are birds, aiming to fly; If you avoid violence, you will run to the finish line. (Wei Heng's four-body book potential), Like a dragon, like a dragon. (Yu Dou's Shu Shu Fu).
Here? Hey? In order to hesitate, I want to do it without looking. Enterprise? In order to stand on tiptoe, everyone acted in silence, but in the end it was quiet. ? Violence? Is it moving? Delay? Is it static? Can run? (No, standing) is a static braking image. This fully embodies the aesthetic taste of the structure of Cao Zhang, which is composed of a pen and a combination of motion and static.
? Wake up? Wake up for winter. Extension and restoration? To stretch (move), occupy (rest) and keep moving forward (retreat), is this also true? Eager to fly? The inevitable result. This is a very vivid and wonderful display of the posture of moving in silence, moving in silence, moving in silence and repeating chapters.
In Cao Zhang, simple strokes provide more space for the flow and expansion of words. It pursues the past and opens the present, and is used by Fiona Fang. Although its strokes are implicated, it makes the rotation self-sufficient. In the operation of stroke association, adjust the rhythm and speed of pen and ink from time to time. Its characters are independent, such as stars and pearls. The rapidity of writing includes delay, intermission and speed, and the breath is continuous. The whole chapter has its own natural flavor of simplicity, calmness and happiness, and a wonderful classical music also haunts my ears. This is the artistic charm I saw from my study and appreciation of Cao Zhang.