Song Huizong represents calligraphy works.

Song Huizong's representative calligraphy includes: Zuofang Poem Post, Bird Axis on Chimei Mountain, Peony Poem Post in Song Huizong, Two Poems Borrowed from Wind and Frost, Postscript by Hans in Ou Yangxun, Postscript on Li Bai's Title, etc.

1, "left iron stone"

Song Huizong's Fangfang Stone is a regular script, with two words per line and 20 lines. This is the masterpiece of Evonne's Thin Golden Body. In the Qing Dynasty, Chen Bangyan once wrote for Evonne's thin gold edition "Fang Fang's Poems": "This volume is written with paintings, and all the pen and ink are gone. The lines are like blue bamboo and the style is like rain. " It is not only a comment on this poem, but also a good summary of the artistic effect of The Book of Thin Gold.

2. Chimonanthus Mountain Bird Axis

This picture shows that the branches of Chimonanthus praecox are slightly bent, straight and extremely elastic, alternating with each other. When the branches of Chimonanthus praecox are open, a pair of tits on the branches of Chimonanthus praecox snuggle up to each other and face the left picture, drawing the viewer's eyes out of the picture. The depiction is neat and meticulous, full of life interest.

The branches of Chimonanthus praecox are hooked with a fine pen and then rendered with ink; Tits and day lilies are all painted in ink. The fineness of pen and ink and the coordination of dryness and wetness are harmonious. On the lower left, there is a poem written by the painter on a thin gold book: the birds in the mountains are leisurely and the plum powder is soft. There is an agreement between Dan Qing and Qian Qiu, which means to grow old together.

3. "Song Huizong Peony Poetry Post"

Peony Poem Post is a poem and calligraphy work by Evonne. The main content of this poem is to praise peony flowers. As calligraphy works, all of them are written in Zhao Ji's unique "thin gold style", which is a rare boutique. This work is gorgeous, dense and natural, with free and easy brushwork, rough lines and smooth brushwork.

When writing with the wrist as the axis, it is a little less rigid and a little softer, which fully shows the graceful beauty of thin gold calligraphy. Perhaps it was originally accompanied by a two-color peony picture, and the uneven level of the work was completed in one go, which shows the author's high artistic accomplishment.

4. "I want to borrow two poems by wind and frost"

This poem post is one of the representative works showing the spirit of Song Huizong's "thin gold book". Every word on the post is thin and straight, and the strokes are beautiful.

At the turning point, it is obvious that calligraphers deliberately keep the traces of hidden front, exposed front and running Teton, forming the characteristics of horizontal painting with hooks, vertical painting with points, dagger-like, and knife-like. The vertical hook is slender and restrained, and Lian Bi looks like flying and crisp, full of energy. This poem post is composed of seven words and five sentences and two poems, also known as "wanting to borrow wind and frost"

5. "Postscript to Hans Zhang"

Hans Zhang Tie, also called Ying Ji Tie, tells the story of Hans Zhang. Works of Ou Yangxun, a calligrapher in Tang Dynasty. Song Huizong and Evonne wrote down their experiences in their thanks. He commented on this post: Tang Taizi's rate made his book Hans Zhang Tie even better. The brushwork is steep, sharp and long-driven, and the wisdom and courage also avoid the front.

Jilin tried to send an emissary to ask for a book. Hearing this, he sighed: This book has spread far. In his later years, he was vigorous and vigorous, and he had the wind of law enforcement and litigation. It is not a hollow reputation that the butte rises and is cut on all sides. It is also pointed out that Ou Yangxun's pen power is vigorous in his later years, and he has great potential to enforce the law.

6. "Title Li Bai's Upper Post"

Shangjietie is the only book trace handed down by Li Bai, which has been collected in the Forbidden City. On the upper right of the text, there is the signature of "Tang Shangjie". There are inscriptions by Song Huizong and Evonne on the back cover. They are all thin gold editions, which are extremely neat, beautiful and elegant, showing Hui Zong's worship of Li Bai's calligraphy.

The postscript reads: Taibai tastes the running script and steps on the moon. When he entered the western restaurant, he felt that the characters were looking at each other and he was in a post outside the world. His calligraphy and painting are elegant and heroic, but he knows that Bai is not famous for his poems.