The ancients said: "Learning books is just a skill, and establishing products is the first key. High-quality, has its own clean and elegant spirit. " "To learn books, you should have virtue in your heart and extensive knowledge of sages. Books are valuable. " From ancient times to the present, calligraphers of all ages have been well-behaved, disciplined and inspirational, and attached great importance to the perfection and improvement of their own character and self-cultivation. The regular script of Yan Zhenqing, a great calligrapher in Tang Dynasty, is vigorous and full of vitality. His character is faithful and "words are like people", which achieves the perfect combination of character and calligraphy, so his calligraphy is widely circulated and highly respected. Although Qin Gui, Yan Song and Cai Jing have a high level of calligraphy, they are despised by the world because of their despicable character. It can be seen from the history of calligraphy that many people were good at calligraphy in ancient times, but only those who were wise passed it down. At the same time, most of these calligraphers' masterpieces were written by Lide. The ancients did this, so should modern people. Don't you know that calligraphers such as Kai and others are deeply respected and loved by people? All because of their virtue and art; However, due to corruption and corruption, Hu Changqing violated the criminal law, and ended up with "the whole street demolished its characters" and "the National Association revoked its nationality". Copying calligraphy inscriptions means not only copying in art, but also copying outside art, learning their moral integrity and ambition, and constantly cultivating our noble moral sentiments and sense of justice.
Second, understanding things helps to establish a correct outlook on life.
Calligraphy is profound and all-encompassing. To learn calligraphy, we should not only pay attention to techniques, such as writing, writing, structure, layout, pen and ink, but also tap its profound aesthetic spirit and philosophy of life.
Chinese characters are composed of stippling, and the "writing against the wind" of stippling is the real starting point of calligraphy art, and those who "oppose" also oppose it. This kind of "opposition" just reveals the contradictory law of calligraphy art. "Fu Shu originated from nature, born naturally, born of yin and yang, born of yin and yang, and emerged." It vividly shows that the emergence of calligraphy is based on the objective world full of contradictions. This has resulted in the phenomenon of unity of opposites between line and retention, disease and astringency, square and circle, virtual and real, curved and straight, rigid and soft, clumsy and positive. Mi Fei, a famous calligrapher in ancient times, put forward the calligraphy motto "Never droop, never back down, don't accept anything", which is a wonderful understanding that he consciously integrated the idea of "never looking back" in the Book of Changes into calligraphy art. From calligraphy, we can learn the dialectical view that things are full of contradictions and changes. From the history of China's calligraphy, it is not difficult to see that Chinese characters have gone through the process of constant change and development from Oracle Bone Inscriptions, bronze inscriptions to modern Chinese characters, and calligraphy has also gone through the process of change and development from seal script, regular script, running script and cursive script. In the process of realizing the above development and evolution, human beings' pursuit and perception of the true meaning of life are reflected. Zhang Xu watched Gong Sundaniang's sword dance and realized the rhythm of cursive script. When Huang Tingjian saw the boatman paddling, he suddenly realized the truth that "the pen stretches with the trend". Chu Suiliang painted sand with a cone and knew how to hide the beauty of the front with brushwork; Yan Zhenqing looked at the water drops on the wall and realized the brushwork of leaking marks; No sooner had they finished pulling the car in the mud in Lu Yu than they learned the truth of being fierce with a pen. These famous artists transformed their inspiration from nature into calligraphy creation, and reached a perfect, true and beautiful artistic realm. In the process of learning books, we should pay more attention to our daily life, understand that there are dialectical and objective truths everywhere, constantly understand the laws of life and social development and change, and establish a correct outlook on life.
Third, improve aesthetic ability and cultivate aesthetic taste.
The reason why calligraphy has become an art is precisely because Chinese characters themselves have beautiful factors. As the carrier of calligraphy, Chinese characters not only express the beauty of lines, but also contain the beauty of content and expression, not only the beauty of abstraction, but also the beauty of application and creation. In learning books, we should know how to perceive the beauty of calligraphy rhythm with our heart, understand the emotional soul that calligraphers pour between the lines, and cultivate spirituality in a subtle way, thus infecting personality, purifying the soul, and improving the ability of aesthetic appreciation and expressiveness.
Fourth, you can temper your will.
Learning calligraphy is a hard, boring and long-term process. Without strong perseverance and diligent practice, it is impossible to make progress. This is not opportunistic. Through long-term study and practice, people's will can be honed, which is conducive to establishing persistent enterprising spirit.