Appreciation of the sense of wandering and loneliness in Li Shangyin's Drunk under the Flowers.

Drunk under the flowers Author: Li Shangyin does not feel drunk when he is looking for fragrance, but the day of sleeping leaning against a tree is already oblique. After the guests woke up in the middle of the night, they lit red candles to enjoy the residual flowers. Poems based on mountains are often full of amorous feelings, and aestheticism is in pursuit. Feng's annotation said: "It rhymes the most, but it is also the most boring." Ji Yun said: "Love is more than enough, but the rhythm is not enough." Feng Ke's Autumn Window Essay calls this poem "elegant and profound." Lin Changyi's "Poetry on the Carved Pagoda" says: "This shore loves flowers to the extreme and can learn from itself." Can those who love lust do this? "Zhang's Notes said," There are many thoughts and heavy language. In the late Tang dynasty, there were few opponents. It's really concentrated and nice to sing. Liu Yu's "Jie Ji": The word "drunk and flowing" is a pun, meaning drunk after drinking and drunk after spending. ..... and' holding a red candle to enjoy the residual flowers' has pushed the psychology of loving flowers to a climax. "The twists and turns of feelings and the ambiguity of style are unique to one mountain." The first sentence, "You can't get drunk when you seek fragrance", describes the process from "seeking" to "getting drunk". Because I love flowers, I go alone to "seek fragrance" with strong interest and ardent mood; Both "seeking" and true happiness; I was deeply attracted by the beauty of flowers as soon as I met them, and I couldn't help it. After lingering admiration, I was unconsciously "drunk". This is double drunkenness. Liu Xiahui is a fairy wine in myths and legends. According to Lun Heng, Xiang was a Taoist, who became immortal after three years' return from his hometown. He said to himself, "If you want to eat and drink, the gods need to drink me to make the clouds flow. Every time I drink a cup, I won't be hungry for a few days. " The word "drunken clouds" is used here, which means drunk by sweet wine and gorgeous flowers. From the word "Liuxia", we can imagine the magnificence and brilliance of flowers, their fragrance and modality, and strengthen the concrete sensibility of the word "drunk". Is it because I feel a little drunk after drinking before I look for fragrance, or because I am in a bad mood during the process of looking for fragrance? Are you intoxicated by your obsession with flowers, or do you feel the intoxicating charm of flowers because you are slightly drunk? It's hard to tell. Perhaps it is through this pun that the poet wrote the interaction between physical drunkenness and psychological drunkenness, as well as the fusion of strange ideas. The word "unconsciously" vividly depicts the state of being dazzled and intoxicated, and the brushwork is extremely wonderful. The word "drunk" is further written in the second sentence "leaning against a tree and sleeping in the sun." I don't feel inclined to lean on trees because I am drunk (leaning on trees means leaning on flowers, and flowers grow on trees, if they are flowing); Leaning against a tree without being sleepy; From a deep sleep, I can't feel the sun setting. The narration is orderly, but the word "drunk" is closely linked everywhere. Drunk under the flower tree, the whole body and mind are surrounded and immersed by flowers, and even dreams have that intoxicating flower fragrance. Therefore, this "deep sleep" may be said to be the intoxication of flowers. This sentence seems to be transformed from the sentence "flowers seduce me, stones comfort me" The "sudden end of the sky" in Li Bai's "Climbing in the Dream of Tianmu Mountain" further describes the realm of both body and mind. It seems that the sunset has reached the extreme of infatuation, which is unsustainable. Three or four sentences suddenly turn to a new place-"When guests wake up in the middle of the night, they will enjoy the residual flowers with red candles." In the deep sleep leaning against the tree, time unconsciously went from sunset to midnight, the guests had dispersed, the wine had woken up, and it was hazy and silent all around. In this environment, ordinary people will not think of enjoying flowers; Even if you think about it, you will be bored by the cold and cold. But for a poet who loves flowers, such an environmental atmosphere can actually arouse the interest in enjoying flowers. When the wine is scattered, you can enjoy it quietly; Sober and refreshing, it has a different flavor from enjoying flowers in the hazy eyes; Only after midnight can you see a modality that people have never seen before. Especially when he thought that the flowers that bloomed in the daytime might be lost in the Ming Dynasty, a deep attachment to beautiful things came into being, which prompted him to seize this last chance to appreciate the dying beauty, so there was the scene of "rewarding the dying flowers with red candles". In the dim night, against the backdrop of red candles, this withered flower seems to present a strange brilliance at the last moment of life, as beautiful as a colorful hazy dream. The poet also got a new and final intoxication in the process of appreciating the residual flowers with candles. The "reward" after waking up in the middle of the night is a deeper expression of "drunkenness", as Yao Peiqian said, "Fang is the ultimate lover of flowers" (Note to Li Yishan's Poems). Qing Ma said, "Li Yishan's poem" Wake up after drinking, and enjoy the red candle "is deeply impressed by the elegant people; Su Zizhan's "fear of falling asleep in the middle of the night, high fever, silver candle and red makeup" has a strong atmosphere. The second son loves flowers to rejuvenate "("autumn window essay "). Today, we may have reservations about "elegant people and deep feelings" and "rich weather", but it comes down to this. It is completely accurate to say that "the love between flowers is not shallow" "