Ma Mu, a poet and calligrapher, advocates that calligraphy should write about oneself, just as poetry and articles should have their own style. There is no need to stick to what "into", "flow" and "follow" what "pie". However, since calligraphy is an art, it should be beautiful first and give the audience a visual aesthetic feeling, instead of covering up its ugliness with "weird and twisted". Mamu calligraphy is characterized by its own metrical poems, which have been welcomed and collected by many poetry and calligraphy lovers and some professional research institutions. He pursues and practices the unique structural beauty of China's calligraphy, which is dignified, steady, solid, powerful, combining rigidity with softness, harmonious rules, and in line with the aesthetic taste of the public. In particular, the organic combination with his unique poems and masterpieces makes his calligraphy have the style of everyone, showing his wisdom outside, having both form and spirit, being chic and fluent, and becoming a family of his own. He is praised by the industry as "Luoyang gifted scholar", "powerful poet calligrapher" and "the first person with the same brilliance in poetry and calligraphy". He used to be the president of China Academy of Poetry and Calligraphy, researcher of China Academy of Calligraphy and Painting, vice president of China Artists Association, and honorary president of China Contemporary Art Association for life.
Read thousands of books and take Wan Li Road. Mr. Mamu has traveled almost all over Saibei, Jiangnan, Hong Kong, Macao and overseas. The grandeur of the Yellow River on the plateau and the elegance of the late tide in Pujiang inspired his poetry. The vast snowy area in the north and the new green of the pear garden in the south of the Yangtze River have prompted the rhyme of his works ... As a senior editor, his excellent books edited and published have won many awards; As a writer and poet, his fame has spread with his works. The generosity and freedom of the poet, combined with the loyalty and preciseness of the editor, formed his unique personality and aesthetic orientation. This is a solid foundation for him to become a rare "poet calligrapher" and "the first person with the same brilliance in poetry and calligraphy".