Influenced by his family since childhood, he loves ancient poetry and calligraphy. Since the age of 10, he has extensively studied family collections of inscriptions and classical poetry, and developed a strong interest in calligraphy. He has studied Liu, Yan, Ou, and Zhao successively. Afterwards, he studied and studied the running script of Wang Xizhi, Wang Xianzhi, Mi Fu, Dong Qichang, Li Yong, etc., the cursive script of Huai Su, Zhang Xu, etc., as well as Cao Jue Baiyun Ge and Xiaokai Lingfei Jing. He is especially deeply influenced by the running script of modern calligrapher Pan Linggao, Master Qi Gong and Mr. Ouyang Zhongshi, and is good at running script and cursive script.
In 1997, the National Book Exhibition to Celebrate the Return of Hong Kong won the second prize. In 1992, the National Construction and Building Materials Workers Calligraphy Grand Prix won the second prize. In 1998, the Central State Branch of the Chinese Calligraphers Association held the Second Prize to Praise Reform and Opening Up. Ten years of series of book exhibitions, works exhibited. In 2000, the Central State Branch of the Chinese Calligraphers Association held the "Year of the Dragon Book Exhibition" and his works were exhibited and collected by Jiguzhai, Liulichang, Beijing. He is currently a member of the Beijing Chinese Calligraphy and Painting Research Society and a member of the China Construction Calligraphers Association. His works have been used many times by Guangming Daily, Beijing Daily, Beijing Suburban Daily and many industrial newspapers. In 1996, he published and edited the book "The Mystery of Calligraphy—Contemporary Calligraphers on the Art" (more than 200,000 words published by China International Broadcasting Press).